Watch Police Story: Lockdown For Free

That was an excellent one.

Simply A Masterpiece

Purely Joyful Movie!

what a terribly boring film. I'm sorry but this is absolutely not deserving of best picture and will be forgotten quickly. Entertaining and engaging cinema? No. Nothing performances with flat faces and mistaking silence for subtlety.

Police Story is Jackie Chan's second biggest franchise next to Rush Hour. The first entry in the series is one of his finest films ever; one that helped define his entire career. It's only natural a new Police Story movie would be released in 2013 to capitalize on the series' fame, even at the expense of everything that made the other movies so entertaining. Though to say that is to generalize too much about a franchise that has so many tones it's hard to pinpoint the one that truly defines it.Police Story Lockdown finds our hero reuniting with a daughter who has grown quite distant from him. She's dating the owner of a ridiculous nightclub, has tattoos, and wears her hair in a punk style. Jackie's character is, of course, a police officer. Seeing his daughter in such a state makes him rather angry, though those feelings quickly change when he learns the entire situation is a setup for a hostage situation. A case in Jackie's past is connected to the owner of the club and he's used the officer's daughter as elaborate bait.Suspension of disbelief is usually a must in a Jackie Chan movie. He's not known for well-written scripts or unique plots. The idea that a guy opens a club, stalks a guys daughter, and then exacts revenge is a little out there. And on top of that, the layout of the club is so ridiculous. It apparently used to be a factory of some sort, meaning the only reason it looks the way it does is for visual appeal and the thought that it would work as a great action set piece.I could attempt to suspend disbelief if that was true. But instead the action of the first half of the film is lame and underutilizes Jackie's unique style and humor. It's too gritty for being so stupid and when there are hand-to-hand fights, the level of brutality isn't there. Which means that the edgier tone isn't justified. In a martial arts movie, if you want to be dark and edgy, you need to be brutal and violent. Holding back on that leaves a sour taste in the mouth.I liken the main idea of this movie to The Raid, which I assume was the inspiration. And I believe the mood was meant to emulate the inspiration. But, I can safely say, Lockdown is nowhere close to as good as The Raid.As the film went on I grew more and more bored, realizing that this supposed "action" film was rather light on the action. Even the final battle felt rushed, lame, and underwhelming. It, truthfully, doesn't ever feel like a Jackie Chan movie. There's no humor, no outstanding action…about the only way you can tell its a Jackie Chan film is the outtake reel during the credits.None of these things are Jackie's fault though. As he grows older, he's going into more mature roles and, of course, can't do all the stunts and action he used to. He's still damn impressive though. One of the failings of the action sequences comes not from the choreography or lack of intensity, it comes down to the editing and directing. The editing of this movie is awful and spastic. It's that modern summer movie style that takes you out of the action by relying too much on camera movement and changing angles every five seconds to keep the viewer visually occupied. Something I always enjoyed about Chan's movies was that the editing during the fights allowed you to see the hits and reactions.When editing so haphazardly the intensity of the violence is quelled and we're instead treated to questioning what the hell we're watching. There's a "dream" sequence at one point where SWAT breaks in and everyone is shooting at each other. It is put together so slipshod that I couldn't tell what the hell was going on. And that sums up the entirety of the film sadly.So in the grand scheme of things do I feel like this is a movie worth sinking your teeth into? Not at all. This is a poor attempt at a cop movie, a martial arts movie…just a movie in general. There's really no redeeming factor to it aside from the club set looking neat (though its underused). Not even Jackie Chan fans will find this a palatable watch; leaving me with the sad decision to give Police Story Lockdown a measly one and a half stars.

