Watch King of New York For Free

Too much of everything

Just perfect...

When a movie has you begging for it to end not even half way through it's pure crap. We've all seen this movie and this characters millions of times, nothing new in it. Don't waste your time.

The film never slows down or bores, plunging from one harrowing sequence to the next.

It's blend of grim urban landscapes, clever intelligent plot and visceral action puts it miles ahead of almost any other crime movie you care to name, and it can stand with it's head held high as a classic on a par with the greats of the late 80's thru 90's gangster movies era. The characters are richly drawn and morally ambiguous in a fashion that makes it far more realistic than other crime films, as the cops are just as crooked as the gangsters, if not more, and you find yourself rooting for Walken and Fishburne throughout, as main cop Caruso is a nasty vile character despite being on 'the right side of the law'. Speaking of which the acting from the three leads is absolutely fantastic. Walken and Caruso are as charismatic and mesmerizing as ever, but it's the young Fishburne (previous to this, he had had few leads in movies) who amazes as the hip young drug dealer, and almost steals Walken's show. But make no mistake, it is Walken's show. His presence in this movie is riveting, and he manages to make the psychotic Frank believable as a man trying to do right somehow through his twisted system of morals. You don't want to sympathize with him but somehow Walken makes you, and this is the movie's greatest achievement.The cast features major dynamic performances from actors such as Lawrence Fishburne, David Caruso and Wesley Snipes. Fishburne turns in a virtuoso performance, whether gunning down the opposition with a revolver blazing in each hand, or ordering chicken, ribs, fish with tartar sauce and hold the potato salad. Even the smallest roles are vivid, featuring bits from Steve Buscemi, John Tuturro and Paul Calderon, among others. Victor Argo plays Frank's nemesis, tired and honorable Detective Roy Bishop, excellently. Towering over them all is a fascinating, dominating performance by Christopher Walken. He doesn't show much emotion from Frank about anything. Still, "I never killed anybody who didn't deserve it.". He's right, in a queasy kind of way. Walken's Frank White dominates the movie. It's one of Walken's best performances.Overall rating: 9 out of 10.

Working with his frequent collaborator, screenwriter Nicholas St. John, NYC based independent filmmaker Abel Ferrara uses the city as the backdrop for a memorably seedy and garishly lit story of cops and hoods, focusing on a veteran crime lord named Frank White (Christopher Walken).Frank's been out of the game for a long time due to a prison stretch, and now he's developed some sense of morality. Assisted by a mostly black crew, he sets about brutally eliminating his rivals, intending to spend the money he makes on improving his neighbourhood. Naturally, there's a team of detectives (among them, characters played by David Caruso, Wesley Snipes, and Victor Argo) out to get him.Ferrara, as could be expected, has a great sense of style, nicely capturing the look of his locations. The score by Joe Delia complements the visuals created by a team including cinematographer Bojan Bazelli. Granted, the movie is very grim and gritty stuff, and it may be too violent for some tastes, but it's gripping as hell and the characters are all compulsively watchable.Walken is understated in the lead role, and surrounded by good actors. In fact, there's a lot of familiar faces in the cast. In addition to those mentioned, Laurence Fishburne (displaying a magnetic presence as a drug abusing thug), Janet Julian, Giancarlo Esposito, Paul Calderon, Steve Buscemi, Theresa Randle, Roger Guenveur Smith, Frank Adonis, Vanessa Angel, Robert LaSardo, James Lorinz, and Harold Perrineau all turn up as well, making this fun to watch.One especially great sequence takes place in the rain during the aftermath of an assault on Whites' compound. The movie begins well and keeps moving fast (it's 104 minutes long, but it doesn't feel like it) with one entertaining scene after another, and in the end it packs a pretty hard punch.Highly recommended to fans of crime fiction.Eight out of 10.

