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To me, this movie is perfection.

Sorry, this movie sucks

When a movie has you begging for it to end not even half way through it's pure crap. We've all seen this movie and this characters millions of times, nothing new in it. Don't waste your time.

There are moments in this movie where the great movie it could've been peek out... They're fleeting, here, but they're worth savoring, and they happen often enough to make it worth your while.

Death sentence is one of my favorites movie of all time it has a good storyline its bloody it has a lot of action its is awsome

I knew the leading actor and read about the other good names in the cast, and I had my guesses what the title would relate to, so it was just a case of watching it and hoping for something good, directed by James Wan (Saw, Insidious, The Conjuring). Basically Nick Hume (Kevin Bacon) is a mild-mannered family man, married to Helen (Kelly Preston), with two sons, Brendan (Stuart Lafferty) and Lucas (Jordan Garrett), and he is senior vice-president of the insurance company Starship Capital. While driving back home with his son Brendan, after a game of hockey, Nick stops the car at a gas station, in a dangerous neighbourhood, and while in the convenience store he witnesses his son being murdered by punk gang member Joe Darley (Matthew 'Matt' O'Leary). The grieving Nick is told by the prosecutor that Joe would get three years maximum in prison, but he deliberately says in the court that he does not recognise Joe as the killer of his son. Nick did knowing he would be freed and wants to seek his revenge, at night he follows the gang to their hideout, and finding Joe alone he stabs him to death, but there are consequences. The gang leader Billy Darley (Garrett Hedlund), Joe's brother, discounts other gang members as culprits, he deduces it was Nick, and it is a war between the gang and the ordinary man turned avenger, the police are not far behind both sides, and Billy's black market gun dealer father Bones (John Goodman) gets involved as well. Also starring as Aisha Tyler as Detective Wallis and Saw's Leigh Whannell as Spink. Bacon is a reasonable choice to play the man having a family member brutally killed and taking on the people that did it, the supporting stars like Preston and Goodman do fine as well, I will be honest and say that I could not follow the full story, it seemed a bit predictable what I did get of it, and my attention was caught more by the bloody violence, but the themes if ethical and moral dilemmas, and the blur between good and evil, are used to reasonable effect, it all adds up to an alright thriller. Worth watching!

I first saw this film in 2008 on a DVD. I enjoyed it. The movie was very well made. Kevin Bacon gav an excellent performance as a father seeking revenge. The movie never slows down or gets boring. John Goodman also appears in a nice cameo role. Fans of Death Wish, The Brave One, Harry Brown, The Punisher, Law abiding citizen shud definitely check this out. I was most impressed by the camera work in the chase scenes. I was rooting for the lead character from the word go and Bacon did not let me down. Death sentence was a great thrill ride from the emotional opening credits to the chilling conclusion. At times it was brutal, gory n depressing. The music by Charlie Clouser (Saw series, The collection, Resident evil extinction) was very effective at establishing the proper mood. It has some hard hitting action, fantastic foot chase, some amazing gun fights n some unique death scenes. The soundtrack is very depressing and moody and helps set the tone of the film. Its directed by James Wan (Saw, Dead silence, Insidous, Conjuring, Fast n furious 7). Nice cinematography by John R. Leonetti (Conjuring, Insidious). It's based on the book (sequel to the original Deathwish) written by Brian Garfield, the author of Death wish.

I've been told over time through industry professionals, sometimes in classes I've taken, quotes from movie stars and writers and directors and so on, that if you have a good script and a mediocre director you can still have a decent film, but if the script is terrible it doesn't matter how great the director is but the project won't be able to fly. I still am not sure if James Wan is a great director - he really has a mixed record for me now that I've seen most of his films (in brief, Saw sucks, Conjuring 1 & 2 are terrific, and Furious 7 is... Furious 7! it has some extreme/dumb things and yet is brainless fun). But he does pull out a lot more directorially out of a script that is at times convincing and dramatic, and other times is hackneyed revenge/sometimes cop drama.There's one "virtuoso" scene as critics like to call it - which is euphemism for 'impressive' - where Kevin Bacon is being chased by the thugs, first on the street during day time (they don't give a f*** so much they open fire in broad daylight with a lot of people on the street), and then give chase through alleys, inside a kitchen, and leading out to a parking lot. Though at first it's cut fairly conventionally, the way Wan is shooting this is inspired (he used a 'rickshaw' type of device so the camera could lead in front of the actors at a faster speed, plus on golf carts), but when it gets into the parking lot Wan decides to go full Chanwook Park and do it in one shot. And it's done with extreme creativity (both extreme and creative) as Bacon and the other actors are running, actually running, and going through little patches of space to go one level to another until our (anti)hero gets to the top level where his car is at.That last aspect of how he happened to be where his car is exactly at is convenient story-wise (that it's the parking lot where he works at, he just happened to get back there while running in a frenzy), nevertheless Wan has a strong visual idea and executes it with his crew wonderfully. And throughout much (though not all) of Death Sentence, he is doing his best to make a (to say it generously) hit or miss screenplay fly as something harrowing and intense. The movie gives us a good look at a family - the dialog between this somewhat typical 'happy' family, brothers in-fight a bit, one son gets in trouble at school (where mom happens to be Dean) - and then the bad thing happens, where one of the sons is killed in a "gang initiation" thing that looks like a gas station robbery, and the killer is let go without much fanfare.The details of how this young thug is practically let go by the court for, uh, "reasons" is a little too tidy and convenient (the gas station happened to be the "only one in America" without surveillance), and maybe that's what I keep coming back to as a problem with the movie: convenience, things that the movie kind of lets go so the story can keep going forward. Other things like that is how the cop character (Detective Wallis, played by Aisha Tyler replacing a "50-ish white guy", which is cool!) doesn't do more when Nick Hume starts to take matters into his own hands, first going after the released killer in the middle of the night, and then when, later on (spoilers) two cops are killed while the main batch of criminals go through them to get into Nick's house in the middle of the night to settle scores. Like, I know you're angry at Nick for making this situation worse and worse by starting s*** with criminals, but now two cops are DEAD, you have more important things to worry about now! So there's logic inconsistencies. Why recommend it? For me, the gritty approach to the camera-work and the acting from the criminal characters (and John Goodman in a small but pivotal role!) connected and felt strong. I can criticize certain parts of the style, like the choice of music (sometimes it's alright, other times it feels like it was picked by an uninspired/lazy music supervisor with some of these songs), but Wan mostly got how to make this intense by going for 'real' and yet it's still a cinematic approach to the 'real', if that makes sense, like it has a logical approach to how characters move through rooms and buildings and work with guns.The other aspect is Bacon. He really, really brings it and if you like him generally this is him going full blown fiery/emotional force. But there's a progression to it - he is playing a 'normal' guy, fairly white collar, suburban middle class, and when Nick does this first violent act he's genuinely shocked, in tears, shaking. It's not something that looks and feels like a movie character that brushes things off, and his vulnerability brings us closer to his experience as he digs himself deeper into vigilante/revenge drama (even down to how he does a 'Taxi Driver' shaving-head bit, which is much messier and all the better for it). All the while, this actor brings it and finds the moments where nuance can play into it. He and Wan and a few other things elevate a hackneyed script, which is the exception to the general principle of 'script script script'. In this sake, I dug it. Usually.