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A Stranger Is Watching

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A Stranger Is Watching

A twisted man holds a TV newswoman and a girl hostage in the bowels of Grand Central Station.

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Release : 1982
Rating : 5.3
Studio : Metro-Goldwyn-Mayer,  Heron Communications, 
Crew : Director of Photography,  Director, 
Cast : Kate Mulgrew Rip Torn James Naughton Barbara Baxley Stephen Joyce
Genre : Drama Horror Thriller

Cast List

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Reviews

Listonixio
2018/08/30

Fresh and Exciting

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Stevecorp
2018/08/30

Don't listen to the negative reviews

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Dirtylogy
2018/08/30

It's funny, it's tense, it features two great performances from two actors and the director expertly creates a web of odd tension where you actually don't know what is happening for the majority of the run time.

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Sameer Callahan
2018/08/30

It really made me laugh, but for some moments I was tearing up because I could relate so much.

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Scott LeBrun
2016/04/15

Film director Sean S. Cunningham moved on from his great success with "Friday the 13th" to this more mainstream Hollywood thriller. It's nothing special, but it's not without its moments and pluses. It's a pretty sordid story, to be sure (adapted from a novel by Mary Higgins Clark), and some viewers may find it repellent at times. Others should have some fun with it, although it's never all that credible.Kate Mulgrew stars as Sharon Martin, a glamorous, big shot news reporter romantically involved with Steve Peterson (James Naughton), who's also in the news business. Two years previous, Steves' wife Nina (Joanne Dorian) had been raped and murdered in front of their horrified daughter Julie (Shawn von Schreiber). At the time, Julie had pointed the finger of guilt at a delivery guy, Ronald Thompson (James Russo), but the REAL culprit, Artie Taggart (Rip Torn), returns to extend his crime by kidnapping the two females and holding them for ransom in the vast and dingy areas beneath Grand Central Station.Cunningham brought along some of his F13 collaborators for this show, like casting directors Julie Hughes & Barry Moss, production designer Virginia Field, and cinematographer Barry Abrams. They do their best when capturing the sinister, overwhelming atmosphere of the underground settings. Suspense is minimal, but there is some violence here and there without much in the way of gore (for which, I'm sure, "Friday the 13th" detractors were grateful). One interesting moment has us manipulated into rooting for Rip when a gang of punks attack him in a public washroom, despite the fact that he's a VERY bad bad guy. The effective music score is courtesy of reliable veteran Lalo Schifrin.Rip is typically amusing in the villain role, and Mulgrew and young von Schreiber are appealing enough to maintain rooting interest. Much of the supporting cast is rather nondescript, but Naughton is good as the father, as is Barbara Baxley as a homeless woman. William Hickey and Vincent Spano can be seen in small parts.Screenplay credited to Earl Mac Rauch and "Friday the 13th" scribe Victor Miller.Six out of 10.

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blanche-2
2015/09/20

"A Stranger is Watching" from 1982, is a gritty story and manages to be a cut above the usual film versions of Mary Higgins Clark's book. Normally these have been produced by Grosso-Jacobsen, and the films are made in Canada and use Psycho-type screechy music. They have one B or C-list American star, and the rest are Canadian actors.This film, made earlier than many of the others, stars Rip Torn and a young Kate Mulgrew in her "Ryan's Hope" days, wearing more dead animals than I've ever seen. It also features James Naughton and my old acting teacher, Stephen Strimpell, and is filmed in New York.The story concerns the aftermath of the horrid rape and murder of a woman while her 8 year old daughter, Julie, watched helplessly from the stairs.It's three years later, and that man is going to be sentenced to death. However, the now 11-year-old girl and a reporter, Sharon (Mulgrew), who is also her father's girlfriend, are kidnapped. The kidnapper (Torn) holds the dad (Naughton) up for $180,000, the money put in trust for his daughter from his wife's estate. The kidnapper has great familiarity with the bowels of the city, where the subway runs, and that's where he hides his victims. Can they escape? Or can someone find them?There are tense and suspenseful parts of this film, but it moves slowly. As to being a cut above, one might ask why it's only getting a 6, which is what I usually give Mary Higgins Clark's films. Well, it's only getting a 6 because this is a violent and sleazy story. There is no character development. I'm sure the book is better.

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BillyBC
2003/03/13

(*** out of *****) Two years after directing the first "Friday the 13th" movie, Cunningham came back with this more serious (but only slightly less exploitative) thriller based on the novel by Mary Higgins Clark. "The Larry Sanders Show"'s Rip Torn (with that name, he was bound to play at least one role like this) plays a murderous psychopath who kidnaps a young girl(Shawn von Schreiber) and a TV news reporter (Kate Mulgrew, from "Star Trek: Voyager") three years after raping and killing the girl's mother. He keeps them in a smallroom deep in the subterranean bowels beneath Grand Central Station. There are several suspenseful attempted-escape and chase scenes throughout the last half of the movie before it ends in typical, bloody slasher fashion. James Naughton (from "The Paper Chase" and the "Planet of the Apes" television series) plays the girl's father and Mulgrew's boyfriend, and Barbara Baxley and James Russo also appear. Old, whiney character actor William Hickey pops up briefly as an ill-fated bum. There's kind of a weak twist towards the end of the movie, and, with the high body count, Cunningham was apparently still getting 'Friday the 13th ' out of his system, but, otherwise, this is pretty good.HIGHLIGHT: In an unexpected turn of events, Torn is attacked in a public restroom by a gang of thugs and beaten up. Even though he's the bad guy (and a nasty one at that), for a brief moment, you're tricked into thinking, `C'mon, Rip, kick their asses!'

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gridoon
1999/10/13

This film is sleazy and exploitive in the extreme. That's not much of a surprise, since it was directed by the man responsible for the (inept) first "Friday the 13th" film. What I DID find mildly surprising was the director's ability to shoot some reasonably suspenseful scenes in the middle of all the sleaze, proving that, when he doesn't overuse gore, he is competent enough. For a low-budget exploitation film, this isn't too bad.

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