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The Seventh Seal
When disillusioned Swedish knight Antonius Block returns home from the Crusades to find his country in the grips of the Black Death, he challenges Death to a chess match for his life. Tormented by the belief that God does not exist, Block sets off on a journey, meeting up with traveling players Jof and his wife, Mia, and becoming determined to evade Death long enough to commit one redemptive act while he still lives.
Release : | 1958 |
Rating : | 8.1 |
Studio : | SF Studios, |
Crew : | Production Design, Assistant Camera, |
Cast : | Max von Sydow Bengt Ekerot Gunnar Björnstrand Nils Poppe Bibi Andersson |
Genre : | Fantasy Drama |
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Truly Dreadful Film
A movie that not only functions as a solid scarefest but a razor-sharp satire.
The film never slows down or bores, plunging from one harrowing sequence to the next.
Blistering performances.
Maybe, a parable. dark, bitter, fascinating. but, from childhood, when I saw it for the first time, to present, I discovered it as a sort of revelation of the roots of life. remembering the traits of Middle Age , the paintings of Hieronymus Bosch and Peter Bruegel, the themes of Bergman's cinema. and the right perspective about life, choices, expectations and the true answer to the near reality. for long time, the scene of chess play was the only who I considered significant. not exactly as a game between Death and Knight but as the build of the fundamental answer of old fears. a film who could be reduced at a long chain of symbols, cultural references, myths, legends. in fact, only a question. about life and faith and fear and happiness and decisions.
A knight returning from the Crusades finds a rude church still open in the midst of the Black Death, and goes to confession there. Speaking to a hooded figure half-seen through an iron grill, he pours out his heart: 'My indifference has shut me out. I live in a world of ghosts, a prisoner of dreams. I want God to put out his hand, show his face, speak to me. I cry out to him in the dark but there is no one there.' The hooded figure turns, and is revealed as Death, who has been following the knight on his homeward journey.Images like that have no place in the modern cinema, which is committed to facile psychology and realistic behavior. In many ways, Ingmar Bergman's 'The Seventh Seal' has more in common with the silent film than with the modern films that followed it. It is considered to be one of the masterpieces of cinema with its stark imagery and its uncompromising subject, which is no less than the absence of God.Films are no longer concerned with the silence of God but with the chattering of men. We are uneasy to find Bergman asking existential questions in an age of irony, and Bergman himself, starting with 'Persona', found more subtle ways to ask the same questions. But the directness of 'The Seventh Seal' is its strength: This is an uncompromising film, regarding good and evil with the same simplicity and faith as its hero.All of Bergman's mature films, except the comedies, are about his discontent with the ways that God has chosen to reveal himself. But when he made 'The Seventh Seal' he was bold enough to approach his subject in a literal manner; to actually show the knight playing chess with Death, which is a brilliant metaphor for man's attempt to defy mortality's gravity through his accomplishments, perhaps most vividly in the idea of artistic genius, the need to create a vital work which will survive the author's death. And he had the confidence to end his film, not with a statement or a climax, but with an image. "The strict lord Death bids them dance," says the young actor, directing the attention of his wife to the horizon, against which Death leads his latest victims in a macabre parade. Ingmar Bergman's dark masterpiece effortlessly sees off the revisionists and the satirists; it is a radical work of art that reaches back to scripture, to Cervantes and to Shakespeare to create a new dramatic idiom of its own.10 out of 10.
Ingmar Bergman is one of the favorite directors of serious movie lovers. All his films have been discussed over years by the film students. Analyzing his films will open up a new world of imagination and cinematic freedom.The Seventh Seal, is an intellectual film. But, unlike other serious films, this movie is coated with slight humor. This provides more relaxation to the non-competitive audience. The story is about life and death. The movie makes fun of the humanity, religion etc. There are not of things to be thought in depth. Thought provoking films are hard to write about. You need to watch them over and over again, think about it and get the inner meanings and find a conclusion yourself.A highly recommend for serious film lovers. A Must watch.#KiduMovie
THE SEVENTH SEAL is a film that presents a dramatic fantasy game between meaning of life and fear of death. A knight and his squire have returned to their country after a ten-year crusade. Deadly disease ravaged country. Knight faces Death. He calls Death on the multi-day game of chess...The story has touched serious philosophical and religious topics. However, the story is full of intrigue, dark humor and hope. The protagonists are distracted between the vicious disease, self-pity and torture. It is interesting to see a deeply disillusioned knight, a cynical squire who hates women, a cheating wife, evil priests, a mute girl and seemingly healthy and happy family on the same road. The truth is all around them. The main protagonist used to persistently ask questions to which only he has a valid response. This film reveals some controversial issues. Is deadly disease greater threat to man or the man is the greatest enemy to himself? Mr. Bergman has painted realistic effects of fear, horror, cynicism, surprises, love and health on human faces.Max von Sydow as Antonius Block, the knight is a more serious version of Don Quixote. Gunnar Björnstrand Jöns, the squire is a character who never changes his mood. He always has some sort of cynical jokes or words of contempt for each occurrence. Bengt Ekerot is Death in the true sense of that word. Nils Poppe as Jof is a juggler who has strange predictions. Fortunately, no one believes him. Bibi Andersson as Mia, Jof's wife is a beautiful and cheerful woman who does not fit into the landscape.Life is a hard journey. The rare moments of happiness are a sort of salvation. The end of the film emphasizes the transience of life and the power of death which no one can escape. Of course, only in the eyes of one of the protagonists.