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The Eyes of My Mother
A young, lonely woman is consumed by her deepest and darkest desires after tragedy strikes her quiet country life.
Release : | 2016 |
Rating : | 6.2 |
Studio : | Tandem Pictures, Borderline Presents, |
Crew : | Art Direction, Production Design, |
Cast : | Kika Magalhães Diana Agostini Will Brill Clara Wong Olivia Bond |
Genre : | Drama Horror |
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Touches You
Really Surprised!
It's a movie as timely as it is provocative and amazingly, for much of its running time, it is weirdly funny.
Great story, amazing characters, superb action, enthralling cinematography. Yes, this is something I am glad I spent money on.
Young director, Nicholas Pesce wanted us to watch a movie with the eyes of the psychopath he has created. So we see a dark horror film with so much emptiness everywhere across the film. But personally, what I never forgive, is when characters act absurdly. I am talking about the father, mother as well as their daughter. Her mother performs surgery of a head of a cow and teaches her little daughter about eyes. I am now sure how appropriate for a medical practitioner to behave in such a way in front of a child. After a psychopath kills the mother, we see the father becomes depressed and the child cleaning blood - taking care of the imprisoned psychopath in an unkind, psychopathic way. So that means this girl was born without empathy, kindness and all those basic human attributes. From this point, I am convinced both the father, the mother never behaved like normal human beings. And I don't want to think about what goes on in this film, how this little girl maintains a daily life. In the end, even we saw police cars straight heading to the insane psychopath's house. I was thinking, a woman, lived years in such prison, who we found in a scene she has become speech impaired, somehow able to tell the exact place under couple of hours of being rescued. Another unusual yet terrible thing is when the insane psychopath, who I absolutely have no sympathy for, when was performing rough surgery, the victims didn't even scream. I really cannot imagine what was in the director's mind before making such a story or scene. We see full shots, sometimes narrow shots through windows, or typically entrance of doorways. I appreciate the cinematography and the way it is directed but there is nothing new about it that we haven't seen before and nothing good about it that we haven't felt before.
As far as "conventional" horror goes, this couldn't be more different. It's worlds apart in regards to what we tend to label as horror — no jump scares, no boogeyman to run from, and a distinct lack of gratuitous gore has allowed this film to standout as a genuine psychological terror. It's slow in the progression of plot, but the time it takes works as a boon in the long run. In creating a space of total isolation and loneliness, we're allowed to witness the full transformation of a traumatized (and, admittedly, thoroughly maladjusted) child into a young woman that doesn't have a grasp on the reality that exists outside her bubble of delusion. The meticulous nature of this slow burn story is an honest reminder that this is horror at its most human: this could easily be a reality for any of us.
Strange, bizarre, unsettling. The subplots are all the more disturbing and explain the premise well. The cinematography is just fantastic! The use of black & white film stock, the lighting in the scenes, the intense focal distances, the lingering distance shots. This is how black and with films, done well, are just so very impressive. It is obvious the detail in each scene was no accident much like and great work, the stage is set for a reason. Make sure you take in the subtle placement of seemingly random objects.The unseen can be more upsetting than the typical goriness you usually come across in most of today's horror flicks. Camera angles, blocking of the actors and symmetry of each bit of the movie is many times lacking in what we are watching in today's horror films, you know what's happening, it is bothersome without buckets of blood. It works. When is comes to effective foley work, the audio we hear just off screen from television, record player or radio, it all is wonderfully orchestrated adding suspense or foreshadowing, remarkable but not in your face. I really also enjoyed the soundtrack, ire at times. All adding to the whole feel of the flick.The writing and dialogue is also amazing. Use of foreign language interaction to make a point makes you get an old world kind of feel, adding to the idea that something is happening. We may not understand culturally, but we are not really sure that is the problem. Why are these characters acting oddly? Our perceptions of what is really evil is put on it's head throughout the film. Fantastic! Who is really crazy, really sick, really perverse? Who should we really fear? As it is in real life, evil at first glance is hard to spot, but something in our cut tells us to be careful.Sometimes writers don't make great directors, but Nicolas Pesce hits this one out of the ballpark on both counts!
There is no redeeming quality in this movie, the plot is ridiculous, no likable characters, didn't give me any reason to sit through and give up 76 mins of my time, tries too hard to shock or be artsy. Appeals to empty-headed pretentious type people, they eat up this kind of trash. The fact that this movie is rated as high as it is, makes me want to puke.I'm a big horror fan. I'm very one dimensional when it comes to movies, if it's not Horror, I'm Not Interested. I like to watch horror movies from the 70's to 2017, so me hating this movie has nothing to do with the genre. To each his own, and I personally can't stand this film. Christ if I had the power to switch the rating of 1980's Demented (rated 3.8) with this movie (rated 6.2), I would.