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Clubbed
An underworld drama set in the early 1980s, about a lonely factory worker whose life is transformed when he becomes a nightclub doorman.
Release : | 2008 |
Rating : | 6.7 |
Studio : | Screen West Midlands, Formosa Films, |
Crew : | Construction Manager, Graphic Designer, |
Cast : | Mel Raido Scot Williams Maxine Peake Ronnie Fox Colin Salmon |
Genre : | Drama Action Thriller Crime |
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So much average
Sick Product of a Sick System
It's fun, it's light, [but] it has a hard time when its tries to get heavy.
If the ambition is to provide two hours of instantly forgettable, popcorn-munching escapism, it succeeds.
As I'm reading the book "Watch my Back" I thought I'd give this film a whirl to see if it's as true to life on the doors and I can safely say it is. Very gritty, violent, foul mouthed and a true look at working the doors. If you're thinking of a career in door work I recommend this file and also the short film "Bouncer" (both written by the same person) as it will show the true side of what it's like, warts and all. Very gripping with an interesting twist in the tale only let down slightly by some dodgy acting (it's a low budget movie though) but well worth a watch for those of you with a strong stomach who are not easily offended by a bit of fresh language.
I'll be honest, I wasn't expecting much from this one, but I thought it might be o.k - So I was pleasantly surprised, as I found myself gripped within the first 10 minutes.This film is fast paced, so you won't get bored. It just gets on with it and flows nicely throughout. No filler, no overly long dialogue, and no corny subplots.Not one for the faint hearted, as adrenaline is sure to pump throughout. Not many movies manage to hit the right spots at the right time, so these guys did a good job.The soundtrack is great, and really compliments the action. The acting is realistic, and the casting was superb. You become quite attached to the characters throughout this short journey.With action, violence, drama, crime, comedy, and touching moments, this film should appeal to a wide range of people.As far as British film goes, this movie is right up there, and possibly in a league of its own.A very enjoyable and touching flick, which I'd recommend to anybody - especially fans of British cinema.9/10
Why does the poster & artwork say "Clubbed is one of the best UK indie films I have seen in a very long time. SCREEN INTERNATIONAL" when it was a quote of the French distributor REPORTED by Screen International (an influential film trade publication). See www.screendaily.com/ScreenDailyArticle.aspx?intStoryID=39811 which reads:"Pretty Pictures has acquired all French-speaking rights to Neil Thompson's Clubbed ....James Velaise, president of Pretty Pictures, said: "Clubbed is one of the best UK indie films I have seen in a very long time.""Isn't this rather misleading? The distributor is bound to say it's good. Are the other quotes real?
"Clubbed" is yet another 'will-this-do?' entry into the Brit fisticuffs genre and is sure to keep punters who aren't expecting too much moderately entertained for ninety minutes after a few beers. However, for anyone seeking intelligent, quality entertainment it's really best avoided.There are so many misnomers in the appalling script that even an actor of the calibre of Colin Salmon is left looking daft. The action is set in the 1980s, but it's never clear why, especially when they haven't been able to pull off any convincing feel for that decade - it takes more than a few 80s soul records on the soundtrack, the occasional zoot suit and a handful of 30-year-old cars. Then we see central characters studying texts such as Sun Tzu's "The Art Of War" and speaking about how violence should be a last resort, while the same characters seem only too willing to start doling out punches with all the testosterone-fuelled, unthinking abandon of a bunch of chavs fighting over a bag of chips.Character development does not exist in "Clubbed". Nor does irony, subtlety or pathos. This is a film which trades on fond memories of Guy Richie's early gangster films, which despite their flaws certainly had much more wit, better editing, snappier dialogue and packed more emotional punch than this limp little saga. They're a decade old now, anyway - isn't it time we moved on from trying to emulate them?