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best movie i've ever seen.

The film may be flawed, but its message is not.

There's no way I can possibly love it entirely but I just think its ridiculously bad, but enjoyable at the same time.

The film never slows down or bores, plunging from one harrowing sequence to the next.

A big part of what makes Rogue One so great is the return of a long-missing element of human desperation and sacrifice. We haven't seen or felt this since specific scenes in Empire, and certain finale's as in Jedi. Rogue one feels hurried, almost panicked, dramatic, and violent from the start, and builds that rhythm all the way to the end. Its taken a very long time to get back to this kind of stark story telling that you can see in its most coarse, maybe unrefined, but piercing form in THX1138.I think Lucas entered cinema on a high note with THX1138, had all his best, most potent ideas lined up an delivered them without apology...or explanation, and has spent the rest of his career trying to sell his ideas where he once just beat the audience with them. Maybe it has something to do with film in the late 70s, or maybe just being young behind the camera, but you feel the frailty of human life and the ability of one man to stop the motor of the world at the same time, which are tough ideas to get into commercial film.I would argue that the limitations of the times made THX1138 and Star Wars so great, and pushed the crew to come up with ideas and visual translations that had incredible legs. I hope forthcoming Star Wars films and their creators keep looking for that uneasy chord and hit it hard, and I think anyone going into one of these projects on any level - from production to acting, should consider Luca's film-school project carefully.

Sexual contact of any kind, against the law. Pills instead of food. All hair, shaves. All body coverings, white and loose, with the government telling you through passive/aggressive brainwashing what emotions are right for you. No anger at any time. Radiation disasters happen, and a calm voice tells you not to worry. This is a bleak view of a future where personalities are not welcome and everything you do is monitored. Pretty save stuff from an era that also have us "Fahrenheit 911", "Soylent Green" and "Logan's Run". Those are films I could appreciate, because they told a linear story, but the story here is hidden in incidents and assumptions that left me frustrated, confused and I must admit, bored. It's not horrible, but other than the fact that a fairly young Robert Duvall is desperately trying to escape this hell on earth universe didn't give me enough interest to find it intriguing. Yes, we're in a changing world now, politically, socially and economically, but we're far from "A Clockwork Orange" that this tries to emulate in more ways than one. Strictly for the science fiction obsessed. Others will not be impressed.

"It was a little difficult to understand, but I feel like the technology they had in the film was amazing. The quality was clear, the robots and working rooms/labs were awesome to watch the robots being built. It was fun seeing everyone bald. That was a good aspect that seemed futurey. It's a good difference. The drugs were confusing, the movie was confusing, but I liked the chase scene was exciting. Chase was the most exciting. It reminded me of the book the Giver, and he doesn't know what he was looking for, but he was looking for freedom until he opened the hatch and found the beautiful world they had hidden from him. 3/5" - Sophia5/5 - Thomas

In a dystopian future, people are controlled in every aspect of their lives with the use of drugs and technology. THX 1138 (Robert Duvall) is paired with LUH 3417 (Maggie McOmie). LUH replaces their drugs and they start to feel for each other. SEN 5241 (Donald Pleasence) takes LUH away from him. THX turns SEN in for his illegal shifting. THX is struggling at work and they place a mindblock on him. THX is sent to holding. LUH tells THX that she got pregnant. THX is joined by SEN while imprisoned. They escape with the help of SRT who turns out to be a hologram.The version I saw was remastered by George Lucas. The obvious CGI does take away from the sense of 70s sci-fi. It's got interesting style and a compelling premise. The story is a little muddled and it needs to be more of a driven thriller. Duvall and Pleasence should stick together. When they split up, some of the tension is lost. The premise works but the story needs a little bit more work.