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I like movies that are aware of what they are selling... without [any] greater aspirations than to make people laugh and that's it.

At first rather annoying in its heavy emphasis on reenactments, this movie ultimately proves fascinating, simply because the complicated, highly dramatic tale it tells still almost defies belief.

A great movie, one of the best of this year. There was a bit of confusion at one point in the plot, but nothing serious.

This is one of the best movies I’ve seen in a very long time. You have to go and see this on the big screen.

It is strange how many people dislike this movie. It is a Western Classic that has a lot to offer. Great scenery and the ability to look at Lilly ( Drew Barrymore), Cody ( Madeleine Stowe) and Eileen ( Andie MacDowell); Mary Stuart Masterson ( Anita) was never much to look at. They are four prostitutes who have plenty of misadventures in the Old West. Three of the four suffer on screen physical abuse( only Eileen doesn't), and are accused of crimes they did not commit ( Cody killed in Self defense saving Anita from abuse), and allot them accused of a bank robbery they did not do. The men in this movie do not look very good: They were all criminals and ( or) fake, except William ( James LeGros) who is the naive good guy rancher who is dismissed by everyone in the movie except Eileen. The two main characters are Cody, a former outlaw who ran with Kid Jarrett a really nasty outlaw, and Eileen who was a ranchers daughter. Those two were the nicest of the Bad Girls. Lilly. ( a former rodeo star) was mean, Anita ( a pioneer woman ) was hard, while Cody ( although a former outlaw) was the leader who cared about the girls and about a man named Josh McCoy who was spoilers ahead; Murdered by Kid Jarrett. Eileen was actually a good girl gone wrong. One of the most interesting lines of the movie happened between Eileen and Lilly when they went to William's Ranch and Eileen said "My daddy said it was not the railroad but barbed wire that tamed the ranch." Lilly said "You knows lot about Grub Ranches for someone from New Orleans." She told her " I grew up on a ranch not much different then this before the bank took it away." She then said to herself "It has possibilities." Spoilers: At the end all of the girls are going to go to the Klindike to dig for gold ( Cody had Josh's claim), but Eileen did not want to go. She was happy that William offered her the opportunity to share this place with him. She told him the truth about her but said "It's all I the past." And said all I ever wanted was to get off of this diary pile ( the ranch) and all I got was a few fancy dresses and a broken heart. He said I have this land I got no money but I swear I will never break your heart. Since the girls were able to recover the money from the bank robbery Eileen and William will get the reward and will be okay. It is interesting that the other girls would rather go dig for gold then remain behind and be heroes. Everyone in this movie really pays a severe price for their actions except Eileen ( who is lucky to have a man like William who takes ( and loves her) for who she is). 10/10 Stars

Are the four titular lead women really all that bad in Jonathan Kaplan's 1994 Western thriller Bad Girls? Perhaps it's the nature of what they do lined up against what's expected of them that makes them so "bad", that is to say, putting their necks on the line and obliterating whatever male dominated spectrum exists within the world they occupy as they strive for independence and individualism. Perhaps that's what makes them bad, the fact that they refuse to roll over for the majority of the men in the film and act like good little whores suitable to be looked at but nary heard. The titular girls do kill people, but most certainly in self-defence; they fight and they battle away, but do so against fair degrees of sexism; they're on the run, but their running is purely a result of pent-up rage and sustained marginalisation. As it happens, Bad Girls is a guilty romp through a west you couldn't really entitle "wild" about four gals just wanting a 'straight' American dream infused life but having to fight both misogyny and false charges brought against them along the way.The film covers the misadventures of a handful of women in pre-20th Century America, the ringleader and toughest of the lot of whom is Madeline Stowe's Cody Zamora; a woman nary afraid to stand up to men nor those lecherous and out to harm either herself or one of her kind, evident when we observe her react with violence to a patron's over exuberance at sampling the services of Drew Barrymore's Lilly Laronette. Stowe's reaction lands her in some seriously hot water, the death sentence carrying with it an air of disenchanted inevitability about it in that Zamora stands before the gallows on account of preventing the elderly man from having his way rather than defending a girl from rape. After a straight faced Zamora demands the execution party "gets on with it", her three accomplices, with whom she has been working most of her life and will spend the majority of this film with, bound out of the wilderness and save both the day and Stowe's neck before charging off with her in tow. Fugatives to the law, Zamora; Laronette; Andie MacDowell's Eileen Spenser and Mary Stuart Masterson's Anita Crown hole up out of town after a verbal demonisation from those back at the party point out they are both the enemies of the people, religion and all things righteous.What transpires from this is effectively a weak rendition of 1992's Unforgiven, only minus Eastwood's character and Freeman's character; a tale about strong natured prostitutes maltreated but then themselves consequently being the ones whom go on the run as it's they whom are additionally stalked by a pair seeking their own brand of justice. Those men are two Pinkerton Marshals named O'Brady (Chinlund) and Graves (Beaver), men hired to track them down in this sprawling road movie of sorts and bring them to justice as the girls themselves attempt to get on with a more honourable way of living: the allure of opening a saw mill in far off anywhere appearing particularly appealing. The film has fun with placing women at the forefront of its plot, allowing its lead characters to charm; trick and seduce their way out of tight spots and usually into tighter ones when they require some money rather than to throw around weight they do not have as might have been the case had male characters driven the film.The film isn't without flaw; its goofiness encapsulated by the fact each of these girls maintains a relatively photogenic look throughout, not once the years of abuse nor the results of their previous line of work really worming its way into either of their expressions nor overall demeanour and thus holding the film back from being the grittier tale it might have been. As time had passed and the four of them worked at that seedy tavern, each of them appeared to master the fine art of gunslinging and sharpshooting; Zamora managing to make best-friends/worst-enemies with a certain Kid Jarrett (Russo), a bandanna sporting low life thief with a small army of bandits whom waltzes around with a belt of bullets around his ribs, along the way. The chase element is surprisingly effective, a love plot to do with a young man named Josh McCoy (Mulroney) whom becomes mixed up in things, or more specifically Laronette, daft as it is good natured; a later sequence featuring this additionally consistent, in an unrealistic manner, photogenic young cowboy arriving to save his dame on horseback out of a dynamite caused cloud of smoke, suit of armour all that is missing, rather ridiculous but then spun around when it is he whom needs the collective power of the four women to save his own life.There's a glum and rather seedy sub-plot to do with Jarrett and his past-involvement, romantically, with Zamora which doesn't quite sync up with the rest of the film's boisterous tone of romp and circumstance; while Laronette's own swiping from the rest of the crew feels a little preordained, or more obligatory than is desired, since it is she who is the youngest of the four titular bad girls and it is she whom must then where the little dress her captors have lined up for her. You additionally feel their treatment of her might have been a little more sordid than it actually is, but a ruthless sticking to the overall tone of the film demands a watered down version of whatever might have happened in the real wild west; the taking of Laronette the result of Barrymore's sexuality when compared to the other three than that of any realistic plot driven reasons or mechanics. Flaws and frustrations aside, and there are a glowing number, Bad Girls is a daft but enjoyable frolic through hazy female empowerment and both action and western genre demands but done in a relatively fetching manner.

