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People are voting emotionally.

As Good As It Gets

At first rather annoying in its heavy emphasis on reenactments, this movie ultimately proves fascinating, simply because the complicated, highly dramatic tale it tells still almost defies belief.

This movie tries so hard to be funny, yet it falls flat every time. Just another example of recycled ideas repackaged with women in an attempt to appeal to a certain audience.

I heard about this film being disliked by several critics for being 'a joke'. I thought it could be good, so I bought the DVD and watched it.The protagonist, Violet Sanford, is a struggling songwriter who decides that a small town like South Anboy is nowhere to be successful. So she moves to the Big Apple. There, after trying in vain to be signed to a label, she auditions at a seedy bar in the city.As a male viewer, I was surprised to be interested in this so-called 'chick flick' which also delved into the relationship between Violet and Kevin O'Donnell, a worker at a nearby area.Overall, while it isn't Oscar material, it's entertaining and far from deserving a Razzie.The film has a killer soundtrack, too. From Charlie Daniels to Lenny Kravitz, it kept me entertained.Seven. If you're not a fan of films like this, don't see it. Simple as that.

David McNally directed the sexually charged Coyote Ugly at the turn of the millennium. His film starred Piper Perabo and Adam Garcia in the familiar tale of a girl leaving her small town to try to make it in the big city. If you're thinking "I've seen this storyline before, do I need to see Coyote Ugly" the answer is no. The film is just as boring and formulaic as it seems despite girls dancing on top of bars while pouring pitchers of water on themselves--I suddenly realize why the film grossed so much. Violet Sanford (Piper Perabo) is tired of waiting tables at a diner in her small town in New Jersey and only writing her music part-time. She is ready to make the leap to nearby New York and begin the pursuit of her songwriting endeavors full-time. After finishing her last shift at the diner and getting a wonderful send off from her friends, Violet goes home to pack the car for the move. Her father, Bill (John Goodman) is reluctant to let his only daughter loose in The Big Apple, and it's clear that she has taken a parental role over her father since her mother's death years prior. He eventually is as supportive as he can be with her departure. After arriving at the run-down apartment which is all she can afford, Violet's best friend Gloria (Melanie Lynskey) hides money in Violet's freezer that she is reluctant to take. After several disappointments in trying to get the mixtapes of her songs to studios and agents, Violet finds herself disappointed and rejected. When she returns home to find her apartment ransacked and her belongings stolen Violet cries and questions whether or not she should return home. While out for a slice of pie to drown her sorrows, Violet overhears a conversation between several girls waving money around at a nearby table. Violet gathers that they are "coyotes" working at a nearby bar. Following the bread crumbs she has sniffed out, Violet seeks the bar out looking for a quick way to make a lot of money. Violet is initially stunned to find out that the bar she has happened upon is a city hotspot in which the girls comprise a team of sexy women who entice patrons to pay for the show they put on. The rest of the girls can sniff out Violet's small-town upbringing, but what they can't sniff out is the passion for her dreams that will push her to do whatever it takes to succeed. Oh, of course, there is a love interest that initially looks like it's not going to work out.Of course, she's from a small town and wants to move to a big city, of course, she's the parental figure in her single parent home, of course, her apartment gets broken into, of course she loses everything she's saved for months, of course her friend from back home left money in the freezer, of course she overheard that there would be a position open at the bar, of course she was too shy to dance on top of a bar, of course she had outdated technology making it near impossible to adequately get her art distributed, of course, she had a love interest that she was reluctant towards, of course, she had stage fright--except when she was with the coyotes, and of course she eventually made it. I'm not kidding when I say this is one of the most predictable movies I have ever seen in my life. It's also aged horribly and was difficult to watch, as most films that prominently feature technology, clothes, and music. Throughout the entire film, when I'm supposed to be buying into how hard this beautiful white woman's life is, I kept asking myself, "how hard can your life really be, you have perfect hair--if all else fails, shampoo commercials. A film as predictable and lazy as this just has nowhere to land with me, and few redeeming qualities about it, with the exception of John Goodman, he's always good--certainly the bright spot of this pile of garbage.

Violet Sanford (Piper Perabo) is an aspiring songwriter from small town New Jersey. She leaves her pizza joint waitress job, her father, and her best friend to pursue her dreams in NYC. Only the big bad city is getting the best of her. Down to her last few dollars, she tries out for a surprising job at a bar called Coyote Ugly.First, I don't know why she has to move to NYC to pursue her dreams as a songwriter. I would think New Jersey is close enough to get rejected by the music industry, and she could do a week or two. But as a songwriter, why does she have to stay there? I think it would be better if she's an actress.Then the rejections are so silly and ham fisted. It had me rolling my eyes, and hating the first act. By the time she gets to the bar, I couldn't really stand the movie. Maria Bello plays the bar owner. Izabella Miko, Tyra Banks, and Bridget Moynahan play the dancers. Other than watching some hot actresses dancing suggestively, there isn't much in this movie.

the beginning of the movie was pretty good. i liked how they showed life in new york- her first disappointments and her first days in the bar.. but later the story gets predictable and cheap. the bad scenes and mistakes: when Cammie (is that here name?) started stripping in the middle of a baseball game?! w.t.f.?! i mean- it's her job to dance in the bar, but why must she act like a stripper on a regular day?! that just looked like a stupid scene from a porno movie in one moment there are happening only bad things- violet looses her job, her boyfriend, her father is in hospital..blah blah..the usual height of a movie, and then- oh! it's a miracle! everything is perfect! her boyfriend wanted to move to Chicago, but he changed his mind and comes to rescue her show! i hate when they make such predictable stories.. and it's getting boring with all those- I'm moving, you're moving, but in the last second we both change our minds, because we know we're made for each other! the dialogs are really bad.. especially those which should be touching and deep- in the end..and nobody there seems to have a real character- everyone's mind is changing like the weather- violet's, her dad's, her bosses, her boyfriend's.. it's maybe a good movie for teenage girls, but if you're over 18, then better don't watch it.