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In truth, there is barely enough story here to make a film.

When a movie has you begging for it to end not even half way through it's pure crap. We've all seen this movie and this characters millions of times, nothing new in it. Don't waste your time.

I didn’t really have many expectations going into the movie (good or bad), but I actually really enjoyed it. I really liked the characters and the banter between them.

One of the film's great tricks is that, for a time, you think it will go down a rabbit hole of unrealistic glorification.

CAPTIVE is a rather boring low budget thriller that fails to offer up much in the way of thrills or depth, despite having a startling opening sequence depicting a violent jail break. It's essentially a two hander between Kate Mara and David Oyelowo, the latter of whom plays an escaped rapist who ends up in Mara's home and takes her hostage. All good so far, but then the film turns into a lengthy, rambling sermon that seems to have been designed to advertise The Purpose-Driven Life, one of those Christian self-help books. As such, it feels more than a little preachy, as well as dull.

This is my first IMDb review, even though I am an avid movie watcher and use IMDb quite frequently to make rental selections. I don't feel the low or mediocre rating assigned by many reviewers is fair. This movie is not really an action film, and it is a true story about a woman who is a drug addict and grows closer to God due to her frightful experience being held captive. Her captor does display compassion and has moments where he is likable, even though he is a murderer. Some may criticize this, but most criminals are not 100% bad people. This is a story of two people, a drug addict and a murderer, who may be leading horrible lives but they do have redeeming qualities. I believe it is a great movie, and I don't think you need to be a Christian to enjoy it.

Great acting and a true story cannot compensate for a second-rate cinematic adaptation like director Jerry Jameson's "Captive," even with first-rate thesping from David Oyelowo, Kate Mara, Michael Kenneth Williams, and Mimi Rogers. Basically, this hostage drama is based on a true-life incident that occurred in Atlanta, Georgia, back in 2005. Rape suspect Brian Nichols broke out of his cell in the Fulton County Courthouse and shot a judge, a court reporter, a sheriff's deputy, and later a Federal agent in a bid for freedom. After stealing three cars, he wound up at the Duluth, Georgia, apartment for Ashley Smith. Not long afterward, Atlanta Police surrounded the house and convinced the killer to surrender. Ashley Smith documented her experience entitled "Captive: The Untold Story of an Atlanta Hostage Hero." What could have been a genuinely exciting thriller amounts to a dreary potboiler with Christian author Rick Warren's devotional book "The Purpose Driven Life" serving as product placement. According to the hostage that Nichols holed up with, she read Warren's text to him and the message of "Captive" is that the killer saw the light and gave up to the authorities. Many well-intentioned Christian movies aimed at regular churchgoers boast low-budgets and borderline talent. Unlike those standard issue faith films, "Captive" contains first-rate acting with "Selma" star David Oyelowo cast as the killer with no qualms and "Fantastic Four" actress Kate Mara as Ashley Smith. Sadly, despite its workman-like screenplay by "Not Easily Broke" scenarist Brian Bird, "Captive" generates only a modicum of suspense. The charisma that Oyelowo and Mara bring to their respective roles has no counterpart with anything else here, except "Days of Grace" lenser Luis David Sansans' wobbly cinematography that lends an edgy quality to this lackluster outing. Nothing about this PG-13 rated, 97-minute melodrama is remotely captivating. Indeed, during the end credits, we catch a glimpse of the real-life Brian Nichols and are treated to a "Oprah" interview with Smith about her close encounter with death. Most of these Christian movies rake in millions, but "Captive" has struggled despite its laudable cast and earned back little more than its $2-million budget. For the record, Oyelowo served as one of the producers. Comparably, "Captive" and "No Good Deed" share some similarities, except "No Good Deeds" coined far greater cash. Presumably, "Captive" didn't have enough Christian values to bring in the flock. Spectators that appreciate strong acting may enjoy it simply because "Raise the Titanic" director Jerry Jameson doesn't rub our collective noses into scripture.

