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Touches You

Best movie ever!

I enjoyed watching this film and would recommend other to give it a try , (as I am) but this movie, although enjoyable to watch due to the better than average acting fails to add anything new to its storyline that is all too familiar to these types of movies.

Animated anthology movie from Disney. They made several of these during and after World War II. It's a fun movie with cartoons of varying quality but none are bad. Many of these cartoons were released later as theatrical shorts. There are ten segments. The most popular of them is probably "Casey at the Bat," a recitation by Jerry Colonna of the famous poem. It's a funny, wacky baseball cartoon that was one of my favorites as a kid (seen on a compilation video). Other well-known parts include the Disney version of "Peter and the Wolf," "The Martins and the Coys," which is now considered politically incorrect by those who make such determinations, and "The Whale Who Wanted to Sing at the Met," featuring Nelson Eddy. These are all fine cartoons, though the last one has a surprisingly downbeat ending. The 'worst' shorts are the ones that have no real story, just offer a few minutes of animation to some song, almost like a music video of sorts. "Blue Bayou," "Without You," and "Two Silhouettes," for example. They aren't bad shorts, just slight. They feel like time filler. My two favorite shorts in the whole movie are "All the Cats Join In" and "Johnnie Fedora and Alice Bluebonnet." 'Cats' is an energetic big band number with Benny Goodman music playing while a pencil draws the action as it happens. It's creative and cute with a surprisingly sexy part. You'll have to watch it to see what I mean. 'Fedora' is a sweet story about two hats (yes, hats) falling in love and becoming separated. This is narrated through song by the great Andrews Sisters. Overall, some nice little shorts that should please old-school Disney fans. Good animation and music. A very pleasant movie that will leave you with a smile on your face.

MAKE MINE MUSIC is too jumbled. It's supposed to be a "mix" of the language of emotions, which is music, but it's an awkward attempt as we are treated to either boring ballet ballads or obnoxious jazz be-bop segments. I enjoyed "Blue Bayou" for its visual splendor, "Johnny Fedora & Alice Bluebonnet" for its cuteness, "Peter & The Wolf" because Sterling Holloway is the best! and "Casey At The Bat" because I also love Jerry Colonna's (sp?) voice, though "Casey" feels sad and incomplete when it ends with the ball player striking out and nothing more is said. The other segments, including the annoying singing whale, could have been axed in favor of part 2 of "Casey", which I've seen on TV years ago, about Casey having 9 daughters and coaching them as a baseball team. Walt Disney was trying to help audiences find an appreciation of different genres of music, but this mostly is a disappointment.

Of all Walt Disney's animated films, there are 5 features that a huge amount of people have never heard of. Saludos Amigos (1943) is one, but it's not fully feature-length (it's only 45 minutes, so it shouldn't even count when you always hear those Disney video & DVD announcements that say "Our 20-whatever-TH full-length animated classic...," but they actually do count it). The excellent Fun and Fancy Free (1947) is another. The Adventures of Ichabod & Mr. Toad (1949). And then, there are the 2 sequels to Fantasia (1940): Melody Time (1948) and this film, Make Mine Music (1946). The reason you probably haven't heard much about them is that, first- they were "Package Films" which were never really that popular AS package films, and second- they didn't make a lot of money for the studio when they were released in theaters in the 1940's. In fact, Disney would have gone extinct forever in 1950 (many say) if Cinderella had not have been a huge hit (which it was).I say, they are sequels to Fantasia because they are made almost the exact same way. They lack a Composer / Orchestrator character to link them together, but when one segment ends, another simply begins. So basically, if you liked Fantasia, all you need to like this movie is some appreciation for the music you hear here. And this really is in the same sort of style as the music we hear in several Disney films. There's jazz (which you hear in The Aristocats, 1970), classical (every Disney film, animated or non), and interpretive stuff. I may not be a huge fan of any of these styles of music, personally, but that's what's great about Disney. They can put animation to it and make you like it or appreciate it more.The first thing that should probably be said is that the wonderful people at Walt Disney Home Video, have taken it upon themselves to edit one of the musical segments entirely out of all prints of the film available on VHS and DVD. Isn't that nice of them? Without any proper explanation why - if you haven't seen it already, you're not going to see it ever (and I checked, it's not on You Tube). I've never seen it, so I can't comment on it.The segments in the film can be put into 3 categories. 1- Storyline, 2- Interpretive, and 3- Combination. "Peter and the Wolf" and "The Whale Who Wanted to Sing at the Met" are Storyline. So they are longer than the others and take more time to tell. Both are good stories, if you like opera and folk / fairy tales. Though, "Peter" is probably the best (certainly it's been said it's Walt Disney's favorite), some of the animation / color choices here seem a little too wacky for Americans. "Whale" is underwhelming but has a memorable ending (it was a mistake, I think, to have the 1 opera singer doing all the speaking voices too)."Blue Bayou," "Without You," "Two Silhouettes," and "After You've Gone," (big surprise) are Interpretive. No characters, no story. Just a song with some lyrics, and pure art. "Bayou" and "Without" are very beautiful and a little haunting. "Silhouettes" is truly classic and lovely, if also the most boring part of the movie. "After" has no lyrics but is very fun and upbeat.Then finally, "All the Cats Join In," "Casey at the Bat," and "Johnnie Fedora and Alice Bluebonnet" are Combination. Which means, they have stories, but they are entirely told through one long, continuous song or don't take any breaks. "Casey" is funny, without a doubt (even though it's quite offensive, in one moment, to overweight people). "Johnnie" is definitely a fan favorite, and is kind of sad too. And "Cats" is fast-paced, so it's entertaining. But it doesn't speak too kindly of the youth of the 1940's. They are portrayed as quite elitist and discriminating.So, unlike most Disney films (and even their package films), this film rests entirely on the strength of each individual segment / short. And some of these aren't memorable, while most are slightly below average quality. No Disney movie to buy on DVD is cheap, but with these Disney titles, you usually get a bonus cartoon. So I recommend purchase for true Disney fans. If you're looking for something to rent - I recommend only for you alone, if you're a Disney completest. But for your family, there are more appropriate and sensitive Disney films. Most films act as art, and as that, Make Mine Music does provide some average stuff worth seeing. I recommend it for that reason alone. If you're looking for something else, I say, find something else.

Chocolate-box potpourri of Disney-animated shorts became Walt Disney's eighth animated theatrical feature, one that plays like a middling excuse to allow the studio's animators to blow off some creative steam. Divvied up into separate musical suites (utilizing pop, jazz, Big Band, and the Russian classical piece "Peter and the Wolf"), "Make Mine Music" is musically of its time, featuring the talents of Benny Goodman, Dinah Shore, Nelson Eddy, etc. In that regard, it dates far worse than "Fantasia", and comes to a virtual halt in the middle of an overstretched slapstick baseball satire, but there are incidental pleasures. The popular "Peter and the Wolf" segment, which was later serialized on Disney's TV program and found a large following, is the only segment that feels fully thought-out (and has involving animation), while "The Whale Who Wanted To Sing At The Met" is an interesting idea (with beautiful flourishes) in search of a narrative (the hero actually ends up in Heaven...complete with angel's wings!). Followed by "Melody Time", which featured more storytelling and less abstract whimsy. ** from ****