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I like the storyline of this show,it attract me so much

Simply Perfect

This is a coming of age storyline that you've seen in one form or another for decades. It takes a truly unique voice to make yet another one worth watching.

There are moments that feel comical, some horrific, and some downright inspiring but the tonal shifts hardly matter as the end results come to a film that's perfect for this time.

And that's saying a LOT, since, while I usually have a pretty open attitude towards most (though not all) films I watch, animated or otherwise, I often find at least a FEW things that I, myself, probably would've done differently.This has been at the #1 spot as my favorite animated Disney movie of all time since at LEAST very early 2009. Now, nearly a full decade later, it STILL holds up quite well, and I can still remember those good happy times of falling in love with the film and its characters (heck! Even Madame Medusa, herself, while obviously a mean, nasty woman for the most parts, provides quite a few laughs with her hilarious over the top eccentricity and hamminess! THOUGH I WOULD NEVER TRULY BE "IN LOVE" W HER; Especially not if she were real!)As I finally write this long overdue review of this absolute masterpiece, it is early March 2017, just over 3 months before the film is due to celebrate its 40TH(!!!) Anniversary on June 22. However, due to the current execs of Walt's company giving the impression of biases in favor of SOME films being milked out the wazoo, while others (this one included) are contrastingly shunned in their infamous "Vault" more or less. A real shame that John Lasseter and his posse from Pixar seem to be giving this impression and the impression of wanting zillions more MONEY than they need (I mean "Frozen" ALONE made you guys multi-gazillionaires, so why not try to refute the notion of you potentially being cheapskates and not have these black-and-white biases? Just saying...)Either way, whether or not THEY care about this and several other Disney greats (in MY eyes at least) of the time, nothing will change the fact that I still do... Again, a REALLY perfect film if you ask me, 10/10, Happy (Early) 40th Anniversary, Rescuers!!! May you continue to "never fail to do what's right" for many decades yet to come!

The Rescuers is part of the classic Disney animation feature canon, but it looks more like a Don Bluth movie, its mouse protagonists bringing to mind Mrs. Brisby and Fievel and its overall animation style being a little sketchy (but not so sketchy as to be from the Jungle Book - 101 Dalmatians era) and having plenty of dark colors.The story is very urgent with high stakes (for a Disney animation) and at times scary for small children - there are terrifying scenes of cramped underwater caves, emotional abuse of a little girl, even a human skull being torn to bits.I liked the 70's-style romantic ballads, too. But the look, sound and pacing might be a little old-timey for the kids these days.

Two mice of the Rescue Aid Society (Eva Gabor and Bob Newhart) search for a little girl kidnapped by unscrupulous treasure hunters.Looking back now (2014), this film's biggest weakness is in its music. The style is very much a product of the 1970s and may not necessarily play well to today's audiences. (Other films of the era, such as "The Last Unicorn", have a similar problem.) Prior to "The Little Mermaid" in 1989, this was the last great Disney film. The use of Gabor, Pat Buttram and George Lindsey (all of whom were in "The AristoCats") was a good choice, and the animation holds up well. Some have called it "sketchy", but this seems unfair. It works for what it is and moves the plot forward just fine. We can even see the precursor of Ursula in Medusa's hair, not to mention the gators' similarity to Flotsam and Jetsam.

Between the golden age of Disney animation in the 1930s, 40s, and 50s and the far shorter second golden age of the 90s was a period dominated by odd, awkward features like "The Rescuers." Some of the oddness in this movie works to its benefit: Bob Newhart and Eva Gabor are unlikely voice actors, being so understated and somehow "adult", but they are very cute as heroes from a literal mouse United Nations called the Rescue Aid Society. It must be largely due to their chemistry and vocal talents that "The Rescuers" eventually got a sequel. Some of the movie's oddness, though, makes "The Rescuers" an actively unpleasant experience: a maudlin take on child slavery, trailer-trash mice in a dismal bayou, and music that sounds like bad karaoke of B-side 70s folk. The characters and some of the animation seem lifted from earlier Disney films, which was something the studio did all too frequently around this time. The depiction of the main baddie is a trashier, less enlightened version of "101 Dalmatian"'s Cruella DeVille, and much of the supporting cast is straight out of "Robin Hood" (which in turn had imported many of its characters from "The Jungle Book"). In addition to Newhart and Gabor, glimpses of the painterly artistic talents of Don Bluth, who worked for Disney before directing his own darker and more fantastical movies, makes "The Rescuers" just barely worth watching.