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Absolutely the worst movie.

A Masterpiece!

I like movies that are aware of what they are selling... without [any] greater aspirations than to make people laugh and that's it.

Funny, strange, confrontational and subversive, this is one of the most interesting experiences you'll have at the cinema this year.

Alejandro Gonzalez Inarritu began his career as a broadcaster and Radio producer Hence his vast musical knowledge that can be Reflected throughout the film. Also his first pininos As a director, was doing commercials for Televisa, specifically In the creative area of ​​channel 5. In the latter we can see its side Creative and why not, his sense of humor, mostly black, like his Nickname and sarcastic. However in Amores perros what it proves is a Society, using as a point in common the canines, and Does in a majestic way, interweaving stories by means of a car crash. The performances are poignant in each of The characters, especially in the story of the "Goat" which is Capable of provoking fear and tenderness at the same time. The story that Could say that is the least attractive, would be the Spanish woman But that of Gael Garcia Bernal is touching and sad, as much as the Of the Goat. Inarritu's first feature is the reflection of what it is now. A successful winner of 2 Oscars, very well deserved

Alejandro Gonzalez Innaritu is one of the greatest filmmakers of the 21st century for his breathtaking vision and the power he brings in his darkest films. "Amorres Perros" is a heartbreaking story that digs into your soul and stays with you. It's blistering performances and depressing subject matter are the things that build upon strong films. While disturbing and saddening to watch at many times, "Amorres Perros" thrives in doing what it intends on doing, that being showing you the real world and how multiple people of different backgrounds can relate to one another no matter their lifestyles. Three interconnected stories about the different strata of life in Mexico City all resolve with a fatal car accident. Octavio is trying to raise enough money to run away with his sister- in-law, and decides to enter his dog Cofi into the world of dogfighting. After a dogfight goes bad, Octavio flees in his car, running a red light and causing the accident. Daniel and Valeria's new-found bliss is ended when she loses her leg in the accident. El Chivo is a homeless man who cares for stray dogs and is there to witness the collision. With three stories being interconnected by an accident, we see the dark sides to each group of people. We learn about their motifs, their failures, and, surprisingly, their mutual love of dogs (hence the title "Love's a Bitch"). What Innaritu and writer Guillermo Arriaga do is craft an amazing masterpiece that stands out as one of the greatest foreign films of all time. This powerful drama brings the hardship and hope of life in magnificent and creative ways that help you appreciate the power of storytelling and good drama.

Amores perros, a.k.a Love's a bitch, a trichtype: three apparently disparate stories, not necessarily distinct, amalgamate and provide a combined effect on the viewer, has all the necessary ingredients of a simple movie aiming to tackle complex issues related, but not limited, to love, in all its forms, loyalty, treachery, faith, brotherly love , or lack of it, and hope. In one story, protagonist caves into lust and doesn't care whether God laughs at his plans; contrastingly, in the third plot beleaguered veteran, an assassin, tries to see clearly even though he jests earlier in the movie that if God wishes him to see everything blurry, he will do so. Just as having all the key ingredients, fresh and appropriate, doesn't guarantee an exquisite dish, so having appropriate cast, relevant production values and stellar writing doesn't promise a great viewing. This is where a director's worth really shows. While viewing the first part, the viewer feels adventurous, hopeful and eerily guilt. These feeling give way to feeling of irritation, nagging and loss of hope, during the second part ; one again feels hopeful, furthers his understanding of life and human nature, and acknowledges importance of moving on after viewing the third and final part of the movie. Innaritu's genius has an effect. It lies not in showing what life is, but in making the audience feel it. For English audience, who know little about fame of Mexican actors, the movie may sometimes feel like a well-directed and edited documentary, with close up shot spreading throughout the movie and realistic portrayal. You neither appreciate what most characters do, nor condemn them; because u realize love's a bitch!!!

No. I mean, Inarritu has made sentimental, overly melodramatic films before, but he really goes overboard with this. It seems like his only intent is to tug our heartstrings and our anxiety and our thrills, and the first act just comes off incredibly contrived. The second act is better, with the couple, but it still is on-the-nose. The performances aren't the problem really (most of the time, sometimes some actors also overdo it, but one really needs to blame the material). The third act is by far the best and actually a pretty good, solid, effective piece of work with some great themes and the reason I don't entirely dislike the film. It was enough to not completely dismiss the entire film.