The opening of the film depicts police office Zhong Wen (Jackie Chan) holding a handgun to his temple, resolving to commit suicide. What could motivate a man, after committing himself to a life of law enforcement, to take his own life? This powerful question is what initially draws the viewer into Police Story 2013, a film about crime and punishment, right and wrong, family and survival. Throughout the duration of the feature, arachnid related imagery that appears in the shape of windows, tattoos, toys, amulets and other like items, heightens the idea of being trapped, with no capacity for escape. During one scene, Zhong is strapped by wires (representative of spider silk) to a chair, depicting a massive web, metaphorically developing the notion that he is caught within its trap.Mr. Chan is superb in this thrilling police drama, and though he is potentially not in quite as many fights as demonstrated in some of the former features in the Police Story franchise, the maturity and intelligence of the script and the plot, alongside the acting, really immerses the viewer in the experience. Mr. Chan develops a character who is professional, mature and family oriented, allowing the audience to be emotionally vested in his character as we fear for his safety, and those around him, his desire to save everyone being not only his gift, but a curse in equal measure. Despite much humor having been used in previous installments, this element takes a backseat over the course of the production.Zhong, not long into the movie, finds himself traveling to a bar to meet with his daughter, Miao Miao, who has had minimal contact with him over the past five years, the underlying reason behind this lacking familial bond being explored over the course of the feature, the narrative amazingly tying everything together. After arriving, Zhong, and many of the other patrons, find themselves held hostage at the hands of Wu Jiang (Liu Ye). Though there is no doubting his antagonistic attitude, Wu has a set of principles, and is capable of being negotiated with, the reason for holding Zhong, and the others at gunpoint, being slowly explored.As it is not immediately revealed, the mystery surrounding the plot engrosses the viewer onwards. The film occasionally travels backwards in time, not being consistently set in chronological order, to reveal what has happened previously. Sometimes this is articulated to provide visual guidance for the audience as characters discuss their version of past events, however, it is never truly known if what they emphasize is in fact the truth, or if they are ensnaring people within their own web of deceit, again, linking back to the arachnid imagery. Although Zhong is being deliberately held by Wu for a purpose, he is not the only one, and though we comprehend how he arrived at the establishment the film is primarily set in, how the other characters arrived voluntarily, or through coercion, is largely unexplored.The incredibly beautiful Jing Tian moreover, provides, quite possibly, one of her best performances. Though Ms. Tian is not quite as physically active in this feature as she has been in some of her other films, she plays not only as Zhong's daughter, but as a nurse, and in a hostage situation, this role gives her reason and purpose. In some of her other films, it seems Ms. Tian may have been cast due to her unparallelled beauty, rather than her talent, however, in this feature, the audience are equally graced by both. Possessing her father's desire to save everyone, alongside an opinionated character with the willingness to survive, Ms. Tian brilliantly spends almost half of the film suffering traumatic emotional agony.Accompanying the film is an entertaining musical score that helps immerse the viewer not only into the environment, but the situation's climate. Despite the score also heightening the accompanying action scenes, these moments, which are occasionally explosive, seem to be in the background, rather than the fore, unlike in previous movies staring Mr. Chan. Though a car chase offers viewers nothing they haven't seen before, the fighting that transpires at the bar never feels out of place, fitting purposefully with the setting. However, it is the tension and suspense that really draws the viewer in, the action being more of an added benefit.From the intensity of the beginning, through to the epic close, Police Story 2013 leaves viewers wondering if there will, in fact, be another sequel, and after the quality performances and storyline exhibited in this feature, the answer, is hopefully, a resounding 'yes'.

I liked Police Story 2013 and it was a good adaption to the series, however Jackie Chan needs to call it quits with the police story series. There are six installments to it, and the last two lead to a more darker tone for the story. However the 2013 version looks like a rewritten version of New Police story (2002). Just like new police story the antagonists threaten to bomb an area with hostages to kill people,the only difference is in the 2002 version, the killers proceed with the bombing and the story begins from there. The 2013 version is about stopping the victim to prevent the bombing and nothing else. Despite the characters back story from both versions in the 2000's the story itself isn't much of different. I feel like Jackie Chan is pushing his luck with this series by rewriting the story three times. First time the story was written it involved making four sequels installed to it, then came new police story which is completely re-imagined and rewritten, and then comes police story 2013, which to me seems like just a rewritten version of new police story. I think it's time for him to move on from this series and go on to making something that isn't action. Give us something new.

To date, Jackie Chan has appeared in over 100 movies and is an international super-star. Because of this, I really felt confused as I watched Police Story (2013). After all, with his clout, you'd think he'd get the best of scripts…but this film is a muddled mess of a film. This does not mean some die-hard Jackie Chan films won't like it—the film has plenty of action to keep them happy. But the script is poor, the number of flashbacks boggling (and often irrelevant to the plot) and the film isn't fun—and most Chan films are fun. It also, inexplicably, has absolutely nothing to do with his previous films called Police Story! The film begins with Captain Zhong (Chan) going to a very strange place, the Wu Bar, to meet his estranged daughter. She apparently has hated him for years because he's always working. She also blames him for not arriving on time at the hospital as her mother (his wife) was dying. The daughter is angry—and introduces Zhong to her fiancé, Mr. Wu—a man she hopes will irritate her father. However, out of the blue, suddenly Wu and a group of his men take the pair hostage—along with more than a dozen others. Now Wu informs the police that unless they deliver a certain prisoner to the Wu Bar, the captives will all die. But, instead of explaining WHY all this is happening, lots of filler occurs in between—some of which just seemed irrelevant. For example, there is a UFC-inspired cage fight right there in the middle of Wu Bar with Zhong and one of the kidnappers (????). There are also LOTS of flashbacks—many of which turn out to have nothing to do with the plot!! And, when the big finale finally comes, it feels that it is about half an hour too late. And speaking of the finale, as I watched it unfold, parts of it made no sense whatsoever. In particular, Wu that done unspeakable acts of brutality, yet the Captain risks his life to save Wu at the end—even as Wu fights tooth and nail to die! Think about it—the super-villain WANTS to die and risk your life to keep him alive?! On what planet does this make sense? In many ways, Police Story seems like a film that went to production way too soon—well before all the bugs were worked out of the script. At quite a few points in the film, instead of the film being action-packed, it sometimes was incredibly talky and padded. And, instead of the film being fun like most Jackie Chan films, it just seemed oppressive and anything but fun. In fact, that is THE biggest problem with the movie—there is none of that usual tongue-in-cheek fun and there were less stunts and more explosions, blood and breaking of bones. This is not the sort of Jackie Chan film I would want to see again—and the guy deserves so much better.