Watch Mulholland Falls For Free

Good movie but grossly overrated

The film makes a home in your brain and the only cure is to see it again.

This is a small, humorous movie in some ways, but it has a huge heart. What a nice experience.

It's a movie as timely as it is provocative and amazingly, for much of its running time, it is weirdly funny.

Investigating the suspicious death of an attractive young woman, four LAPD detectives uncover a conspiracy involving atomic energy in this mystery thriller set in the 1950s during the peak of the Cold War. Luciously shot by the legendary Haskell Wexler and accompanied by an appropriately moody music score, the movie succeeds in creating an experience that is part film noir homage and part 70s paranoia thriller homage. The performances are also uniformly excellent. The film bites off a little more than it can chew though. The origin of the title, for instance, is revealed very early on as we see how shady the detectives are, resorting to letting some criminals (who they cannot legally touch) dive off the edge of Mulholland Drive. For the vast majority of the film though, they are shown as far less corrupt, which is a shame because morally ambiguous policemen are always far more interesting. A subplot involving the lead detective's neglected wife does not quite gel with the story-line either and mostly feels like a distraction from the Cold War conspiracy that the detectives eventually unfold. Generally speaking though, this is a fairly enticing affair. Released after the end of the Cold War, the film benefits in particular from speculating over what may have been in terms of government whitewashes and corruption during this heightened period of international tension.

Lee Tamahori's Mulholland Falls gets a bad rap in some circles for being boring and uneventful despite its charismatic cast and opulent setting that's ripe for peppy action sequences. I think they are confusing boring with the concept of a paced and very slow burn, yet one with all the texture and richness of an action film, one that admirably decides to take the route of the old school noir, with loving care put into story and character, two elements which the action and violence live simply to serve, and not to take the driver's seat against. Or it's simply not some people's cup of tea, which is totally okay too. Personally though, I love a good L.A. cop yarn that has a story to go with the toughness. This one bears striking similarity to 2013's Gangster Squad, which also had Nick Nolte playing a 1940's Los Angeles cop in charge of a squad that operates outside of the law. That film is pure cheese, all razzle dazzle and no plot. Mulholland Falls falls somewhere between Gangster Squad and L.A. Confidential; not quite up to delving into the serpentine intrigue of the latter, yet infinitely more interested in telling a worthwhile story than the former. And tell it does, in high flying style that only a crime film set in that time period can do. Nick Nolte plays Hoover, a whiskey voiced, take no prisoners LAPD badass who heads up an elite anti corruption task force that operates far outside the red tape and pretty much do what they want to stomp out corruption. His squad consists of Michael Madsen, Chris Penn and a scene stealing Chazz Palminteri as the oddball of the bunch, with serious impulse control issues. A straight up dream cast of tough guys, and although I'll admit that Penn and Madsen are a tad underused, their presence alone boosts the film's credentials into an epic pantheon. The film revs up with a kicker of an opening sequence in which the squad severely roughs up a troublesome mobster (an uncredited William L. Petersen). "This isn't America, it's Los Angeles" Nolte growls to him, stating the tone of perverse lawlessness which permeated the city back then. Soon he's drawn into a tawdry scandal involving the murder of a young prostitute (Jennifer Connelly) who he previously had encounters with. The search leads him far and wide, crossing paths a sleazy photographer (Andrew Mcarthy), a dying air force tycoon (John Malkovich manages to ham it up even at his most laid back) and his stern lieutenant (Treat Williams). Nolte also has a poor jilted wife played nicely by Melanie Griffith in limited but effective screen time. The plot is hard boiled to the bone, with Nolte in one his most gruff mid career roles and loving every stressed out, rage fuelled second of it. The conclusion is his show, with a whacked out Palminteri in tow for a spectacular sequence set aboard a doomed military aircraft. The cast gets deeper, believe it or not, with Daniel Baldwin, Ed Lauter, Kyle Chandler, Titus Welliver, Louise Fletcher, Rob Lowe and Bruce Dern contributing gamely. This one's got style on it's side and then some, replicating a sense of time and place with the torque ramped up to near Sin City levels. Admittedly not perfect, but a pure and simple blast of a flick, in my opinion.

It's 1950s L.A. Lieutenant Maxwell Hoover (Nick Nolte), Coolidge (Chazz Palminteri), Hall (Michael Madsen) and Relyea (Chris Penn) are a squad of rough LAPD detectives who throw bad guys off a hill on Mulholland Drive. They investigate the murder of Allison Pond (Jennifer Connelly) who actually is linked to Hoover. They uncover secretly filmed sex sessions as well as the Nevada Atomic Testing Site. They are threatened by Colonel Fitzgerald (Treat Williams). She also had an affair with General Thomas Timms (John Malkovich), head of Atomic Energy Commission.It's a tightly wound neo-noir. Connelly is a sort-of-femme-fatale on celluloid. Maybe they should have included a sister following the investigation in the present. The flashback aren't as interesting. Nick Nolte is good at being hard but his desperation needs to be heightened. This movie has most of the elements of a hard-boiled film noir but it does lack the sharp dialog. It needs more thrills to go along with the style.

Mulholland Falls is directed by Lee Tamahori and written by Pete Dexter. It stars Nick Nolte, Chazz Palminteri, Melanie Griffith, Michael Madsen, Chris Penn, Jennifer Connelly, Treat Williams, John Malkovich, Bruce Dern and Andrew McCarthy. Music is by Dave Grusin and cinematography by Haskell Wexler.1950s Los Angeles and four unorthodox detectives led by Maxwell Hoover (Nolte) are called in to investigate the death of a young woman found crushed at a construction site. The woman is revealed to be an aspiring actress who had recently had a relationship with the married Hoover. Can is open, and worms everywhere, and following those worms leads Hoover down murky avenues...It's the almost nearly great neo-noir movie, everything looks right in principal, it has a strongly assembled cast, the 50s visuals and cinematography are splendid, and the murder mystery element of the plot - with some added sex, sizzle and nuclear shenanigans - looks promising on the page. Yet it never delivers on that promise of being something dark, to be a labyrinthine noir thriller beating a black heart.It starts of so well, based on the infamous "Hat Squad" we reasonably expect the story to expand upon the opening macho machinations of the four tough hombres in the hats, but instead away from Nolte's grizzled Hoover, the other three guys are merely dressed up props. Which means there's some good actors wasted, sadly.As the plot moves slowly forward the investigation and Hoover character axis becomes less interesting. Griffith came in for some critical grief for a lacklustre performance, but she's done no favours by the writers who fail to give her marriage to Hoover any substance. So when things go pear shaped and the characters of Mr and Mrs Hoover should explode on the screen, we really don't care having had no interest previously to hang our emotional being on.It all builds to what can best be described as a poor pay off, the resolution to the hinted at muddy mystery is hardly shocking, and the "big" face-off sequence between good and bad guys (or bad and bad if you prefer) is about as exciting as watching paint dry. It's not an awful movie, but it is a very disappointing one. A film where a bit more thought given by the producers could have yielded so much more. 5/10