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Walker
William Walker and his mercenary corps enter Nicaragua in the middle of the 19th century in order to install a new government by a coup d'etat.
Release : | 1987 |
Rating : | 6.6 |
Studio : | Universal Pictures, Incine, Northern, |
Crew : | Art Direction, Art Direction, |
Cast : | Ed Harris Richard Masur René Auberjonois Keith Szarabajka Sy Richardson |
Genre : | Drama History Western |
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You won't be disappointed!
the audience applauded
This is one of the few movies I've ever seen where the whole audience broke into spontaneous, loud applause a third of the way in.
This movie tries so hard to be funny, yet it falls flat every time. Just another example of recycled ideas repackaged with women in an attempt to appeal to a certain audience.
On the surface, Alex Cox's Walker is nothing more than a modern adaptation of American filibuster William Walker's incursion into Nicaragua in mid 19th century.Walker bombed at the box office because people were expecting a biopic, something like Sid and Nancy, Cox's previous film. The film is not a biopic, as a matter of fact, it was was never meant to be taken seriously. Not even the characters in the film take themselves seriously. How do you judge the acting if it is intentionally bad? Yes, Ed Harris' acting is laughable and over the top, but there is a reason for it. The film would not have worked without it.The beauty of the film lies in that Cox intends to expose history as narrative and uses anachronisms (such as Coca-Cola bottles in the 1850s) and auto-referentiality (for example Walker is pictured on the cover of Newsweek Magazine) in order to remind us that what we are watching is fiction, but at the same time, this fiction is the unbelievable reality of the Nicaraguan people.The film is a great example of Post-Modernism in film. At the end of Walker, we see a helicopter fly into the Nicaraguan city of Granada. This anachronism breaches the barriers of past and present, and invites us to reevaluate the presence of the United States in Latin America. In order to send Walker's message effectively, Cox required both the use of Magical Realism (or the fantastical elements) and Post-Modern hyper-reality. As a whole, their unity is what modern art is all about: the pursuit of the hybrid as a source of beauty, and the understanding that this condition of hybridism in film is nothing more than a reflection of reality.The only drawback is that this movie is trying to be too many things at once: a two hour long critique of the Iran-Contra affair, a historical drama, a comedy, a satire, the list goes on. At times, the movie does get very messy and seems to drag on, pick up suddenly, and move forward without any real direction. At least the score (done by the ever so great Joe Strummer) successfully establishes unity throughout the film.Bottomline, Walker's strength lies in the message that it is trying to send. This movie is a must see for anyone interested in Postmodernism, Magical Realism, Latin American history and Cultural studies.
Walker was both a box office and critical failure upon its initial release, and even though it's not hard to see why (viewers expecting a historic drama played straight, by Cox of all directors, will be sorely disappointed), it certainly deserves to be rediscovered by a whole new audience. OK maybe Cox tries to be "cult" a little too hard for his own good, but that aside he pulls it off surprisingly well. Ed Harris is OK in the leading role but I would have LOVED to see Gary Oldman portray the semi-insane William Walker. If any role called for scenery consumption, it's this one. Watch it for the great Peckinpah-esquire shooting in slow motion, the amusing anachronisms (choppers, computers, Newsweek magazines, Coca-Cola bottles, Marlboros), the general air of absurdity and psychotronic charm, the comedic touches, the political commentary and the great cinematography. Walker is good exactly because it refuses to take itself overly serious.
This is one of the greatest films i have ever seen. The only issue I have with it is that it is out of print. I'd do almost anything to find a copy. While not the most accurate account of LITERAL history, it still provides decent reference as long as it is taken in its intended symbolic context. It is a truly profound portrayal, a historical as well as a relevant political statement filled with striking imagery and an outstanding score. Possibly too abstract for some, but in all actuality a most outstanding movie. If anyone knows where i might be able to find a copy of this I would be most obliged. I recommend it to anyone interested in...well I recommend it to anyone really.
Yikes, here we go with yet another blatant anti-man of God message. It was no surprise that actor Ed Harris was instrumental in the bias.This movie was supposedly one of these true-life stories, this one of an American named William Walker who was assigned by Cornelius Vanderbilt to go down to Nicaragua and run it. Apparently he does and proclaims himself President! Along the way, he is portrayed as a "man of God" who quotes Scripture and - of course - is shown to be some nutcase.That, and excessive B-movie-type violence and profanity, turned me off. The movie has a sleazy '70s feel to it. and, of course, the normal political bias. Just read the tagline on the front page here; "......before Oliver North."