Crime lord Frank White (Christopher Walken) is released from prison, and on his long drive back to New York City, witnesses the filth his city has descended into since his incarceration. His old friend Jimmy Jump (Laurence Fishburne) has just wiped out a Colombian drug operation and welcomes Frank back with a suitcase full of money and cocaine. Eager to win his city back, and also help fund the saving of an inner city hospital through his drug operation, he sets the wheels to his crowning in motion. But cops Roy Bishop (Victor Argo), Gilley (David Caruso) and Flanigan (Wesley Snipes) are on his case, but after struggling to bring Frank in under regulations, resort to more illegal methods of getting him off the streets.King of New York was booed upon its initial screenings, with mass walk- outs and cult director Abel Ferrara being bombarded with uncomfortable questions. Audiences were apparently appalled by the films seemingly glamorous depiction of man who was essentially a homicidal maniac, encouraging violence and sleaze wherever he went. The film is certainly guilty of that, but the character of Frank is a little different to the likes of Tony Montana or Henry Hill. He seems to style himself as a champion of the lower-classes, using his influence and vast wealth to push a councilman to put forth the money to save a hospital in a poverty-stricken area, and then fund it himself when that fails. He and his girlfriend Jennifer (Janet Julian) are robbed on the subway by inner-city youths. Frank shown them his gun, and they back off, but Frank throws them a wad of money and tells them there is work for them if they want it. A crime-lord he may be, but is he any worse than the fat politicians that soak up the city's money, or the bent cops that are on his back?In Walken's hands, White is a charismatic, unconventional crime boss, and is in turns charming, strange, and deranged. It's a fabulous performance, but for me it was Laurence (here still credited as Larry) Fishburne that steals the show, as the swaggering, loud-mouthed gun-man Jimmy ("yo, where the chicken at?" he says after killing a cop), a man of such ridiculous posturing that he almost becomes a cartoon character. And this is one of the main reasons I loved this film. It is, at times, so outlandishly over-the-top that it should betray its gritty roots, but its so steeped in atmosphere and that key element, grime, that it becomes a fantasy-laden, insane ride amongst a decaying city and one its most colourful characters.For anyone who has seen the work of Abel Ferrara, especially two of his most popular films, The Driller Killer (1979) and Bad Lieutenant (1992), will know what they are in for. His New York is not the one you see in the earlier works of Woody Allen, but one of whacked-out prostitutes, cocaine-sniffing criminals, inner-city poverty, and angry, sweaty, middle-aged detectives. We do glimpse the glitzier side of the city in King of New York, as Frank often mingles with the politicians and power- players, but it is a world of black suits and orange lighting, and a world that shares the same depravity and sleaze as the lower-classes. It's a grim thing to see through Abel Ferrara's gaze, but boy is it brimming with atmosphere. This will always play second or third fiddle to the likes of Scarface (1983), but King of New York is the film the former could never be, and in its own depressing way, is a much better film. Undoubtedly Ferrara's finest, and most 'polished' work.www.the-wrath-of-blog.blogspot.com

A New York drug lord Frank White (Christopher Walken) is being driven in his limousine back into the city following his release from prison. His crew are busy taking out a rival Columbian gang who have been encroaching on White's business while he's been away. Once he's back White wastes no time in taking out more of New York's crime lords and cements himself as the King of New York. Disgruntled that they are never able to get charges to stick, a few wild Police Officers decide that the only way to stop White and his gang is to take them out.Featuring an impressive cast which alongside Walken includes gangsters Laurence Fishburne, Steve Buscemi, Giancarlo Esposito and Theresa Randle with Cops Wesley Snipes, Victor Argo and David Caruso the film is a tale of good vs evil, but as you'd expect the lines between the two are blurred. Although not in the same league as the likes of Scarface, Carlito's Way or Serpico all of which share themes with this, it is a decent gangster picture.The story is fairly basic really. Gang boss gets released from prison; starts to rebuild his empire and the cops try to stop him. There is little new plot wise. The only little twist on the genre is the cop's tactic of halting the gangster's operation. I wasn't really invested in the story or many of the characters though there were some good performances. Much like the plot they were all characters you've seen before to some degree or another. There's the level headed, ice cold killer of a boss, the ostentatious black gangsters, the Irish cops, the Latino middle man, the Mafioso, the Chinese Triads and various scantily clad women. Unfortunately it's all been seen and done before.As I say though there are some terrific performances. Christopher Walken delivers a powerful and menacing performance as Frank White. He's calm and calculating but isn't afraid to deliver the killer blow. The character also has a side to him which makes the audience empathize with him and the way in which Walken creates this is brilliant. Another great performance is Laurence Fishburne as an arrogant and flashy gangster/killer. He is especially good in the chicken shop scene. Victor Argo is also great.The highlight of the film for me was the incredible soundtrack. I have somewhat of a puncheon for late 80s Hip-Hop and this film features some of the best that era had to offer with the likes of Party Posse and Schooly D lending songs. The traditional score which is interspersed with the Hip-Hop works well and sounds good. As well as the soundtrack there was also some pretty jazzy dancing, most notably from Walken. It reminded me of the video for Fatboy Slim's Weapon of Choice, a video I could watch over and over again.In addition as the slightly tired plot another problem with the film is the hair. I've never seen such bad hair in a film before. Half the cast sport mullets and Christopher Walken's is characteristically crazy. I did enjoy the two big shoot-outs. They were both action packed and the first must have had some influence on Grand Theft Auto as it looked just like the sort of shoot-out that game would present. In the end King of New York is an average gangster film but nothing more.www.attheback.blogspot.com