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Simply Perfect

Great Film overall

The acting in this movie is really good.

One of the worst ways to make a cult movie is to set out to make a cult movie.

This slow, bizarre film tells the story of a semi-benevolent Vampire who trolls suicide pact websites looking for vulnerable souls who he can convince to consensually bleed themselves to death- so that he can feed on their blood. He's not one of those typical mythological vampire types- the ones we are all familiar with. Rather, a daywalking human Vampire that seems to possess an inescapable and insatiable desire to drink human blood.By day, he's a highschool biology teacher that watches over his Alzheimers ridden mother. By night, he associates with an online community of suicidal wannabes, and the other twisted f*cks that are attracted to such people- like moths to a light.He normally operates by forming a relationship with one of the "Side by Cide" members, who he then meets in an isolated location- with their computer (to prevent the police from obtaining evidence of their correspondence)- before using his cunning to convince them to bleed themselves dry- while assuring them that he'll take himself out when it's all over. Though, actually collecting and consuming their blood, instead.Things take a turn, when he goes to meet a potential suicidee...only to find out that she had arranged a group suicide with a bunch of other members from the site. All but he and one other girl are killed when one of the suicidees releases a cloud of carbon monoxide inside their van.The two survivors make their way back to civilization. But on the way...the girl figures out that he is the infamous "Vampire", who has been seducing, killing and consuming the blood of the site's disappearing members. He's kind of famous in their realm.When confronted with his real identity, he admits everything to her. Only to discover that she is willing to offer her blood- her life- to him.While working on the girl he met at the group suicide, his psycho stalker wannabe-girlfriend breaks into his apartment and onto his computer- looking for some sort of evidence that he's found someone else. While rummaging through his apartment, she jimmies open a locked closet, where she (apparently) discovers his hidden secret.He doesn't even kill the girl from the group either, having fallen seemingly in love with her- rendering him unable to go through with it. The two form a new pact with each other: he is to cease killing if she let's him drink from her neck- being his "only one".In an ironic twist of fate, though, one of his student's with suicidal tendencies- whom he had previously talked out of killing herself- slits her wrists and winds up in the hospital, needing blood. When he is contacted as next of kin, the nurse asks him if he is willing to donate his own blood in order to save her life.You'd think that this altruistic act would have garnered him some good karma, but when he returns to his flat, the police are waiting for him... I do, however, suppose that you might wonder whether it was this act of benevolence that actually sealed his fate.With this film Iwai has created a monster that is not merely a heartless and manipulative, psychopathic killer, rather a burdened and tormented soul who is forced to cope with the fate he's been dealt. It's not your typical horror scenario, by any means. It's less a film that exploits the romantic gore on which most cliché vampire films are based. Instead opting for more of an emotionally disturbing approach. The ending is kind of a cop-out, but the film is oddly intriguing enough to hold your attention throughout it's almost two-hour runtime. It's certainly not the best vampire flick I've ever seen, but it's most definitely a different and original take on the genre. And for that reason it's worth a watch.6 out 10.

Well I have to admit this is one of the strangest movies I had the opportunity to see in last few years. It's obviously not a horror or supernatural flick as title might have suggested - but it's a full pledged slow burning drama that almost has the 'art movie experience' feel to it. First and foremost - this is NOT a movie for average film-goer. It's slow paced, disturbing, unnerving, a true psychological drama with after burn effect that's not even particularly fun to watch but has that kind of hypnotic quality that holds you throughout the movie.The way the movie is shot is sort of semi-documentary style and while some shots do look relatively cheap (it was probably filmed on shoe-string budget), the way the camera moves and shots are placed - there's almost a voyeurish characteristic to it, like the director Shunji Iwai is forcing us to observe what happens to these women and to our main character, and although we might be repulsed by it - we can't look away. It's also a novel way to dive into the world of suicide and strange obsessions and even though we can't feel much empathy for Simon and the way he's using suicidal girls for his own 'vampiric' urges - it all has a deep, profound sense of tragedy that it's not just black and white or right or wrong. The question of morals is left as a gray area here; we are merely observing what is happening and drawing our own conclusions. Acting is minimalistic, but it does serve the movie well - the scarce, empty locations and deeply melancholic orchestral soundtrack only enlarge the feelings of sadness, nihilism and the impossibility of belonging or fitting in.In short - this is a really special kind of movie, one that will stick with you for a long time as you dwell on the fate of it's protagonists and also leave you to fight with your own feelings of insecurities, sense of abandonment and questions whether life is worth living that sometimes creep on us in our darkest moments through life...Well-worth seeing but a duly warning: not meant for the faint of heart.

I am a hard core film lover of the umpteenth degree and will always give a film, especially a film festival/art house film, a second and third chance at proving and redeeming itself. I've never walked out on a film. Until now. Reasons: The dialog was insipid with what appeared to be little thought in creating; the story was eye-rolling (how many suicides do you happen to run into? This leading man, who seems to invite death, has them happening all around him; how fortunate); and, the act of raping and murdering a young woman unnecessarily was put in, in my opinion, just for the purpose of filming it. And that's unconscionable. If you wish to see director Iwai masturbating on screen (not literally, folks), knock yourself out with this film. For any serious moviegoer who has a love for film and respect for all those connected with the creation of it, this movie is not for you.

This is not a vampire flick. It shouldn't really be necessary to point this out, after all the summary makes it very clear. But it would seem that the reason for this film's overall cold reception is precisely that it doesn't feature supernatural, love-lorn beings to satisfy inhibited sexual desires of self-destruction. Rather, it presents an altogether uncomfortable view on real-life blood-thirst and a controversial look at suicidal obsession.If you're familiar with Iwai's work, then neither the subject matter nor the style come as much of a surprise. Iwai's staple theme is alienated youth and the thin line between friendship and destruction. In 'All about Lily Chou-Chou', he explored bullying and underage prostitution against a backdrop of how virtual and real-life personalities differ, 'Swallowtail Butterfly' dealt with the ups and downs of a group of misfits bonding and betraying each other, and 'Hana & Alice' showed a close high-school-girl friendship with elements of rivalry over a particular boy.'Vampire' follows a story which actually happened in Japan: a man convinces young women in suicide chat-rooms to die together with him, eventually tricking them so that he may consume their blood. The focus isn't so much on why he wants to do this (apart from ambivalent references to the quest for immortality), but rather why these women want to die - and this is where I see a continuity with Iwai's other work. It's not so much about the story itself, which takes somewhat unfathomable turns and ends up in a confusing mêlée, but rather the visuals, which create a mystified, surreal and at times even humorous perspective on death. The proverbial 'vampire' is actually seen as a perversion of this theme, which becomes obvious in a rather gory parody of the 'serial killer' image, complete with fangs and cape.If you wonder what a Japanese film with American actors may look like, then this one may be very well for you. To me, it's been worthwhile just for seeing that the styles of Japanese cinema - character vagueness, visual rendition, and most of all quietness - can be translated into English rather well. However, if you really expect a vampire flick, better wait until the next 'Twilight' segment.