Watch All the Young Men For Free

Good movie but grossly overrated

Good films always raise compelling questions, whether the format is fiction or documentary fact.

By the time the dramatic fireworks start popping off, each one feels earned.

A terrific literary drama and character piece that shows how the process of creating art can be seen differently by those doing it and those looking at it from the outside.

The U.S. armed forces were officially desegregated in 1948, and the Korean War (1950-1953) was the first modern conflict in which Americans of every heritage fought side by side. This less-than-spectacular GI movie -- albeit with a couple of big names -- is one of the few instances in which Hollywood has dealt with racial tensions in "America's Forgotten War."The story, set in the dead of a Korean winter, focuses on a squad of Marines holed up in a farmhouse behind Chinese lines. The two main characters are the unit's only black member (played by Sidney Poitier) and its oldest and most seasoned member (played by Alan Ladd). When the young black man finds himself thrust into command of his comrades, the white old-timer is resentful.Poitier and Ladd are the best part of the movie. These two pros have great "anti-chemistry." They play off each other superbly, portraying a mutual dislike that has a grudging undertone of respect. When "All the Young Men" was made, Ladd's star was sinking and Poitier's was rising, and that gives an added poignancy to their confrontation.Unfortunately, the movie doesn't give Ladd's character any identifiable racial motivation, however misguided. Instead, the sin of bigotry is embodied in a lone Marine, a stereotypical white Southerner (played by veteran TV villain Paul Richards). He's not just a racist, he's loathsome in every way. This is a cop-out. Institutionalized racism would never have lasted so long without the acquiescence or subtle support of many "decent" people.And speaking of cop-outs, why does a movie about racial issues give us a Korea almost devoid of Asians? The "Chinese" soldiers keep their faces covered. The main Korean character is played by an Argentine actress wearing Charlie Chan-style eye makeup. In 1960, this sort of thing should have been over. (Though the character sounds Latin American, the movie's explanation of her looks and accent is that she is half-French. The French presence in Korea was never very great, but apparently Hollywood was already starting to confuse Korea with Indochina.)I have to mention the motley crew of supporting characters. The casting is truly offbeat, with such non-actors as comedian Mort Sahl and boxing great Ingemar Johansson. James Darren is on hand to carry a rifle and sing a song, and even Johansson warbles a tune. The least believable scene in the film (and many are none too convincing) is when combat-weary Marines laugh themselves silly over Sahl's meandering monologue about bureaucracy and society. It's the kind of jabber that would put real Marines to sleep.Returning briefly to the issues of race and realism, the character of "Chief," who's supposed to be a Navajo Indian, is played by an actor who looks nothing like a Navajo. But at least he's not wearing eye makeup.

***SPOILERS*** Picked off by a Communist Chinese sniper USMC Let. Earl Toland, Charles Quinlivan, as he's about to go under turns over command of his squad to the green and inexperienced in leading men into combat Sgt. Eddie Towler,Sidney Poitier. The thing that ticks off the men that Sgt. Towers is now in charge of is not that he's green and inexperienced but that he's black! And it's now up to Sgt. Towers, who didn't want the job anyway, to lead them out of the wilderness, or Communist North Korea, and across the 38th parallel before the Chinese Communist and their North Korean allies make mince meat out of all of them!Under Sgt. Towers' command and leadership the men in his unit capture a key position, a farm house, that's the only place where a battalion of some 1,000 retreating US Marines can make it to safety and link up with UN forces to the south preventing them from being massacred by the Communist forces. It's that position that Sgt. Towers is determined to hold to the last man grenade and round of ammunition even if he ends up being killed by one of his fellow Marines in doing it!As the Communist Chinese key in on Sgt. Towers position tensions beings to build up between him an the Marines under his command. Sgt. Kincaid, Alan Ladd, who felt that he being in the Corps for 11 years was passed over in favor of Sgt. Towers never lets him forget about it. Still Kincaid knows that by bickering with each other will only give the surrounding Communist Chinese the advantage in overrunning the farm house and reluctantly takes orders from him. It's the racist Pvt. Bracken, Paul Richards, who never lets up in letting Sgt. Towers know where to stay in his place ,the back of the bus or squad, that really gets under Sgt.Towers' black skin.The both racist as well as horny Pvt. Bracken really goes over the top when after getting good and drunk on Korean home made wine attempts to rape Eurasian, half French and half Oriental, woman of the house Maya, Ann Maria Lynch. It's then that Sgt. Towers who tried to tolerate him, for the both good and safety of the Marine unit, lost his cool and not only worked Bracken over but almost has him shot for undisciplined and un-US Marine Corps conduct! The Communist Chinese using human wave assault tactics slowly ground down the Marines defending the farmhouse and it's now up to Sgt. Towers to make the faithful decision to either abundant the farm house and leave the 1,000 US Marines who need it to brake through commie lines to their fate or die defending it!The Chinese Communists bringing in their big guns, tanks and amour units, for a final breakthrough has both Sgt. Towers and Kincaid try to disable the lead tank with Molotov cocktails, they by then ran out of grenades, with Kincaid ending up almost roasted alive in the fighting! Needing an immediate blood transfusion as well as leg amputation to save his life Kincaid is saved by both the skillful surgery, his in fact first amputation, of medic Pvt. Wade, Glenn Corbett, and Sgt. Towers who donated at least three pints of blood-O positive-to keep Kincaid from going under just like Let. Toland did earlier in the movie.***SPOILERS*** With what now looked like the end for Sgt. Towers and his Marines with the Chinese Communist troops making a major assault on the farm house the US Calvary or USAF finally comes to their rescue. As the US Air Force saber jets start blasting the Chinese Reds to bits an elated Sgt. Towers going along with them, as ground support, picks them off one by one, sniper style, with his sub-machine-gun as they try to run for cover! P.S The movie also has the then Heavyweight Champion of the World Ingemar Johansson as recently naturalized American citizen and Swedish immigrant GI Torgil. Despite his being the champ in real life Johansson instead of fighting was seen in the film mostly singing Swedish folk songs to keep the men in his Marine unit entertained!

The special effects were the only (barely) redeeming factor. The music was bad. The dialog was pathetic. The fact that they used Caucasian actors and actresses to portray Asians is a slap in the face to Asians. This is the problem when Hollywood gets its hands on history. Even Saving Private Ryan, which was advertised as fiction, was more historically accurate in terms of dialog, music, and costume. Same goes for U571. Platoon, one of my favorites, as well as Full Metal Jacket, are much better movies simply because those who made them chose to make them authentic in spite of their fictional plots. Pass this one by. It is almost as bad as The Green Berets.

Terminally dull war movie that is only livened in fits and starts by Poitier's incensed portrayal. His obvious reluctance in the role adds a greater edge to the part of sergeant who doesn't want to be sergeant. The photo backdrops are unusually obvious, while the hour-and-a-half duration plays out with the singular plot thread of eleven marines on a suicide mission to protect a strategic farmhouse. This is punctuated by attempted rapes, bigotry and mutilation, those these elements seem to be inserted merely to keep the film going, rather than any natural dynamic growing out of the picture. Interestingly, whenever the Chinese are about to launch another attack, the marines are in the process of playing "When The Saints Go Marching In". Whether or not this is an indication the invading forces are saints, the main cast devils, is never really touched upon. The film's frequent lapses towards gung-ho miIitarism seem to suggest this is not the case. There are also scattered references to Buddhist mythology, though these seem to be undeveloped trivialities rather than any intentional commentary.