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Wonderful Movie

Highly Overrated But Still Good

In truth, there is barely enough story here to make a film.

A great movie, one of the best of this year. There was a bit of confusion at one point in the plot, but nothing serious.

A matriarch of a dysfunctional family is pushed to her tipping point by the disappearance of her son. We Don't Belong Here (2017) pushed me outside my comfortable zone when i saw Anton Yelchin with a blonde wig falling down a window into his own death threw out a dream sequence, the entire family is out of their own mind they either listen to music or treat to others like @ssholes. The pacing is very slow and the entire film drags so much that it's impossible to even care after a certain point. I wanted to like this movie i really did mostly because of Yelchin but the movie was a big disappointment and definitely in the 'Worst of the Year' list. (0/10)

Much Ado about nothing and believe me, I can follow a convoluted plot. This screenplay and the characters are so flatly boring, makes you wonder how it even got off the ground floor.Something definitely got lost in translation between the script and what actually appears on the big screen. Everyone looks as if they are on prozac, no one talks much sense and the audience is left with bunch of puzzle pieces not really worth putting together.The film-makers are presumptuous towards the audience. They assume: 1. We are interested in this boring suburban angst 2. We are interested in following a dialogue leading nowhere 3. We are interested in collecting fragments of nothingness 4. We are interested in a cheap flimsy wrap up aka sailing ship.Ahhh no. It's just not that interesting and way to much effort to follow all these messy metaphors of some very boring characters. Kudos though to the actors who played their robotic emotionless roles so well, I was actually hoping the bad guy would pull the plug. Alas no such luck.Watching this movie reminded me of paint drying. But not paint you want to see dry. Paint that is such a hideous color it actually hurts your eyes to look at in on the wall. THIS is what WE DON'T BELONG HERE is all about. Bleh.

a film about family and love and illness. and ways to escape from yourself. at the first sight - a film about anything. no story, only a lot of fragments, suggestions, sketches. but enough for discover not a case of dysfunctional family but near everyday reality. a special film for the aura of one of last roles of Anton Yelchin. for the admirable performance of Catherine Keener. for music, atmosphere and for a simple, slow grow up of events and words and feelings like flowers in a ruined garden.portrait of a state of soul, it seems be a song in images.

I enjoyed this movie. It is a family character study about deeply troubled and mentally ill siblings, some of whom have dealt with childhood trauma. Three of the children (adult children) appear to have precognition, though only one of them seems to be aware of it and is able to use it to alter an event. Keener gives a superb performance as the mother. This family loves each other, although they each suffer internally with their own demons. This is a slow burn, but well worth a watch. All of the characters speak softly, it was a strain for me to hear sometimes. There is no yelling and only one violent scene. It is an emotional study of a loving family who just doesn't feel it "belongs here", meaning in this world.