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Nice effects though.

Excellent adaptation.

Let me be very fair here, this is not the best movie in my opinion. But, this movie is fun, it has purpose and is very enjoyable to watch.

There's no way I can possibly love it entirely but I just think its ridiculously bad, but enjoyable at the same time.

I arrived at this film expecting little but a fleshed-out - pun intended - simple-minded lesbian drama. How wrong, I am pleased to say, I was. Room in Rome is not only the story of two girls who meet one evening and then stay together for one night only, never to see each other again, but it is the story of what each one of us truly wants in our love and sex lives. Something new, fresh, exciting and personal. Room in Rome presents the story of two girls who share their life stories and physical intimacies one night before realising, against their fantasies, that the cruel fate of reality means they must go back to their partners and real lives the next day. But what makes the film so special, so tangible, is the sense of honesty it awakens in each of us. Those in long-term relationships know all too well that the more time goes on, the less there is to discover. This film is all about discovery: discovery of each other, discovery of sensuality, discovery of oneself. In long-term relationships, discovery is the ultimate fantasy, and one which is so often lacking. In Room in Rome, the two girls discover an attraction for one another which is based on the longings and lackings in their own lives. The film is split into two physical and psychological areas - the bedroom and the bathroom - and the balcony which acts as a transition area between the two rooms and the two mental states. The bedroom is where the magic happens. It is close, low-lit and sensual. It is where both girls open up to each other personally and sexually. It is all about them, no room for anyone else, as exemplified by the close-up shots, their consistent closeness and nakedness. When the good-looking (objectively) room servicer Max asks for a threesome, he gets refused. There is literally no room for him. This is all about them. When the morning light hits, the two breakfast outside before moving into the white clinical area of the bathroom, which cleanses the fantasy from their bodies and minds. Indeed, when either enter this area, it's as if they come to their senses and the fantasy is left elsewhere. In the morning, they realise they must go to their respective lives. They hold each other in the bath longingly against the sterile white of the tiles as the camera indulges in long shots, few of which we see in the bedroom, emphasising the foreshadowing of emotional and physical distance. Natasha talks of dressing in white, like the dressing gown she often dons, and white becomes a signifier for wiping clean her experiences, but also denying herself. She spends the entire film in denial whereas Alba spends it mostly being true to herself, but mostly wanting.Room in Rome is not so much of a sexual film - or an erotic film - but a sensual one. It explores the depth of the senses in a physical and emotional way, and emphasises the necessities of listening to one's emotions in spite of the routines that one finds oneself in and the pits of long-term relationships that solidify our lives. It is up to us to make the latter more like the former and the former less like the latter. For those of us who HAVE spent nights in hotels like those in Room in Rome, we know how special they were. But did they endure - and did those relationships endure? Most of them didn't. What Room in Rome shows us, or reminds us, is what we really want in our sex/sense lives: newness, discovery, excitement, intimacy. But we still want stability - and therein lies the challenge of our relationships, to balance the two. And maybe if we can balance these, then we can have something which endures - unlike that which these two girls unfortunately, and so commonly, left behind.

As I said in my title I am a gay guy and thought this movie was just beautiful ! So for all the people who said it was only for lesbians and straight guys - it's not. It goes back to the old adage that love is love no matter what.It has a lovely atmosphere and being mainly filmed in a hotel room gave it a surrealism and a closeness and an intimacy. Constantly shadowy and the use of autumnal hues added to that.The sex is warm and intimate and is perfectly in context and not over the top or voyeuristic.So sit back and lose yourself in two women's discovery of their sensuality and getting to know more and more about one another till you develop an empathy for them.Well written and beautifully acted, 7 out of 10I Enjoyed this film immensely.

If by it you're talking about taking two quite attractive females putting them in a beautiful European hotel room, and showing them rubbing up against each other naked while somehow boring the everloving crap out of the audience then yes this is how you do it.Two girls get drunk and meet at a club and end up in a hotel room together. One is Russian, the other from Spain. Spain is lesbian while Russian is bi-shy. A series of completely unbelievable and confusing behaviors and conversations happen. Clothes go back on, then come back off. Despite an utter lack of sexual chemistry, they are seen to engage in nude grindings that resemble nothing of real life lovemaking and instead look like the stuff of highly doctored soft core. It actually upsets me how the inability to create characters and a clear story can turn a premise with lots of sexy possibility into this pile of unsteamy, stupid looking, stupid sounding fake lesbo dung.

When i decided to watch this movie, Room In Rome (RIR) it's because i read that this is the remake of En La Cama (ELC), which i already watched before. So, i'm having, kind of, comparative agenda in the beginning. The story is undeniably similar to each other, but i think RIR has different variety and is more emotional. The characters are very-well portrayed and well developed. The chemistry is good between them two and the acting is well-done and i personally think that the portion (which is Elena's character) is given the way it should be without underestimated another. The dialogs are quite strong, instead of couples of repetition in the beginning (if i recall: the one that Natasha said "this is my last day in Spain" which was previously mentioned before they entered the hotel room and then she repeats it again) What i love about this movie is the cinematography and the score, i think they're making this movie more colorful and interesting. Both aspects are mutual to each other which strengthen the emotional value. On the whole, just when you read the plot/summary, and then you'll think this movie is going to be boring, take it back, RIR is an interesting and emotional movie. It's typical European movie. Every messages that the writer wants to deliver is carefully and gently portrayed. In the end, it makes me regret to think that i can compare RIR with ELC. The director and writers are successfully developed this movie more than just a story about two women, in a hotel room and a one night stand.