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Great Expectations
A young boy called Pip stumbles upon a hunted criminal who threatens him and demands food. A few years later, Pip finds that he has a benefactor. Imagining that Miss Havisham, a rich lady whose adopted daughter Estella he loves, is the benefactor, Pip believes in a grand plan at the end of which he will be married to Estella. However, when the criminal from his childhood turns up one stormy night and reveals that he, Magwitch, is his benefactor, Pip finds his dreams crumbling. Although initially repulsed by his benefactor, Pip gradually becomes loyal to him and stays with him until his death.
Release : | 1999 |
Rating : | 7.2 |
Studio : | BBC, WGBH Boston, |
Crew : | Art Direction, Production Design, |
Cast : | Ioan Gruffudd Justine Waddell Charlotte Rampling Laura Aikman Nicholas Blane |
Genre : | Drama Romance |
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Reviews
It's no definitive masterpiece but it's damn close.
It really made me laugh, but for some moments I was tearing up because I could relate so much.
It is a whirlwind of delight --- attractive actors, stunning couture, spectacular sets and outrageous parties.
The movie turns out to be a little better than the average. Starting from a romantic formula often seen in the cinema, it ends in the most predictable (and somewhat bland) way.
This is better than the Michael York 'Great Expectations' which is not worth your time. But some addled producer must have gotten it in his head that Dickens deserved the weightiness of Shakespeare. It doesn't. Almost all Dickens is low, rollicking and shambling, with fuzzy edges. His books don't have these overly tasteful aspirations. Here, a very good Dickens novel is given a straight, costume-drama, Masterpiece Theater production. And it attempts some regional verisimilitude that doesn't end up adding much. It seems designed to appeal to female viewers. Dickens characters are recluses, unbalanced eccentrics and weirdos, but here they've all been leveled out. Characters, settings, emotions, none of it ends up being as vivid as the David Lean version which has been more lovingly shaped. Every emotion in this is oh-so-serious with characters brooding over things that can't be spoken. It's like they all worked too hard on figuring out the "inner truth" and "motivation" of their characters. PFFFFT! To what end? It kills the story. They're so uptight they might as well be Swedish.The story is better and more thoughtful when it's ambiguous and without a villain (See Lean). Miss Havisham is a bit of absurdity who should be treated almost as a caricature, though she certainly delivers some bombshells. It doesn't suit the story for her be played realistically like here. Orlick shows up in this version, but his value was never very important to the Pip narrative, except to include Dicken's usual villain. This Jaggers just cannot compare with Francis Sullivan's haughty power-brokering from '46. But the fatal blow is Ioan Gruffudd. At no point can a viewer decipher what his impenetrable, stone-faced Pip feels about anything. It's impossible to see him as anything other than a prop that is acted upon. The pacing is beyond lugubrious. Not an ounce of humor remains.
I've seen some three or four adaptations of this classic novel, and I honestly think that this is one of the best out there. The settings are appropriately dark and in keeping with Dickens' bleak writing, a shining example being Miss Havisham's mansion. The acting is perfectly superb; Ioan Gruffudd is most definitely one of the best finds of the past few years. Ian McDiaramid is wonderful as usual, and Gruffudd's Titanic castmate Bernard Hill (that movie's Captain EJ Smith) is a great Magwitch. Keep your eye on Ioan, I predict great things! His performance is outstanding, down to the replacing of his own Welsh accent with Pip's distinctive lower-class English one. Lovely filming, great direction and wonderful acting make this a great addition to the already distinguished collection of the BBC.
This would have to be the best three hours of viewing I have seen in years.The acting,locations and costumes were spot on. Mr.Dickens was probably turning in his grave at some of the 'adjustments'made to his original story.but I don't think this spoiled the viewing in any way.You have to give the English credit,they surely know how to make historical type movies.
This is Charles Dicken's bleakest story by far, and for that reason alone I've always detested it. I made a point of seeing this production because Ioan Gruffudd was in it. I was not disappointed.Once again, Mr. Gruffudd shows his ability to become the character, with a talent far beyond many better known young actors. His voice is so musical that one can avoid the story line and simply enjoy the sound.Charlotte Rampling was a far more interesting Haversham than others I've seen. She had a slightly sinister quality just under the surface that was quite delicious.Watch the production for the talent within. It's well worth your time.