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Bonnie and Clyde
In the 1930s, bored waitress Bonnie Parker falls in love with an ex-con named Clyde Barrow and together they start a violent crime spree through the country, stealing cars and robbing banks.
Release : | 1967 |
Rating : | 7.7 |
Studio : | Tatira-Hiller Productions, Warner Bros.-Seven Arts, |
Crew : | Art Direction, Set Decoration, |
Cast : | Warren Beatty Faye Dunaway Michael J. Pollard Gene Hackman Estelle Parsons |
Genre : | Drama Crime |
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Wonderful Movie
One of my all time favorites.
The thing I enjoyed most about the film is the fact that it doesn't shy away from being a super-sized-cliche;
It is neither dumb nor smart enough to be fun, and spends way too much time with its boring human characters.
Movie was amazing . It had great lighting , great details , perfect camera angles, great actors and knowing that it is based on a true story makes it even more intense. The actions scenes was great as well as the get away's but we all know how it would have ended. The only thing that needed work was the music. I did not like hearing the same music every time a intense seen was happening.
Bonnie and Clyde are as notorious a pair as people come. Hollywood's portrayal perfectly captures that, as well as captures their romanticized nature as criminals of the 1930's. This film remains one of the most well known examples of the story of Bonnie and Clyde, as well as one of the earlier known examples of true real story turned Hollywood blockbuster. Bonnie and Clyde were portrayed beautifully (would have been nice if movie Bonnie actually looked like the real Bonnie Parker however), and their story was a thrilling film to see
BONNIE AND CLYDE is an action crime drama film about a pair of notorious robbers who have robbed banks during the Great Depression. It's a ruthless and cruel story that looks nice, touchy and fresh in small sequences. This movie is not a faithful representation of the desperado careers of Clyde Barrow and Bonnie Parker, a notorious team of bank robbers and killers who roamed Texas and Oklahoma in the post-Depression years. I think that is the best, otherwise, in some more realistic view, all the charm and humor of this movie would be lost.In the middle of the Great Depression, Clyde and Bonnie meet when Clyde tries to steal Bonnie's mother's car. Bonnie is excited by Clyde's outlaw demeanor, and he further stimulates her by robbing a store in her presence. Clyde steals a car, with Bonnie in tow, and their legendary crime spree begins. The duo's crime spree shifts into high gear once they hook up with a dim-witted gas station attendant, C.W. Moss, then with Clyde's older brother Buck and his wife, Blanche, a preacher's daughter...The biggest controversy of this film is through the fact that the young audience likes classic anti-heroic characters. However, those characters are people who love, suffer, and have quite ordinary life problems and dilemmas. They simply run away from themselves. Ultimately, they die in one of the most spectacular and the most horrible scenes in cinematic history. This movie has hit a taste of a subculture just like "The Graduate". I think this story does not bring a nostalgic charm, but it fits in a rebellious nature of the 1960s.The characterization could be better, however a scenery and atmosphere are great.Warren Beatty as Clyde Barrow is sympathetically unhappy and stubborn. He is trying to be faced with life problems in an inherent way. Mr. Beatty has offered a solid performance. Faye Dunaway as Bonnie Parker is a young woman who wants a kind of change and excitement in her life. It may be just a flight from ordinary suffering or love for rebellion. Regardless of all a beautiful Miss Dunaway has stolen this show.Their support are Gene Hackman(Buck Barrow) with his bad jokes, Estelle Parsons (Blanche Barrow) as an irritating wife and Michael J. Pollard (C.W. Moss) as a faithful companion and seems, the greatest fan.These bullets kill actually.
Though the theme is not great, the way it is carried is. Arthur Penn is pushing many buttons in this film and is feeling comfortable, something that was not the case in say "The Chase" (1966) - exactly because the theme is easier and relatively light. There is a tight smile one every scene and you can never tell the good and the bad guy. This is life, this is great art.