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A Kind of Murder
In 1960s New York, Walter Stackhouse is a rich, successful architect and unhappily married to the beautiful but damaged Clara. His desire to be free of her feeds his obsession with Kimmel, a man suspected of brutally murdering his own wife. When Walter and Kimmel's lives become dangerously intertwined, a ruthless police detective becomes convinced he has found the murderer. But as the lines blur between innocence and intent, who, in fact, is the real killer?
Release : | 2016 |
Rating : | 5.3 |
Studio : | Killer Films, |
Crew : | Art Department Coordinator, Assistant Property Master, |
Cast : | Patrick Wilson Jessica Biel Haley Bennett Eddie Marsan Vincent Kartheiser |
Genre : | Drama Thriller Crime |
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Reviews
Pretty good movie overall. First half was nothing special but it got better as it went along.
It is not deep, but it is fun to watch. It does have a bit more of an edge to it than other similar films.
Unshakable, witty and deeply felt, the film will be paying emotional dividends for a long, long time.
The acting is good, and the firecracker script has some excellent ideas.
I have weighted the film on the lower side of 5 out of 10 for the abysmal ending. As with most movie buffs, we hate to get sucked into a somewhat film noir with plenty of mystery in the early going, only to have the film end rather abruptly without proper closure. Patrick Wilson who plays Walter Stackhouse, an architect/storyteller/amateur detective is superb in his role. Kudos also to the wardrobe department for their excellent choice for their 1950's period dressage. I also liked the performances by Jessica Biel and Eddie Marsan. I would try to explain my disappointment by likening it to the purchase of a double scoop of my favorite ice cream placed in a sugar cone only to have taken my first bite and find out the ice cream was sorbet and the sugar cone was actually cardboard. If you can picture that scenario, then that is what I felt I watched with "A Kind of Murder", more like "A Kind of a Let Down"
What happened to Kimmel's eye? Seriously. Towards the end of the movie, in one seen his eyes are fine, the next scene, he has a shiner. What happened?Tony. He hears, and can pretty much ascertain, Kimmel being assaulted by that annoying investigator, yet the next scene, Tony has turned his back on Kimmel, who was in fact, the victim. Why? That made no sense, at all, whatsoever.There is a chunk missing in this movie, and sadly, that is to its detriment.This investigator. He had nothing this entire movie. He just speculated, harassed, invaded and kept losing his temper all movie long. All he had was these 2 idiots - Kimmel and Stackhouse. Those two are such fools, that an investigator wasn't even necessary for them to get caught.Speaking of getting caught; uhm, so, Mrs Stackhouse? Given the title of the movie, Walter's flashback, and Clara's demeanour, I'll have to ASSUME, that she committed suicide. Although, there is another angle they could've taken, especially given their emphasis on what Walter said to Ellie... An infuriating angle if done wrong, because it almost makes watching the entire movie USELESS, but at least would explain why Walter is an Architect rather. And I thought "Cell" had an inept ending.Then, there's the fact that, literally from the very begi... You know, let me not ruin for others, what really can't be ruined anyway. 3.4/10.
Thrillers made prior to circa 1970 often began with a "hook" of some kind, followed shortly thereafter by an unspeakable event. The story would only gradually unfold in which the viewer has no idea the who, the what, the how, the pieces of the puzzle only fitting into place at great effort. Think of the Maltese Falcon: a beautiful woman enters into the detective offices of Sam Spade and Miles Archer, claiming she's trying to find her sister who has been supposedly abducted. Shortly thereafter, Archer is murdered. In "A King of Murder", based on a story by the mystery-suspense writer Patricia Highsmith, famous for her Ripley novels, there's a similar form.At the beginning of the film, we learn that the wife of a reclusive antiquarian bookseller, Marty Kimell (Eddie Marsan) has been murdered. We don't see the murder, but mainly hear about it through a newspaper clipping extracted from a newspaper by Walter Stackhouse, a prominent architect. The case is being investigated by Detective Lawrence Corby (Vincent Kartheiser of Mad Men fame). Then we're brought to the other story-line thread. Walter Stackhouse (Patrick Wilson) seems to have everything someone in the upper middle-class could desire: a beautiful home, a beautiful wife, and a promising career as an architect and a short story writer. Except, his relationship with his wife, Clara (Jessica Biel), is on the rocks because of a dwindled sex life. At one of their lavish parties Stackhouse meets Elli, and he triangulates to fulfill his sexual needs. He also visits the bookshop owned by the husband of the murdered woman.Clara's impotence worsens and so does her psychological instability. At the same time, the case of the murdered woman seems to be going nowhere. Eventually, Clara's mother is reported to be dying, and Clara leaves on a bus to go to her bedside. Stackhouse follows her but then returns home. Later, we learn Clara never arrived at her mother's. She was found dead under a bridge about half-way between her home and her mother's. Was it suicide or murder? Stackhouse is questioned by Corby who starts to believe there may be a link between Stackhouse, his dead wife, and the other murdered woman. When questioned about whether he knew about the other case, Stackhouse lies and says he's never heard of it, and claims he has never met the widower. Corby begins to question Stackhouse's claims. Will he be caught in his lies and therefore become a prime suspect in the death of his wife? A thoroughly enjoyable and biting suspense-thriller which has its roots in many of the noir films directed by Howard Hawks and John Huston. A positive reviewer quote states that the film would have made Hitchcock proud, but this is much more of a throw-back to adaptions of novels by Dashiell Hammett and Raymond Chandler. "A Kind of Murder" is very gritty, similar to the "b-films" of Old Hollywood, such as "The Maltese Falcon", "Laura", and "The Big Sleep". And the climactic ending is not what you would expect from most of these kinds of films today.
It could have been a really great movie but it just lets you down over and over again. I get the whole 60's era, rainy/snowy nights but it's all about the scenery and nothing about the characters. I never understood the bullying behavior of the Detective, the "illness" of the wife or what exactly the Husband did. Was he a Writer or an Architect? Too many unanswered questions and not enough acting, but you get plenty of night-time scenery. I guess my biggest disappointment is the Damn plot or story line, I'm still confused.