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best movie i've ever seen.

if their story seems completely bonkers, almost like a feverish work of fiction, you ain't heard nothing yet.

I enjoyed watching this film and would recommend other to give it a try , (as I am) but this movie, although enjoyable to watch due to the better than average acting fails to add anything new to its storyline that is all too familiar to these types of movies.

For more than 90 minutes, I flirted with the idea of giving "Enter The Void" the first perfect 10 on this site that I would have ever given to a movie (I have rated some specific TV episodes "10"). Words simply cannot describe the experience: it is astonishing, immersive, transcendental - a "legal high". Gaspar Noe's floating camera is like a magic carpet carrying you along. But around the point where the flashbacks chronicling Oscar's past end, the film starts to get a little too indulgent, and I could see the ending coming a mile away. Despite all that, a trip like no other. *** out of 4.

So i've never seen a Gasper Noe film, Irreversible turned me off because, surprise!, the 9 minute rape scene. Either way I wanted to check the talked about director out, despite some of the controversy and criticism of his "brutal" work. Well, I probably should have listened to the critics. This movie was striking at first, before wandering into an indulgent, redundant orgy of traumatic childhood memories and... literal orgies. I understand the artistic nature of the film, but I don't think it ever justified a 2 hours and 40 minute run time.

Directed by Gaspar Noé, Enter the Void (2009 movie) is "the psychological story of a soul, observing the repercussions of his death, seeks resurrection."—Which is one of the weirdest reasons why this film is always at the top of my weird movie lists. It's one of a kind—a strange and tragic story! Nevertheless, it's one hell of a picture in motion. It is loud, garish, ugly and staggeringly empty. If your idea of visionary filmmaking is someone flashing brightly coloured lights at you, then count yourself in for a treat; you are about to experience some visionary filmmaking. The rest of us will get a repetitive shuffling of unpleasant individuals doing unpleasant things, inter-cut with lots of neon and occasionally a towering penis shoved in our faces (Thank God it wasn't shot in 3D). I don't care how amazing of a technical experience this is. Not only does the emperor have no clothes. He's tea-bagging your wife.Worth watching? Just that one time for a lot of you, probably (if not surely). It's not the greatest film ever made, possibly one of the most memorable cinema experiences in terms of effects, it's overlong, uncomfortable, and excessive, but of course, it's worth viewing as there aren't many movies like it. I'm not epileptic, but I do suffer (even though I hate using that word in this context) from hypnotic (sleep paralysis.) If my understanding is correct, this movie is centred (loosely) around DXM, which triggers lucid dreams. I feel like, because of that, it can get really relocatable for some us. It's not a horror movie, and can't possibly worry about being "scared," per say, I just know it's incredibly real and explicit, and don't want it to keep me awake at night because I can't get the images out of my head.This psychedelic tour of life after death is seen entirely from the point of view of Oscar (Nathaniel Brown), a young American drug dealer and addict living in Tokyo with his prostitute sister, Linda (Paz De La Huerta). When Oscar is killed by police during a bust gone bad, his spirit journeys from the past—where he sees his parents before their deaths—to the present—where he witnesses his own autopsy—and then to the future, where he looks out for his sister from beyond the grave.Overall, it is, in its way, just as provocative, just as extreme, just as mad, just as much of an outrageous ordeal: it arrives here slightly re-edited from the version first shown at Cannes. But despite its querulous melodrama and crazed Freudian pedantry's, it has a human purpose and its sheer deranged brilliance is magnificent. This is a grandiose hallucinatory journey into, and out of, hell: drugged, neon-lit and with a fully realised nightmare-porn aesthetic that has to be seen to be believed. Love him or loathe him – and I've done both in my time – Gaspar Noé (director) is one of the very few directors who is actually trying to do something new with the medium, battling at the boundaries of the possible. It has obvious debts, but "Enter the Void" is utterly original film-making, and Noé is a virtuoso of camera movement.

I'm giving it a 7 only because I'm crazy for the editing, music, and message.The movie itself got very repetitive with 15 minutes dedicated at the end to watching people have sex, and that's it.Besides that, the majority of the time you're just hearing the main character's sister whine and cry, that's it. Granted, she has a terrible life and plenty of reason to cry but the run of the movie has this tendency to show you the same scenes multiple times. If we were saved from watching rerun sex-scenes and their parents die (4+ times) the movie would be about 1/3 of its actual run time.*spoiler* He likes to watch his sister have A LOT of sex (when she's not crying, she's banging), I wouldn't be spending my afterlife like that but that's just me.