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best movie i've ever seen.

This story has more twists and turns than a second-rate soap opera.

This is a small, humorous movie in some ways, but it has a huge heart. What a nice experience.

The story, direction, characters, and writing/dialogue is akin to taking a tranquilizer shot to the neck, but everything else was so well done.

The voices didn't really seem that good to me, they didn't match the characters at all. I think it would have worked better if they even tried using their real voices instead.It sounded like they were trying hard to make their voices deeper or more scratchy and it didn't work well. The end result seemed more forced on the actors parts.So not only were the actors pretty bad in my opinion, but... What was with all the abnormally large breasted women.. what. the. hell? Some even talked in mannerisms to make their breasts bounce more.Overall, I was not very happy with this movie. The characters seemed very stiff and it didn't flow very well. Pass.

Not great by all means(the animated adaptation of the story from the 50s is much better), but a more than acceptable version of one of Hans Christian Andersen's best stories. In detail it sticks much more faithfully to the story than Disney's Frozen did, though that film had more polish and magic from personal opinion, and it has that mysterious and poignant spirit of the original story if not its darkness, understandably. Some of the story here did have a slightly rushed nature to it pace-wise, maybe part of the reason for some skim-the-surface character development, the characters are very recognisable and have personality but lack dimension(rather archetypal in a way)in places. The dialogue also can sound cheesy and not as flowing as it could have done. However, much of the story does work, the latter parts of the film do pack a powerful punch, it always did engage me at least and there is some nice messaging. The heart-warming and tense parts are done well as well. The animation is very well done, it doesn't try to do too much and it looks completely natural from the smallest details to bigger effects like snow fall and the lake reflections. Everything moves smoothly and the colours are very lavish and atmospheric, the characters look good and match their personalities fine. The music added a lot to what was going on, the scoring was beautifully melancholic, hauntingly powerful and any tense parts to the music were done very rousingly and enough to make you bite the nails. The voice acting is more than serviceable with everybody playing with heart and commitment, with only Gerda's voice actress having occasional unevenness, big emphasis on occasional because she did do a good job. Overall, not a definitive version, though it never intended to be and I wasn't expecting to be either, but a good one. The original story is a classic and while with some obvious foibles The Snow Queen(2012) does very little to disgrace it. 7/10 Bethany Cox

There's one thing I like and one I dislike about this version of Hans Christian Andersen's "The Snow Queen."1. The animation kept a good pace with the original story in modern perspective as promised by Wizart Animation officials. Even though there are a few scenes and/or plots that are a bit confusing, but they do adapt the elements from the original story.2. The English soundtrack sounded and looked like that it was improvised than putting up a good effort. The English soundtrack was not that I've expected. It was supposed to stay on course with the story, but instead jumped out from the story to show off.I give that movie a "B+." However, I'll give it an "A" if they do a better job with the English soundtrack.

an old story. new technical tools. and a nice film who has only basic sin to be in shadow of too many and admirable versions. the Andersen work has, in many parts, the classic ingredients. but it has not soul. no real emotions, no touching moments, only a troll and a weasel. the travel of Gerda is only a sketch, the end - not real convincing and the promise of new part seems all only a commercial show. and that is problem - the need of Wisard studio to impress, the huge ambitions to be accepted on West market and the sacrifice of profoundity of story for a impressive but superficial show. a nice film, off course. but it is not enough. its great virtue - to remember the lovely version from 1957 by Lev Atamanov.