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As Good As It Gets

it is finally so absorbing because it plays like a lyrical road odyssey that’s also a detective story.

At first rather annoying in its heavy emphasis on reenactments, this movie ultimately proves fascinating, simply because the complicated, highly dramatic tale it tells still almost defies belief.

A lot of perfectly good film show their cards early, establish a unique premise and let the audience explore a topic at a leisurely pace, without much in terms of surprise. this film is not one of those films.

Great action, cute dose of comedy, great storytelling, everybody played their roles really well and it was an enjoyable way to spend 90 minutes. I bought the DVD to see Luke Perry, I was pleasantly surprised to see David Faustino, another fave, and I enjoyed each character. The writer, director, and producer should be proud of what they put together, especially with the obviously limited budget. I don't recall ever watching a made-for-DVD B-movie before, but this one was well worth it. Lots of fun. I figured this movie would be junk, but each character managed to portray their own stories and characters really well. They made you care about them and made you want to see them and how they respond to situations. It's funny, because they managed to do that more than many Hollywood Blockbusters can sometimes. And I really want to think that I am unbiasedly reviewing this, but I guess I can relate to four of the characters. I relate to Mo, as my name is Mo, I like music,and although I am capable of making good money, I can't work at a job I don't like, even if it means living in a gutter! Same situation! I feel like Perry's character as I feel I deserve some good after all the stuff I've been through. I can relate to the bald guy as I am religious and do things against my better conscious judgement all the time. And I am like David Faustino's character because I'm short, I try to fit in by being cool but wouldn't harm a fly unless I'm pushed into a situation where I have to, then it begins to become natural, as it did him. I feel these are general ways anyone can relate to any of these characters and that's why I think the movie is so good, it has so much of us in these ridiculous characters. Well done.

Not to be confused with The Heist (1997), nor should it be confused with Armored (2009), of which this is a precursor by ten years, THIS "The Heist" is a decent urban shoot-em-up starring an over-the-top Ice-T as "C-Note".C-Note, Slim (Wisdom) and Trent hijack an armored car and murder the guards. They hide out in an abandoned warehouse but then Jack (Perry) and his brother Moe (Richmond Arquette) stumble upon them and try to take the money while trying not to get killed by C-Note. There are plenty of double and triple crosses, some of which involve white boyz trying to be more "street", one of which is played by David Faustino. During the final, prerequisite gun battle, C-Note shouts "Die, white boy, die!" Thanks to Ice-T's inimitable delivery, that is laugh-out-loud funny.Luke Perry has a beard and attempts to act "tough", with middling results. Before holding up the armored car, C-Note once again gets a great line when he utters "This is our personal ATM. Let's make a withdrawal". Clearly C-Note missed his calling as a banker/financial guru.All in all, "The Heist" (1999) is an adequate, workmanlike action flick with no surprises.For more insanity, please visit: comeuppancereviews.com

This movie is the perfect example where a decent plotline featuring good actors can be totally butchered by terrible scripting and bad dialogue. While the premise of a straight forward armoured car robbery and the subsequent battle for the spoils is (in my humble opinion) a solid storyline, the execution of the storyline in this movie is so bad as to be almost unwatchable. This is obviously a made-for-TV movie (the DVD features 4x3 format and stereo sound only, no widescreen or 5.1), but manages to fall short of even that benchmark. The characters are (for the most part) ridiculous, the dialog extremely corny, and the details of the storyline so bad they would appear to have been written by a ten year old. The thing that lured me to hire this piece of rubbish was the R rating - I was expecting some violent and graphic acts of carnage. But even the action sequences in this movie are poor - one notably featuring a bizarre looping of footage after someone is shot. Whether this was an editing glitch or a failed attempt to heighten the dramatic impact of the sequence is open for debate. In short, avoid this film like the proverbial plague. Do yourself a favour, and hire The Salton Sea instead.

i have seen this film more than once, each time it gets better and better, luke perry at his usual best, where is his oscar? a film and a half 9/10