I've often said that every movie has a point of view and, whether you agree with that perspective or not, every film should be judged on how well it presents its story. It's difficult, therefore, for audience members to take a movie seriously when it's obviously "reaching" in its efforts to back up its point of view, and then sends mixed messages along the way. The drama "Captive" (PG-13, 1:37) has problems that should be obvious to the average Movie Fan before he or she even enters the theater. First of all, the simple but vague title has been used previously by at least six other movies, with greatly varied plots. (How can you hope to distinguish your movie and its supposedly unique message by choosing an oft-used and fairly meaningless title?) Secondly, when basing a movie on a true story which assumes an unprovable connection between events, you've chosen a story which will be difficult to make into a compelling feature film. (More on that later.) Thirdly, when your movie obviously wants the audience to think one way about certain characters and incidents, but then shows the audience just the opposite, it's tough to get any clear message across. (Another point to be expanded upon later in this review.) This film is based on the book "Unlikely Angel" written by Ashley Smith about the seven hours that she was held captive by an escaped prisoner. Brian Nichols (David Oyelowo) grew up in a middle-class family, had a God-fearing mother and attended college. He played college football and held down a couple decent jobs, but something went wrong somewhere along the way. He's about to go on trial for rape when he brutally beats a female guard and steals her gun and police radio. While escaping from Atlanta's Fulton County Courthouse and later trying to avoid detection, Nichols kills four people. Looking for a place to lay low for a while, he comes upon Ashley Smith (Kate Mara) smoking a cigarette outside her suburban Atlanta apartment. At gunpoint, he forces her back inside her otherwise empty residence.Ashley Smith was a young woman who hadn't killed people, but had messed up her life in other ways. She was addicted to meth, a habit which had cost her her husband, who had been stabbed to death by a drug dealer, and her daughter, Paige (Elle Graham), who the courts had taken away from Smith and who was living with Smith's Aunt Kim (Mimi Rogers). Ashley obviously loves her daughter very much and is trying to get her life together so Paige can return to living with her, but she's having trouble staying on the straight and narrow. We see Ashley at a Celebrate Recovery meeting (an addiction rehabilitation program sponsored by evangelical Christian churches around the country), but it's mentioned that this was her first meeting in a while. One of the group's leaders tries to give Ashley a copy of Pastor Rick Warren's best-seller "A Purpose-Driven Life", but Ashley throws the book in the trash. (The woman retrieves the book and drops it off at the restaurant where Ashley works as a waitress.) Ashley continues doing meth and is high as she's unpacking her new apartment on the night that Nichols abducts her.Over the next seven hours a strange bond develops between Nichols and Smith inside that apartment. She's initially as frightened as anyone in that situation would be, but she stays calm enough that Nichols doesn't perceive her as a threat. At first, he ties her up, but eventually he allows her to move about the apartment freely. He learns that she has drugs in the house and makes her share. Later, he forces her to help him ditch his truck. In spite of all this, as morning dawns, she makes him breakfast and the two of them talk. They commiserate over how they both feel misunderstood. When Nichols sees Smith idly thumbing through Warren's book, he asks her to read some of it to him. This happens several times during Smith's ordeal. At first, Nichols dismisses Warren's words as "a bunch of church crap", but, as the night wears on, he seems oddly calmed and even challenged by the short passages Smith reads aloud.I won't take issue with the possible role of a higher power in this story, but rather with the way it's portrayed. It'll be clear to most discerning Movie Fans that Warren's book had little, if anything, to do with the way this story is resolved. Smith could have accomplished the same thing by reading to Nichols from her diary. It was her attitude and her approach that calmed Nichols down. Also, are we to overlook Nichols' crimes because they're shown with no blood and aren't repeated later in Smith's apartment? This is a decent home invasion story, but any suggestion that we should sympathize with a man who was unrepentant after murdering four innocent people is offensive, and the idea that a non-Christian drug addict diffused a potentially deadly situation by reading a few sentences from a book that happens to mention God is just silly. There can be little doubt that this experience changed Smith's life (how could it not?), but surviving such an experience would've changed the life of anyone regardless of her beliefs.The main thing that makes "Captive" any better than an After School Special are solid performances by leads Oyelowo and Mara, as well as Rogers and Michael K. Williams (as the lead detective pursuing Nichols). Still, all these performances do is put a nice coat of gloss on a story that makes questionable assumptions, sends mixed messages and means little except to those directly involved. "C-"