....have more fun. Bad Girls is about four "soiled doves," Cody Zamora, (Madeline Stowe,) Anita Crown, (Mary Stuart Masterson,) Eileen Spenser, (Andie McDowell,) and Lily Laronette, (Drew Barrymore. Anita's abused by a client, and her friends promptly shoot him. Cody's almost lynched but they make good their escape, and meet up with Josh, a prospector on his way to Oregon to stake his claim. Meanwhile, the Pinkertons, in the form of detectives O'Brady, and Graves, are hired by Colonel Clayborne's widow to find them because she has a very low opinion of the law in the town. Cody, Anita, Eileen, and Lily, are in another town, where Cody tries to withdraw her money from the bank. Kid Jarret, an outlaw, and his gang, rob the bank, taking Cody's money, which totals over $12,000. Cody goes after Kid and finds his hideout. She meets Kid's father, who stole Josh's father's claim, and whom Josh wants did. Cody's beaten by Kid, and brought back to town. Will, a poor rancher, is deputized, by the town marshal, and is taken in by Eileen, who was left behind by Cody, Anita, and Lily, when she couldn't mount her horse. Lily's taken by Kid and held hostage. Kid plans to steal a shipment of Army rifles, and a Gatling gun. Anita, who's a widow, has a homesteading claim in Oregon, but can't make good on it because her husband's dead. Kid wants to have Lily as the gang's personal whore. Kid and his gang steal the shipment of Army rifles, and the Gatling gun, and Cody, Anita, and Eileen, steal the Army rifles and Gatling gun, from Kid and his gang. They also take Kid's father, whom they plan to trade for Lily. Josh kills Kid's father and they go to Kid's hideout to rescue Lily. Cody, Anita, and Eileen, rescue Lily and shoot up Kid's hideout. Kid's out of ammunition so Cody takes a bullet from her Winchester rifle, gives it to him, and tells him to shoot and die like a man. OUCH! THAT WAS COLD! I've always wanted to say this so here goes, Meanwhile, back at the ranch, Eileen helps Will pitch hay to his stock, and confesses to him that she's not from New Orleans. Her father was a dirt rancher from East Texas and she wanted to marry a rich man but all she ended up with was a broken heart. Cody gives Will some of her money so he can pay the mortgage on the ranch. Then Cody, Anita, and Lily, head for the Klondike. In Oklahoma, Graves asks a homesteader if he's seen her, and he says no. She's probably far away by now. This, as she and her two friends, are riding north. A good movie.

Bad Girls was filmed beautifully in the Texas wilderness, the story line between these women in the Old West held my interest and the humor was delightful. Starring Andie MacDowell, Drew Barrymore, Mary Stuart Masterson and Madeleine Stowe. These were brave gals trying to survive on their own, back when women had no rights if they weren't married, and society blacklisted any independent unmarried woman trying to earn a living, even if you were a widow with land rights denied to you. DrewBarrymore was especially adorable - although all the girls were quite good in their respective roles. A very enjoyable "light" story! The soundtrack was lovely as well. I have to rate this an "R" as there is some violence and bad-boy behavior toward woman.