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Better Late Then Never

Absolutely Brilliant!

The film never slows down or bores, plunging from one harrowing sequence to the next.

This is a gorgeous movie made by a gorgeous spirit.

This pleasant 1950's Sir Walter Scott Knight's Tale is a nice jaunt down memory lane. Robert Taylor, a poor man's Errol Flynn, contributes a capable performance as the Scottish Knight, Quentin Durward. What Durward lacks in riches, he more than makes up for in the lost values of chivalry, loyalty and humility. His elderly uncle Lord Crawford (Ernest Thesiger) sends him as an emissary to ask for the lovely, wealthy Isabelle, Countess of Marcroy's (Kay Kendall)hand in marriage. In doing so, Quentin Durward falls in love with her and struggles to fulfill his oath of loyalty to his uncle as he attempts to quell his passion for the Countess. In addition to this, add the political intrigue of two ruling cousins King Louis XI (Robert Morley) and Charles, Duke of Burgandy (Alec Clunes). Both have designs on finding her a suitable spouse that will support their own political intrigue. Consequently, this film has the makings of a full fledged adventure complete with sinister characters such as the evil conniving Count William De la Marek (Duncan Lamont) who has his own ideas to further his ambitions.The Technicolor photography is brilliant, and several actual historical castles were used in the film. The action in the film keeps the audience interested throughout. There are several lapses in transition of the filming which I found questionable. On one occasion the bad guys led by Count William De la Marek have a head start on Quentin Durward as they chase the Countess through the woods. Miraculously, Quentin Durward somehow arrives at a bridge and pulls off an ambush well before the fleeing Countess and the pursuing villains. I could never figure out how he pulled that off! Sadly, this is one of Kay Kendall last films. Actor Rex Harrison's beautiful wife passed away in 1959 of leukemia.

Anyone looking for insightful commentary on the human condition in a movie should avoid "Quentin Durward." Robert Taylor plays Durward, a poor knight out of place in his time, as he acknowledges to his uncle at the movie's start. Once the story preliminaries are over, Taylor goes on his mission to France, where everyone is against him, including Count de la Mark, the Beast of the Ardennes. "Quentin Durward" has great castle background shots, great photography and pretty good action. Robert Morley's well fed appearance softens his role, a king who cheerfully sells everyone out, causing death and terror. In "Quentin Durward", life is cheap and death often comes in a grim manner. Without giving away the plot, there are a lot of peripheral characters who get messed up along the way. There are no big scale castle sieges like Ivanhoe, just the aftermath after de la Mark takes over the castle of the Bishop of Liege. The costumed characters in "Quentin Durward" have real problems, such as Kay Kendall's character, who is being forced into a marriage she doesn't want. Money, land and power are the driving forces of the bad guys (which would include de la Mark, Morley's Louis XI and even Durward's uncle). In 1955, if MGM made a movie about crooked real estate speculators trying to rob a young woman of her inheritance, no one would pay to see the movie. Instead, MGM brings out the costumes, the great production values and a script tailored for Robert Taylor, including some snippy remarks, set in 15th century France. Moviegoers in 1955 waiting for Robert Taylor to appear in his next MGM costume action movie were like the character in "Waiting for Godot." "Quentin Durward" was the end of a line of historical movies that MGM started 30 years earlier, with "Ben-Hur."

This is a film to be watched with a wide and affectionate grin. Outstanding are Robert Morley as Louis XI, the infamous and wily 'Spider' of France, and Robert Taylor as the eponymous Durward, a would-be chivalrous hero born out of his time who is none too sure of himself. The necessary, and highly satisfactory, heroics are spiced with a rich leavening of humour and some genuine moral questions - how much should a man sacrifice for his country's sake? His love? His life? His honour? But above all it is a joyous and thrilling romp that doesn't take itself too seriously. Durward wants to be a knight in shining armour, but circumstances tend to conspire against him, and his lady is definitely the stronger-willed of the two; though like the audience, she cannot resist his puppydog charm. And ambiguous, cynical, cowardly Louis is often in danger of stealing the show outright, as he sits at the centre of his web and pulls the strings that manipulate all the other characters - a far-from-two-dimensional villain after my own heart! Definitely a superior swashbuckler, with a saving vein of humour.

You know a movie is in trouble when the worst parts are the action sequences. The cast does the best they can with the material, particularly Robert Morley as the scheming Louis XI, but the movie lacks originality and can't overcome comparisons to much better historical action films of this era.