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The Artist
Hollywood, 1927: As silent movie star George Valentin wonders if the arrival of talking pictures will cause him to fade into oblivion, he sparks with Peppy Miller, a young dancer set for a big break.
Release : | 2012 |
Rating : | 7.9 |
Studio : | France 3 Cinéma, La Petite Reine, Studio 37, |
Crew : | Art Department Assistant, Art Department Coordinator, |
Cast : | Jean Dujardin Bérénice Bejo John Goodman James Cromwell Penelope Ann Miller |
Genre : | Drama Comedy Romance |
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A waste of 90 minutes of my life
When a movie has you begging for it to end not even half way through it's pure crap. We've all seen this movie and this characters millions of times, nothing new in it. Don't waste your time.
A movie that not only functions as a solid scarefest but a razor-sharp satire.
There's no way I can possibly love it entirely but I just think its ridiculously bad, but enjoyable at the same time.
Outside a movie premiere, enthusiastic fan Peppy Miller literally bumps into the swashbuckling hero of the silent film, George Valentin. The star reacts graciously and Peppy plants a kiss on his cheek as they are surrounded by photographers. However as Peppy slowly rises through the industry, the introduction of talking-pictures turns Valentin's world upside-down. The Artist is a good representation of the early 20's and early 30's unfortunately however is also a pretty slow and painfully boring movie that the best perfomance was from the little dog. (3/10)
I wanted to like The Artist more than I did. I love silent movies and I was excited to see this Best Picture winner. However, I may have built it up too much in my mind. It's enjoyable, but it didn't grab me like I expected it to. The cast does a great job, the visuals are beautiful and I love the references and homages to the silent era. The story, however, is overly simplistic and it seems to drag. It may have been my fault, though, I watched it when I was tired -- never a good idea.
Film Review: "The Artist" (2011)Considered by many to be the Best Picture of year 2011, starting its success story at Cannes Film Festival on its 64th edition in May 2011 and finishing on February 26th 2012 with the Academy Award for Best Picture of the same year, utilizing the instrument of an high-concept gimmick by shooting the picture entirely in 1920s filmmaking conditions with framing set to full frame aspect ratio to capture light reflections on 35mm black and white filmstock under the direction of former television movie director Michel Hazanavicius, who earns his lucky punch of international filmmaking with his formidable playing leading man Jean Dujardin in a role of a life-time and sweet-looking, earning by the beats actress Bérénice Bejo, building the undeniable classic taste of a star-striving emerging Hollywood era of oblivion.Winning five out of ten Oscar Nominations, dividing the Academy Award Ceremony of 2012 in its 84th Edition with Martin Scorsese's directed high-end major budget granted infusion of a filmmaker's homage on the life of Georges Méliès (1861-1938) "Hugo"; keeping the voting members of the Academy of Motion Picture Arts and Sciences (AMPAS) in a tight grip of choosing an original stagnation, no-risk classic over cinematic evolution in terms of daring the impossible by bringing the whole filmmaking orchestra out of its "The Big Sleep" (1946) winter sleep to take responsibility of a worldwide shared audiovisual infusions, who shaped a society of future filmmakers that are considered to cannibalize each other by rolling their thump to a beat of emotional deprivation, making this picture being welcome in times of nostalgia and pushed-aside "Melancholia" (2011) directed by Lars von Trier.© 2017 Felix Alexander Dausend (Cinemajesty Entertainments LLC)
A silent film, in black and white, led by two French stars that are virtually unknown in the United States, it doesn't seem like the kind of movie that, outside of art-house buffs, would catch on with a broader audience. But, the Weinstein instincts were right on as the movie played like gangbusters to critics (who applauded several times through the screening at Cannes), but moreover, Hazanavicius' film is a pure joy. Wildly entertaining, with a big generous heart, "The Artist" is not just an exercise in old school filmmaking, it's a beautifully told story that is classic and timeless in feel.