Watch House of 1000 Corpses For Free

Best movie ever!

Like the great film, it's made with a great deal of visible affection both in front of and behind the camera.

All of these films share one commonality, that being a kind of emotional center that humanizes a cast of monsters.

Through painfully honest and emotional moments, the movie becomes irresistibly relatable

"House of 1000 Corpses" was and actually still is a pretty entertaining movie; one that has lots of really interesting aspects to it. First of all it is loaded with the typical Rob Zombie imagery that you also see on his CD artwork and also crammed with lots of bits and pieces of horror icons and imagery.But it is also a movie that is rather brutal and grotesque at the same time. There is a good amount of blood violence and bloodshed in the movie as a movie of this type should have.What really worked out for me here was the characters, especially the deranged killers in particular. I love the Otis Driftwood and Captain Spaulding characters as they are so far out there that you can't help but love them and the fact that those two characters are played by Bill Mosely and Sid Haig respectively is just the icing on the cake.Now, aside from BIll Mosely and Sid Haig, then there are some pretty nice names on the cast list alongside those two; such as Karen Black, Tom Towles and also Sherri Moon held up her performance quite well.I have seen "House of 1000 corpses" numerous times and I doubt I will ever tire of it.The movie is also accompanied by a very interesting and unique soundtrack.If you enjoy horror movies then this is most definitely worth checking out if you haven't already. And if you haven't already seen this movie shame on you...

Rob Zombie's House Of 1000 Corpses is a lot to sit through, and at times is a victim of its own overly zany ambition. Nevertheless, it's the first stepping stone in the path of one of the most fascinating and talented directorial careers in the industry, and is a completely batshit mental curiosity in its own right. Zombie sprung onto the scene with this one and has since been a controversial, much talked about and frequently hated voice of horror. Let's get one thing transparently clear: No one can be blamed for not enjoying his films, they're incredibly niche and not everyone's thing, but you are simply lying to yourself if you won't concede what a hugely talented writer, director and all round filmmaker he is. I've had to get quite stern in conversations with people whose tunnel vision stubbornness supersedes their ability to logically analyze his work, and I simply won't put up with it. Alright, scolding done, over to the film. I'll be the first to admit that House is a splattered mess at times and goes about six light years over the top, but the sheer grungy scope of production design is really something to see. In deepest backwoods Americana, the murderous Firefly clan preys on, terrorizes and murders pretty much anyone who gets in their path. Bill Moseley is a Manson-esque dark angel as Otis Driftwood, renegade bad boy brother, Sheri Moon Zombie is like Harley Quinn on bath salts as Baby, who is definitely the scariest, while gargantuan Matthew McGrory, walking decrepitude grandpa (Dennis Fimple) and giggling slutwhore Mama (Karen Black doing her very best freaky Betty Boop rendition) round out the rest of the brood. They live in some cluttered rural dump right out of Hoarders, luring unsuspecting travellers off the road and murdering them in really over elaborate, exhaustive looking ways. Oh and we see the birth of one of cinema's most jovial and sleazy killer clowns, Sid Haig's motor mouth Captain Spaulding, who bookends the film in uproariously raunchy comic relief. It's a neon fever nightmare of relentless commotion, visual excess, metal music, retro Americana pop culture bliss and sadistic gore, Zombie going all out to solidify his storytelling aesthetic that would continue, in augmented, evolved ways, over the course of his brilliant career. This is certainly as obnoxious a film as you'll find in his stable, and while it ranks in the southern end of my Zombie favourites list, there's just no ignoring the raucous, depraved celebration of all things gross, gooey and grotesque that parades by. Not to mention the whip-smart, trashy and endlessly funny dialogue, writing being skill that the man excels in on another level.

It's 12 a.m. over here, and it's officially the 31st of October, Halloween! As a horror fan, I will be doing the usual, which is having an all day horror movie marathon, and I'll be saving my personal favorite Halloween-themed horror film for last, which is House Of 1000 Corpses. This is the first film written and directed by Rob Zombie and the first film before Zombie's 2005 hit sequel, The Devil's Rejects. At the age of 15 or 16 years old, this movie was my very first experience of something totally bizarre, shocking, hostile, darkly humorous, and insanely amazing. Now, it's 2017, I'm 27 years old, and in this very day and age, House Of 1000 Corpses never ages. It's a wonderful ride of non-stop old school 70s horror straight to hell, filled with an all- star cast and unforgettable performances from massive horror heroes, Sid Haig as Captain Spaulding, Bill Moseley as Otis Driftwood, Sheri Moon Zombie as Baby Firefly, Karen Black as Mother Firefly and many more. Plus, with brutal special and makeup effects, creepy atmospheres, fuzzy music video style-like scenes, amazing cinematography, a super soundtrack and just about everything in a horror film that is truly a hardcore masterpiece. It's absolutely an awesome and cozy flick to watch on Halloween. This movie was also special to my late father, and we used to watch it every year on Halloween, until he passed in 2013. It's been four years now, and I'm still keeping that Halloween spirit between me and my late father alive by watching this movie. No matter what horror movies from the past, the present, or even those to be made in the future, House Of 1000 Corpses will always be my favorite Halloween-themed horror movie.

If there's one thing modern cinema is criticised for, it's that it's made by executives and corporations rather than by fans of the genre itself. However, that cannot be said for the delightfully-titled 'House of 1000 Corpses.' It's made by the (equally delightfully-named) Rob Zombie, who, despite being better known at the time as a musician, is definitely a fan of the horror genre.But, without even going into who made it, perhaps it's the title that should give you all the information you need to know as to whether or not you'll like this film. If you're expecting anything deep and meaningful then you're going to turn it off within minutes. What you have is a pretty standard 'slasher' flick (okay, so it probably bears more in common with 'Texas Chainsaw' types films than 'Scream,' but there are definitely 'slasher' elements thrown in there), but presented with a sense of art. Or, if you're feeling a little harsher, you could replace the word 'art' with 'bits-thrown-in-that-look-like- they're-taken-right-out-of-an-MTV-music-video.' Rob Zombie tries to do something different with the way the film is shot. It's got a lot of cutaway films and stylishly-filmed segments which break up the narrative. Some may find those interesting and different, others may find that they distract from the narrative – it's really a question of taste, but you can see his music video influence shining through.But, you probably don't watch a film called 'House of 1000 Corpses' for its artistic integrity – you want the gore. And it doesn't disappoint on that one. It's packed full of disgusting characters and imagery – from grotesque mutants to gorgeous babes (who are equally grotesque when it comes to their tendency to murder people at the drop of a hat – Sheri Moon Zombie, I'm looking at you!).Overall, 'House of 1000 Corpses' isn't an original story, but it's done differently enough and with the required levels of gore that will satisfy anyone who wants to watch a film entitled so. It does feel a little 'raw' here and there. Sometimes I felt that was almost intentional, other times I wondered whether Rob Zombie was letting his visions get a little too convoluted. However, he definitely proves that he can do more than sing (assuming you agree with that in the first place!) and, seeing as he's a fan of the genre, hopefully this will be a good stepping stone to launch what might be a promising horror career.