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Don't listen to the negative reviews

This is one of the few movies I've ever seen where the whole audience broke into spontaneous, loud applause a third of the way in.

It's a feast for the eyes. But what really makes this dramedy work is the acting.

The film's masterful storytelling did its job. The message was clear. No need to overdo.

a story of jealousy. the context, the acting, the script does it credible. Bunuel does it fantastic. because, like each of his films, El is a trip in the heart of reality. the humor and tension and plot are tools of entomologist. the irony becomes cold instrument for define the fall of a man for who desire and love are pillars of personal hell. a film who gives portrait of society more than a case from many. and that does El seductive. because it is, in many moments, the story of the viewer. crumbs from ordinary events, gestures who seems be ordinaries. the fear who change entire life. and the solution who could be too realistic for ignore it. a film about love. in its darkness' sides.

Although slightly more melodramatic, I feel this does have the edge over the later, 'Criminal Life of Archibaldo de La Cruz', which covers similar territory with more humour. A gripping and frightening tale of obsession that has a surprisingly large amount of echoes of Hitchcock's later, 'Vertigo' and seemingly that director took the bell tower sequence in its entirety. Still, who cares, great films remain great films, even when their inspiration may be revealed. The ending is low key but we are left in little doubt as to the state of mind of our hero/villain. Great performances help what might have seemed a preposterous tale, ring only too true. Probably best watched after Archibaldo, then the impact will be all the more great.

El (1953) *** 1/2 (out of 4) A wealthy, highly religious middle aged virgin (Arturo de Cordova) marries a woman (Delia Garces) he believes to be his true calling but things soon start to fall apart when the man becomes overdone with jealousy and obsession. This was my first Luis Bunuel film and while the story isn't anything too original, the direction certainly puts it in a league of its own. The claustrophobic ending was very well handled and highly memorable as was the performance by de Cordova who really gets inside this characters head.

This was the first film I decided to watch from director Luis Bunuel and I had no idea what to expect from EL going into it, but it really intrigued me in different ways -- not only with the general story, but also in the visual style with which it was realized. There were surprises at every turn, and the acting by the leading man Arturo de Cordova was superb. What began as a pretty standard-looking (though nicely photographed) soap opera wound up transforming into a striking melodrama with some oddly disturbing moments. I don't know how indicative this one movie is of Luis Bunuel's general approach, but if the others are anywhere near as interesting, I look forward to trying them out. He seems ahead of his time, judging by this film.*** out of ****