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Empire of the Wolves
When the young detective Paul Nerteaux finds the third slashed female corpse of illegal Turkish immigrants, he decides to ask for support to the experienced dark retired detective Jean-Louis Schiffer to chase the serial killer. Together, they infiltrate in the Turkish mafia trying to find the answer to the crimes. Meanwhile, the worker Anna Heymes is being submitted to a brain treatment and has severe headaches and glimpses of memories and visions. When these two parallel events collide, disclose that the Turkish organization "The Wolves" is behind them.
Release : | 2005 |
Rating : | 5.8 |
Studio : | Gaumont, Canal+, TF1 Films Production, |
Crew : | Director of Photography, Director, |
Cast : | Jean Reno Arly Jover Jocelyn Quivrin Laura Morante Philippe du Janerand |
Genre : | Action |
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Reviews
Why so much hype?
Fantastic!
A terrific literary drama and character piece that shows how the process of creating art can be seen differently by those doing it and those looking at it from the outside.
One of the film's great tricks is that, for a time, you think it will go down a rabbit hole of unrealistic glorification.
In my experience fellow user-reviews like on IMDb can be, but don't have to be of course, very helpful. Either in deciding whether to watch a movie, or for the purpose of getting a better understanding of it afterwards. So I am always grateful when a reviewer took his time, and actually helped me along in a good way. That said, 'L'empire des loups'by director Chris Nahon is a case in point. The cinematography is ambitious, and it's not just l'art pour l'art, it works in enhancing our viewing experience, at the same time keeping up with the several plot twists this movie abounds, or drowns, in. The musical scores aren't some ready-made products but try to punctuate the action,sometimes successfully, sometimes less so; but always staying high enough above average to strengthen their scenes. The lead actors are engaged, and deliver mostly believable performances of the characters they are given. Especially Arly Jover as Anna", anyway Jean Reno as the shady and brutal ex-cop Schiffer, but also Jocelyn Quivrin as the not too stereotypical younger homicide cop Nerteaux. The occurring shortcomings seemed to me to be not their fault but clearly the director's. Watch 'L'empire des loups' in the French original by the way, with your preferred subtitles as I did (German), to make the most of the cast's efforts. But these caveats concerning the actors' performances – 'the characters they are given' and so on – lead me to the main problem of this on a superficial level entertaining, partly also quite captivating movie. On the one hand it contains rather a few plot twists. Some generally foreseeable, others considerably unbelievable. And although I'm unable to come up with any better alternatives for the script writers to get out of the - in the structure of this plot inevitable, I guess – dead ends, they still should have made a better effort. On the other hand, and that brings me back to my introduction, beyond just plot twists and the like this movie simply degrades the further it progresses. This process works just as fellow IMDb reviewer kosmasp" has already shown in a rather moody review in 2007. He writes you will notice the point where the movie breaks ... where it won't only get ridiculous, but the movie also falls to pieces." And he's right. I noticed this - in a way, to be honest - while watching it, and could see it clearly in retrospect after reading his review. In fact, this movie is a textbook example of the Hegelian notion that merely quantitative changes beyond a certain point pass into qualitative differences – Marx's words, not mine. Anyhow, thank you, kosmasp, though I don't follow in your harsher rating of only four stars, because I still think that 'L'empire des loups' displays many positive facets that I enjoyed on a lazy Sunday afternoon. Four stars I assign to the many, sometimes seemingly unavoidable, movies much worse than this one. It deserves a five, I gave the lead actors a six. But maybe that's being a bit too friendly?
First let's get a couple of things straight. This movie is dark, unsweetened European chocolate for the mind, pure and simple. It makes about as much sense as a Jerry Bruckheimer film. Or maybe the average John Woo movie. Which is to say, it only makes sense as entertainment--the purest form of escapist entertainment. Now that we have that out in the open ....This lengthy film is handsomely mounted and well-executed. High production values in evidence throughout. It is well-written and well-acted. It is visually attractive and atmospheric. It is absorbing and there is not a dull moment in it.The plot is a mix of serial killer movie, extreme political thriller, crazed Nazi doctor movie, secret "anti-terrorist" police movie, medical science fiction and old cop/young cop partner movie. But they mix all this stuff up together quite enjoyably. Like Jerry Bruckheimer, Tony Scott and John Woo films, it really shouldn't work, but it really does.Reno is great as a dangerous, rather brutal and grizzled rogue cop gotten out of "retirement" by an obsessed young cop to solve a series of grisly murders. The actor playing the young cop acquits himself well. The cast of villains and victims is convincing and compelling. The dialogue is good quality and there are twists and turns aplenty. Keeps you guessing until the last scene.We are taken on a wild and dark and violent ride through the grim underworld of human traffickers in the Turkish slums of Paris (at least I think it was Paris).Anyway, whoever made this movie really set out to entertain an audience. I think they succeeded admirably.Turn on the movie, turn off your mind and enjoy yourself.
Although this movie is in French and dubbed in English, the most important thing required to enjoy this movie is using the English subtitles even though the speech is in English...the voice over seems to be competing with the background movie sound (rain, music) so it is difficult to make out the conversations without it.The movie is a bit difficult to follow during the first portion of the movie, but that alone is usually a positive for me as this isn't a movie whose plot is known 10 minutes into the movie. The movie takes place predominantly in France, so the scenery is pleasant. Due to the voice over, the dialog is sub par but the pace and mystery of the movie is very good and the story line isn't bad for a thriller type movie.The biggest disappointment for me was not having Jean Reno dub his own voice, but other than that, I did enjoy the movie.
The French noticed that Jean Reno + interesting/shocking plot and lots of high budget action make money. The still hold on to the plot thing, but I think they are going in the same direction as Hollywood movies.In this one you have army experiments, terrorism, violent police behaviour and corrupt police (always a success in France) mixed with fast paced action and plot twists. It's not that the movie is bad, it's that is not good that bothers me. OK, it was supposed to be an action thriller and in this direction it was not bad at all, but with a little more work, the idea of the movie could have been a lot more captivating.Conclusion, the first hour of the movie is not as intense as the last. The film looses tension as it unravels and somewhere on the middle it gets boring as the investigative characters catch up with what is rather obvious to the viewers. The ending is not surprising, but satisfactory. As an action film is OK, but do search a good translation.