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Trick
Gabriel is a young, aspiring musical composer whose life seems stuck in the First Act. When his new musical number gets a critical reception, a theatre colleague, Perry, tells Gabriel that he needs to get a life before he can write about one – so he heads straight for his local gay bar.
Release : | 1999 |
Rating : | 7.2 |
Studio : | Roadside Attractions, Good Machine, |
Crew : | Art Direction, Production Design, |
Cast : | Christian Campbell John Paul Pitoc Tori Spelling Brad Beyer Lacey Kohl |
Genre : | Comedy Romance |
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I love this movie so much
This is a coming of age storyline that you've seen in one form or another for decades. It takes a truly unique voice to make yet another one worth watching.
The movie turns out to be a little better than the average. Starting from a romantic formula often seen in the cinema, it ends in the most predictable (and somewhat bland) way.
An old-fashioned movie made with new-fashioned finesse.
Gabe is a somewhat shy, slightly nerdy, aspiring show tune writer while Mark is an attractive go-go dancer at a discotheque. One night on a crowded New York subway their eyes meet and Mark decides to pursue Gabe for a hookup. However, they find themselves all dressed up with no place to go as they are thwarted by inconsiderate roommates, needy BFFs, spurned drag queens and flirtatious club kids, not to mention their own insecurities and burgeoning feelings for one another."Trick" is somewhat low-budget but manages to work well within its limitations. The most recognizable name will undoubtedly be Tori Spelling, though most everybody else does a good enough job that the story is at least engaging. Christian Campbell as Gabe gives a terrific performance, really getting across his insecurity, shyness, and fear that the gorgeous hunk he managed to land will slip through his fingers if they don't do the deed soon. Spelling does pretty good playing a shallow, self-centered, struggling actress (meta-casting, anyone?). Clinton Leupp is also another standout, playing every campy drag queen trait to the hilt.Steve Hayes (Perry) gives the best performance, managing to inject genuine pathos and feeling into a character that could've ended up an uncomfortable stereotype. It helps that he gets one good scene where he sings a hilarious song in a piano bar. It also helps that he gets another scene where he tearfully reunites with an ex. He was so good that I sometimes found myself wanting to see a movie about him instead. The worst performance belongs to Jean Paul Pitoc, who's nice to look at and that's it.The shots of New York are well done and the city is shown as in a positive light which is certainly a welcome change from other movies even if the musical cues that accompany them sound like they come a different movie. Shots of the WTC towers will instantly date this movie but that's not something that can really be helped.Not all the music is bad though. The two original tunes the movie showcases, "Enter You," and "Como Te Gusta Mi Penga," have just the right amount of silliness to be charming. My only complaint here is "Enter You" gets horribly overused throughout the film, even playing during the credits. I would guess that the reasons for this are that "Enter You" was probably meant to be a metaphor for Gabe and Mark's relationship and the film's budget didn't allow for much original or licensed music.The first big problem with the movie comes from several plot inconsistencies. Perry is introduced as though he is not a main character and not somebody Gabe knows. He comes across as just another anonymous casting director at Gabe's audition but later Gabe calls him for help when he needs a place to be alone and watches him sing in a cabaret. Conversely, another character that Gabe talks to in the bar where Mark dances seems to be given some importance despite the fact that he never appears again.The movie violates the "Show, Don't Tell" rule in the scene where Gabe gets angry with gal pal Katherine in a diner. While his outburst is justifiable since Katherine does nothing but talk about herself, her rebuttal about Gabe pressuring her to experiment in lesbianism doesn't seem reasonable because we are never shown this. Even though Spelling gives the monologue her best it ends up being hollow because we don't see it. Maybe they ran out of money to shoot it? The biggest problem of all comes from the fact that I just don't see Mark and Gabe having a happy ending despite the movie wanting me to think so. It's stated, and in Gabe's case, shown, many times that they have no place to be alone which can be a drag on even the best of relationships. They both live in shoebox apartments without a nickel between them. There's a scene where a man checks out Mark as he walks by the stoop of Gabe's building and Mark appears to be checking him out too, right in front of Gabe, I might add.There's also the fact that Mark makes a living dancing in a thong and loves to dance the night away shirtless in a club. There's an offhand mention of Mark majoring in journalism, which suggests there might be more to him, but it's casually mentioned and forgotten. Mark seems to instantly fall for Gabe only after he plays his song for him. Mark ends up being as shallow as a kiddie pool and I think this movie could've greatly benefited from character development for Mark.Gabe is painfully insecure and a bit of a doormat who won't stand up to his best friend mooching off his computer or his heterosexual roommate hogging the only bed every night for his routine conquests. At the dance club he runs off taking the word of a catty drag queen over Mark to say nothing of the fact that watching Mark bumping and grinding against other guys would only exacerbate his feelings of inadequacy.I would give a couple like this a month in real life. If anything Perry and his ex-boyfriend seemed like they had more of a chance than Gabe and Mark. The whole movie comes off as the screenwriter wishing they could've had a meaningful relationship with a hot, young stud like Mark and deciding to commit their fantasy to film.I don't know. Maybe I'm just too cynical to truly appreciate this film.
Always loved this movie. Not necessarily a "good" movie, but it does capture the ambiance of the gay club scene going to a place risking yourself not picking anyone going home alone then finding a hot piece on the way and getting in (memorable) trouble. Stupid rules are stupid.Incidentally, the word "defence" is correct, in spite of what your retarded spell checker may suggest.We the People of the United States, in Order to form a more perfect Union, establish Justice, insure domestic Tranquility, provide for the common defence, promote the general Welfare, and secure the Blessings of Liberty to ourselves and our Posterity, do ordain and establish this Constitution for the United States of America.We the People of the United States, in Order to form a more perfect Union, establish Justice, insure domestic Tranquility, provide for the common defence, promote the general Welfare, and secure the Blessings of Liberty to ourselves and our Posterity, do ordain and establish this Constitution for the United States of America.
Jim Falls applies the mainstream Hollywood romantic comedy genre to a gay situation and the results are delightful. The film is a breath of fresh air and in some respects groundbreaking because it shows us that stories are stories and people are people no matter what their sexual orientation. The film traces a few hours in the lives of a couple of young men who meet and are attracted to one another but can't find a place to be alone and have sex. In the process of a few episodic situations, they actually get to know one another.Some day maybe this will be trite stuff, but based on prejudicial attitudes that exist in society today, it's a fairly important film. The drag queen in the restroom scene is priceless. And those cute ears on J.P. Pitoc!
This is the coolest 'Love At First Sight' gay movie with a plot out there in the world. This movie is the best. Christian Campbell and JP Pitoc did a excellent, excellent job in this movie. The portrayal of the cute nerdy guy that doesn't work out (much) meeting the sexy hot go-go boy was superb. Tori Spelling did a good job too with the singing and dancing to Christian's character piano playing. The funniest part of the movie was the roommate Rich, played by Brad Beyer. He was the roommate from HELL. This movie was filled with some common things that normally happens when a guy tries to pick up another guy from a club or bar and these guys portrayed it well. I loved the cameo of Joey Dedio (Captain Planet) in this movie also. All-in-all the movie gets TWO thumbs up from me.