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hyped garbage

It's hard to see any effort in the film. There's no comedy to speak of, no real drama and, worst of all.

The storyline feels a little thin and moth-eaten in parts but this sequel is plenty of fun.

Not sure how, but this is easily one of the best movies all summer. Multiple levels of funny, never takes itself seriously, super colorful, and creative.

This movie is a film adaptation of a very funny and traditional Brazilian story. The actors are very good and the director created the perfect ambiance for the scenes. It's a movie about a very particular Brazilian way of life. You will not find at this movie big cities like São Paulo or Rio, or big forests like Amazon, nothing. You will find the Sertão: a deserted area in Brazil where a lot of people lives with few resources and needs to use the creativity to survive. Maybe, for non-Brazilians, the language can be a problem, because most of the jokes have some linguistic aspect. But this is not a very big problem. The film is funny for everybody and have a good message at the end.

Before watching it, get this straight ! 1- This movie is an adaptation from a original play and smaller works from the same author (1955).2- This is not how Brazil is today in the country side but how it was at the beginning of the 20 century (circa 1920). Sort of Brazilian Wild West (in our case Wild East).3- This was a TV series much longer and was reduced to almost 1/3 of its original size for the theaters and DVD due to the great viewers ratings of the TV series.4- Much of the jokes and characters are local to the region shown in the movie: Sertão Brasileiro.5- To understanding the movie you should really know Brazilian Portuguese, some local accents related to the plot and the colloquial words used make it very tricky to translate, and in many cases, impossible. I watched also with English subtitles, and believe me: most of the jokes are gone.6- There is no parallels between this movie and "Cidade de Deus" (City of God). You can argue about the technical aspects of them but for me, is like comparing "much ado about nothing" (from Shakespeare) and American Pie. To really appreciate "much ado..." you you must master the English Victorian world completely (of course... its out of my league. Eng. is not my first !). Or like old Italian comedies from the 60 and 70 where many joke relay on gestures that a foreign just cant understand.7- And about the religious ending, its a joke inside the joke. And of course, if you cut a work that takes 3 1/2 hours to just 90 minutes and thinks that its the same thing....for example, for a native Brazilian, its just hilarious to see a black Jesus, a Zelot Devil and organized one following rules by the book.In the other hand, you could compare this movie to DOGMA (Kevin Smith). And its way better than DOGMA.Thats all folks...And of course... I'm a Brazilian.

"O Auto da Compadecida" figures as the best Brazilian comedy of all times, not only for the jokes itself but for the social and economical context that it shows!! Showing the northeast poor situation it shows an atmosphere that can only be understanded by Brazilians and third world countries citizens.The movie tells the story of joão grilo and chicó two poor friends that uses their smart to survive. sometimes honestly and sometimes tricking the richer and stronger people. With a smart and simple humor it makes you laugh from the first to the last minute, don't having to appeal to nudity and deliberated violence!!This one is one of the greatest comedies ever and should be watched by everyone who can understand it context!!

When the 4-chapter mini-series was announced by Globo network, few people expected it to be THAT good, for the simple reason that nothing that good had been done in Brazilian television in the previous 15 years. The adaptation is efficient, departing very little from Cabral de Mello Neto's text and mood, the direction, scenography and art direction are beautiful, the humour is well balanced with adventure and drama, everything works well. But the real treat you get watching this is Nachtergale's performance as Joao Grilo. This is the production that made everyone agree that he is the best actor of his generation by a mile. Let me talk a little of what the story is about. It is not really a 'fantasy' of the writer as some American viewers (understandably) thought. The play's proposal is to be an adaptation of several texts from the tradition of 'cordel literature', typical of the Brazilian northeast (where the play is set). Those texts are mostly long poems that translate the folklore of that region. It is, of course, a very catholic area, but in a very peculiar way. Jesus ('Manuel'), Mary ('the Merciful') and the devil ARE common characters of those folk stories, and they are as 'accessibile' to people as the movie shows in Brazilian Folklore. Also from 'Cordel literature' comes the character of 'Joao Grilo'. Anyone who sees this movie and don't know Grilo should watch for Shakespeare's 'Henry IV' (the character Falstaff) and Moliere's 'Scapino'. It is sort of a universal character – the court's fool, and doesn't belong to Arraes, Mello Neto or even to Brazilian Folklore. So it is not really someone's fantasy – it is the fantasy of an anonymous collective, the people from Brazil's northeastern 'sertao'. It is a great movie anyway, I just thought people would like to know the background.