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If the ambition is to provide two hours of instantly forgettable, popcorn-munching escapism, it succeeds.

This is a coming of age storyline that you've seen in one form or another for decades. It takes a truly unique voice to make yet another one worth watching.

It’s not bad or unwatchable but despite the amplitude of the spectacle, the end result is underwhelming.

Exactly the movie you think it is, but not the movie you want it to be.

This is a great under-rated film which gives many laughs for people with good sense of humour, was very funny.Hilarious bloopers

Ted Demme's Life is a hard one to classify or box into genres, which may have been why it didn't do all that great at the box office and subsequently slipped through the cracks, a result that often befalls ambitious, unique films that people aren't ready to surrender to. Part comedy, part tragedy, all drama infused with just a bit of whimsy, it's a brilliant piece and one of the most underrated outings from both of it's high profile stars, Eddie Murphy and Martin Lawrence. It seems fitting that the two lively, cartoonish cowboys of comedy should share the screen, and it's lucky they got such a wicked script. In the roaring twenties, Murphy is smooth talking petty thief Ray, Lawrence is hapless, hot blooded bank teller Claude, and the pair couldn't be more suited or dysfunctional towards each other. Brought together for an ill fated moonshine run bankrolled by a nasty NYC Gangster (Rick James), things go wrong in the most auspicious of places a black man could find himself during that time: Mississippi. Framed for the murder of a local conman (Clarence Williams III) by a psychotic, corrupt Sheriff (Ned Vaughn), they're given life in prison by the judge, and this is where their peculiar adventure really begins. Put under the supervision of a violent but oddly sympathetic corrections officer played awesomely by Nick Cassavetes, the two wrongfully convicted, hard-luck fellows spend their entire adult life and most of the twentieth century incarcerated... and that's the film. Squabbling year by year, making a whole host of friends out of their fellow convicts and never losing their sense of humour, it's the one of the strangest narratives I've seen, and somehow works wonders in keeping us glued to the screen. Supporting the two leads is a legendary ensemble including Ned Beatty as warm hearted superintendent, Anthony Anderson, Bernie Mac, Bokeem Woodbine, Barry Shabaka Henley, Heavy D, Don Harvey, Noah Emmerich, Obba Babatundé, Sanaa Latham, R. Lee Ermey and more. Murphy and Lawrence have never been better, shining through Rick Baker's wicked old age makeup in the latter portion of the film, and letting the organic outrage and frustration towards their situation pepper the many instances of humour, accenting everything with their friendship, which is the core element really. The film's title, simple as it, has a few meanings, at least for me. Life as in 'life in prison', in it's most literal and outright sense. Life as in 'well tough shit, that's life and it ain't always pretty,' another reality shared with us by the story. But really it's something more oblique, the closest form of explanation I can give being 'life happens.' There's no real social issues explored here, no heavy handed agenda (had the film been released in this day and age, that would have almost certainly been a different story), no real message, we just see these events befall the two men. They roll with each new development, they adapt and adjust, they learn, they live. In a medium that's always being plumbed and mined for deeper meanings, subtext and allegories, it's nice to see a picture that serves up the human condition without all those lofty bells and whistles. Their story is random, awkward, unpredictable, never short on irony, seldom fair, often tragic, and ever forward moving. That's Life.

This was the pinnacle of Eddie Murphy's career. Between his raunchy stand-up and his nonsensical family popcorn fluff came this gem of a movie. While the movie has some yucks to it, its not a beginning to end laugh-out-loud fall-from-your-seat spit- your-soda-out type of funny. Rather, it is a lighthearted take on some serious subject matter. Wrongful imprisonment, racial injustice in the south, crime and punishment, the point of pointlessness of life itself. Murphy's performance as a two bit hustler is right on the money, equal parts funny and smarmy. Lawrence too, deliver's an uncharacteristically fine performance as his frustrated counterpart. A suitable watch with or without popcorn, a good family movie, be ready to laugh and cry for this altogether unexpected opus.

It's 1932. Rayford Gibson (Eddie Murphy) is a fast talking petty criminal. Straight laced Claude Banks (Martin Lawrence) just got a job as a bank teller. Neither got the money to pay their bills at Spanky Johnson's , and they end up doing a rum run for him. Ray loses his beloved daddy's watch in a crooked card game. When the cops kill the crook, Ray and Claude get blamed for the murder and life in prison.Martin Lawrence is playing somebody truly idiotic picking a fight with white folks in 30's Mississippi. Eddie Murphy isn't any more likable as the petty schemer. I guess some people may find this comedy duo funny. I just find them alternating between annoying and bearable. The characters have no chemistry at all. They are literally slap dashed together. This movie isn't really a comedy. There isn't anything funny here. Yet it's not gritty enough to be realistic. It occupies a space in between where it's mostly boring.