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Sorry, this movie sucks

Pretty good movie overall. First half was nothing special but it got better as it went along.

Great movie! If you want to be entertained and have a few good laughs, see this movie. The music is also very good,

The movie turns out to be a little better than the average. Starting from a romantic formula often seen in the cinema, it ends in the most predictable (and somewhat bland) way.

RELEASED IN 2013 and written & directed by Thomas Arslan, "Gold" covers events in 1898 when a single woman (Nina Hoss) joins a small group of other prospectors heading north through Canada to the Klondike gold fields near Dawson City. Their numbers dwindle as they face challenging hardships.My title blurb says it all. Just as "Meek's Cutoff" (2010) covered the adversities of traveling in the late 1800s on an alternative route of the Oregon Trail and "The Homesman" (2014) covered journeying from western Nebraska to Iowa, so "Gold" features the challenges of traveling from Ashcroft, BC, where the train tracks end, to Dawson City in the Yukon territories. Needless to say, "Gold" favors gritty realism to conventional Western staples. Still, there are Indians, Old West boom towns, covered wagons, a possible hanging, alcohol and a believable shootout. I think it's a little more compelling than those other two flicks, although those are worthwhile too if you favor mundane accounts of arduous travel in the Old West. If you'd like to see a more eventful old-fashioned Western covering similar terrain, check out "The Far Country" (1954) with Jimmy Stewart. I suppose the movie should've contained at least one rain sequence, particularly considering it takes place in the Great Northwest. But shooting in the rain is challenging & costly so the viewer is asked to read in-between-the-lines that they experienced rainy days. The film never shows any of the characters 'going to the bathroom' either, but we're to assume it happened.A German/Canadian production, THE MOVIE RUNS 1 hour 41 minutes and was shot in British Columbia, Canada. At least half the dialogue is in German with English subtitles.GRADE: B

Spoiler Ahead, Maybe? I'm a BIG Western fan but nowadays it seems that most indy Westerns are cheaply done & BORING so I really wasn't expecting that much out of this movie.Gold really surprised me.It was very well done & had my attention from the start.One scene right after the other, something was always going on, the scenery was just beautiful & it was NEVER boring.If you watch a lot of Westerns or ever played the game, The Oregon Trail then you can figure out what happens (I DON'T mean that in a bad way) I was hoping that everything would end up happily ever after but I knew better.If you're a fan of Westerns or not, Gold is a movie I'd recommend anybody watch.If I ever come across this movie at the store or wherever, I'm definitely buying myself a copy.It's WAY underrated & should be more well known than it is

This is a western…of sorts. While it's NOT about the American West and occurs a few years after the wild and crazy days of westward migration in North America, it looks like a western. It's actually about the Canadian West during those crazy and dangerous days of the Klondike gold strikes. While the American gold rush of 1849-1850 is more famous (especially when you look at the number of films devoted to both), the Canadian rush of 1896-1899 was far more dangerous due to the climate and terrain of both Alaska (through which many of the prospectors came) and the Yukon. Into this mad rush is a group of German-speaking prospectors —including a single woman, Emily Meyer (Nina Hoss). However, the trek turns out to be not nearly as trouble-free and easy as the leader of the expedition says at the beginning of the film. There are lots of surprises, tons of peril and plenty of death. In fact, watching the film reminded me of the computer game "Oregon Trail", as practically every sort of disaster that could occur does!In many ways, Gold should be commended. While about 95% of the westerns you see are historical nightmares, Gold is very realistic. The natives are NOT uniformly hostile, the gunfights are not glorious and the film is, at times, a bit dull—because life there was a bit dull! It's actually funny that it took a Bavarian (that's in Germany) production company to make a realistic film about the western migration! Plus, it did make sense as despite what you see in other films, folks who did not speak English and who were recent immigrants are the sorts of folks who settled the West. We SHOULD have been seeing people like this in our films long ago. As a retired history teacher, this sort of film really excites me. HOWEVER, and this is a big 'however', most folks probably do want to see a mythical portrait of the West!! They like heroes, fights with Indian tribes, fist fights, shootouts on the main street and all the mostly wrong trappings of a typical western. Realism, unfortunately, is not always so exciting and the film is the type of thing most viewers probably would struggle with enjoying because they want more action, happier endings and the like. So, Gold is definitely a film for a select audience—those who want realism, warts and all, instead of non-stop action and intrigue. As for the quality of the film, the acting and direction are just fine—very professional and competent. Also, while the film was apparently made in British Columbia and not the Yukon Territory (where the Klondike actually is), it's awfully close and the brown hills definitely look a lot like the ones in the Yukon (I've visited the area). Worth seeing though even I must admit this film isn't super-exciting and the ending is a bit of a downer.

At the time when it was released - right in the middle of August - both in Germany and in France, Thomas Arslan's seventh film, 'Gold', appeared as the ugly duckling puddling clumsily around the pond of Summer movies. No cheap thrills, no big gags, no sultry scenes in this German UFO. Nothing about it to draw huge audiences. To begin with, it is a western, once a popular genre but today the ghost of what it used to be, at least in terms of box office (with the notable recent exception of 'Django Unchained'). Even worse, once again as far as box office is concerned, it is spoken in... Goethe's language! Okay, laugh you cynical money grabbers while it is still time! As for me, I would not be so surprised if this unusual effort should become a classic in the years to come. Agreed, associating the terms "German" and "western" looks incongruous at first sight but let's not forget there HAVE BEEN German "cowboy movies" before, mainly in the 1960's. Of course at the time they were generally nothing but undemanding adventure films meant for the young public, most of the time shot in Yugoslavia and aspiring to nothing higher than "to entertain". Whereas in the present case the ambition is different and while the end credits roll the viewer is now assured that the words "German" and western" can go together quite well. For 'Gold' is a little gem of a western movie, which is made apparent as of the first minutes through the feeling of authenticity it generates. For one thing, Arslan's rough and uncompromising work is shot entirely on location: all the places shown or mentioned (Baskerville, Clinton, Goldbridge as well as the wastelands of British Columbia) are the real ones. Moreover, the writer-director has worked from actual documents of the time (the Yukon gold rush of 1898), among which photographs, newspaper articles and pioneers' diaries. All that is shown is therefore realistic, not to say hyper realistic, from the horse tack to the weapons to the costumes to the train. Such a serious approach is commendable and would suffice to make 'Gold' a good film but there is even more to it than the true-to-life account of the journey of a group of German gold diggers, namely an allegoric dimension. Indeed, Beyond the facts reported lies a fable about the futility of man's efforts. Driven by the lust to get rich quick, the seven characters (with the one exception of the determined female hero... but for how long?) ride and suffer only to give up or die in the end. A sense of utter absurdity is thus gradually built, reinforced by the structure of the movie (almost all the protagonists disappear one by one in the manner of an Agatha Christie whodunit). I am pretty sure John Huston would have liked 'Gold' even if its tone is yet more pessimistic than his (for Huston, the final goal is absurd, only the adventure is worth living whereas for Arslan, the whole thing is purposeless). Well made, well interpreted by competent German actors (among whom Nina Hoss as the dark, untamed Emily Meyer), 'Gold' is an excellent surprise. Not totally flawless (a faster pace would not have gone amiss), it is nevertheless an outstanding achievement in its category. And quite an unexpected one at that!