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Powerful

A Masterpiece!

It is an exhilarating, distressing, funny and profound film, with one of the more memorable film scores in years,

An old-fashioned movie made with new-fashioned finesse.

Okay, the plot of the Michael Douglas vehicle (he plays the title character) isn't QUITE identical to that of HAPPY TEARS. The former "crazy" dad with a secret of hidden treasure has just ONE daughter, while Rip Torn in HAPPY TEARS has two. But HT is NOT twice the fun!! After all, while Douglas scuba dives, Torn wears diapers (and there is a scene in HT designed to illustrate to young people if they would make good "candy striper" candidates). Another advantage KOC has is that its plot is far simpler than HT's, which in this case is a definite plus. While the main characters of KOC are all likable and funny, most of those in HT are prickly, while more than a few are downright unsympathetic (not to mention unfathomable). Further, maybe in the go-go 1990s jokes about women who buy $4,000 boots on a whim while a sibling needs to practically gnaw on tree bark to survive (with a bunch of children to feed, to boot) would be funny. Today, only the Tea Party anarchists would laugh at that. If you fall into the latter group, you may find HAPPY TEARS to be a hoot. But for the 90% of us who are relegated to just one-third of America's bounty (a percentage that is steadily shrinking at a rate now exceeding the robber baron days which even Republican president Theodore Roosevelt recognized as a crime against humanity when he broke up the trusts), rent KING OF CAL!FORN!A instead!

Happy Tears is definitely worth seeing. I had some reservations about it but I will start with the positives. The film begins with the Posey Parker character, Jayne, an icy rich woman commanding her way in Manhattan. But just as we are getting used to this, the scene switches to Pittsburgh where she is visiting her lowbrow family, a stark contrast. Before we know it we are involved with her dastardly but winning Father, Jayne's sister, Laura, who is caring for him and his sleep-in girl friend who is masquerading as a nurse. The purpose of the visit is to make arrangements for him. He is incontinent. The sisters become reacquainted around the task of cleaning feces off his body.The most striking performance is Ellen Barkin's character Shelley, the old man's "nurse". Wearing a stethoscope around her neck does nothing to disguise the fact she is an aging crack whore who is living symbiotically with the old man. Everything about this characterization is larger than life. While Jayne takes exception to her, she isn't very designing. In fact she is too innocent to be evil in any way. When in the end there is largess, the sisters plant her rightful share in a coat which she slips in to snatch. Shelley and the old man lend the film a lot of humor and humanity.What I found disturbing was the character of Jayne, as it is represented. It is not a question of acting but writing. While she seems to approach everything from a conservative angle, she herself is nothing like conservative. In fact, during her visit she has a sexual episode on LSD with a teenage boy. It seems really quite a stretch that any woman in her 30's would go this way, especially with the teen answering to the question what the drug she is asked to swallow is: "Does it matter?" Questions like that would flow naturally from the mouth of a serial killer. This leads to pregnancy, while her husband has expressed a wish not to have children. Although her wealthy husband has been peripheral to the film to the point of being non-existent, still we know enough not to be surprised when his resistance to children turns to "Happy Tears," a phrase which he actually uses.But none of this adds up. We are disposed to like Jayne and yet for no reason at all she makes him the unwitting father of another man's child. It would make more sense in terms of motivation if their marriage had been sexless. But then of course he would know he is not the father. I had the disturbing thought, could he be denying what he knew? But this is not in the film. What is there is simply an inconsistency created by the slapdash addition of disparate elements into the brew. Chalk it up to out of control woman.Buried treasure incidentally is discovered in the backyard in a late-night bulldozer session which we are supposed to believe would be plausible in Pittsburgh (--or, for that matter, in California.) I suppose this is an attempt to rub shoulders with some of the glory of King of California (an enormously better film). While on the subject of unreality, this is yet another film where joints are always accepted and the micro-mini skirt is still the norm. In short, it may be an Indie, but it never left Hollywoodland.

The acting talent in this movie is beyond doubt. Rip Torn, Demi Moore, Parker Posey, Ellen Barkin...excellent excellent portrayals of their respective characters as, respectively, the over-sexed but dying father, the concerned, loving, but also realistic daughter, the younger, concerned, rich, but addicted daughter, and the older slut posing as a 'nurse' in exchange for free bed and board and a bit of money.There were events in the story I didn't understand. I will not list them here for fear of writing spoilers, but they did seem incoherent. I tried to figure out why this or that point was included, such as - one exception I'll make - why the younger accepted to get high with the kid and then had sex with him, which made her pregnant, as far as I understood, and then in the end, was obviously passing off the pregnancy as coming from her husband. He, admittedly, didn't want to have kids because of his neurosis. She wanted to get pregnant. So what did she do? Use the kid as a surrogate father so the child would be 'normal'? For an already dysfunctional family beset with problems, wasn't this adding insult to injury? Well, you'll have to decide. but both sisters, at least, seemed to take the situation much as you'd be taking your regular cup of coffee. That looked weird to me, if my understanding is correct.Anyway, I decided to forget the parts I didn't like/understand and concentrate on the powerful appreciation and portrayal of real life people, and in that sense, the movie played out grandly. Worth watching, and as usual, the highlights of Torn's hilarious antics that elicit snickers and giggles are always good.For what it's worth, I think, though, he was much funnier in 'The Golden Boys'.

Saw this at Cinema Sundays at the Charles here in Baltimore.The audience liked it a lot, from their reactions during the film and also at the Q&A. Parker Posey and Demi Moore play two sisters who are faced with taking care of their father in the house where they grew up. Their father, played by Rip Torn, is becoming less and less compos mentis. Not forgetting the wonderful Ellen Barkin, who brings humanity to the role of Shelley, a woman who has reached bottom.The movie has some pretty trippy sections, a fair amount of things that make you not so sure what's supposed to be happening in the movie's reality, and what's just happening in the head of one of the characters.It's primarily a good-natured comedy about people and how they get along. It's very funny, with some subtle and unexpected laughs. I can't wait for this to be shown in a local theater so I can see it again.