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The Ages of Lulu

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The Ages of Lulu

Fifteen-year-old Lulu has never known any affection from her family. But when she goes to a rock concert with Pablo, a friend of the family, he introduces Lulu to her first sexual experience. Years later, Pablo and Lulu have married; Pablo has created a sheltered, private world for Lulu, into which nothing intrudes. However, Lulu tires of her cloistered existence, and begins hanging out in shady bars, looking for vicarious thrills and danger.

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Release : 1990
Rating : 5.5
Studio : Iberoamericana Films Internacional,  Apricot, 
Crew : Set Decoration,  Director of Photography, 
Cast : Francesca Neri Óscar Ladoire María Barranco Fernando Guillén Cuervo Rosana Pastor
Genre : Drama

Cast List

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Reviews

Stometer
2018/08/30

Save your money for something good and enjoyable

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Actuakers
2018/08/30

One of my all time favorites.

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GurlyIamBeach
2018/08/30

Instant Favorite.

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Bob
2018/08/30

This is one of the best movies I’ve seen in a very long time. You have to go and see this on the big screen.

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thonguyen-80083
2018/02/19

Actor and actress have a natural action , movie with some sensitive scene but so attractive.Thank you

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John Nail (ascheland)
2010/05/01

Bigas Luna's movies are difficult to come by in the U.S., but judging from the few I've seen -- "Jamon, jamon," "Golden Balls," and "The Ages of Lulu" -- he could easily become one of my favorite directors. His movies aren't perfect by any stretch, but I like his direct approach to sexuality and his fondness for envelope pushing. And he really pushes it in "The Ages of Lulu," which takes the standard non-plot of most erotic dramas -- a woman's sexual awakening -- and takes it into dark, disturbing and daring realms. "Emmanuelle" this is not.Lulu (Francesca Neri) is a virginal teen in Madrid who's got a crush on her brother's friend Pablo (Oscar Ladoire). Pablo takes Lulu to a concert and quickly introduces her to oral sex, shaves her privates and, finally, takes her virginity. Then he's off to the U.S. When he returns Lulu is older but still smitten. After a painful introduction to anal sex, Pablo proposes. Once married, the couple spend most of their time having athletic sex. They pick-up Ely, a trannie hooker/Cher lookalike (played by female Maria Barranco, with some prosthetic help), and even though Ely ends up being a third wheel in the inevitable threesome, she ultimately befriends the couple. She even babysits when they have a daughter. But then one of Pablo's sex games goes too far and Lulu leaves him. On her own, she whiles away her days writing and watching bi-sexual porn videos. Intrigued by man-on-man action, she goes down to a sleazy gay bar and is soon involved in some intense sex play with three gay men (one of whom is played by a young Javier Bardem), who are paid for their services. She's a full-fledged sex addict, and like all addicts, she's going to hit bottom.I've read reviews of this movie that term the sex scenes as "near pornographic." I wouldn't go that far -- much of the action is darkly lit, with bare crotches often hidden in shadow -- though it's clearly in NC-17 territory, and clearly not a movie that would be made in the U.S. I suspect Luna's portraying homosexual activity in the same unflinching directness that he shows the hetero action may be the real reason people are labeling this movie "pornography" and "filth." But sex isn't "Lulu"'s problem; narrative is. It's hard to get a grasp on the movie's time frame: it appears to start in the 1960s, then goes directly to the late 1980s, bypassing the 1970s altogether. Lulu's never really defined beyond her sexuality, so she never quite connects as a character. When she leaves her husband she takes their young daughter, but then the girl disappears from her life -- and the movie -- completely. And why does the exploration of sexuality (particularly female sexuality) always have to have such dire consequences? Then again, maybe I'm over-analyzing. That's the problem with "Lulu": it doesn't always aim below the belt, but it can't seem to get its mind out of the gutter."The Ages of Lulu" may not be all that easy to watch, but like the Bigas Luna movies I've seen so far, it's even more difficult to forget.

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dbborroughs
2005/11/23

This is the story of a woman through told pretty much through her sex life. As the film progresses we watch as her life goes from one of normalcy to one on the fringes of "normal" society, and its a course mirrored by her sex life. It is a very lurid film that pretty much covers every sexual subject you can think of, and probably some you can't. Its a well made movie that is so close to being an explicit film that one wonders why they didn't bother to go all the way and not shy away from showing it all. But its not really about the sex, since this is a smutty film that has the belief that its about something other than just showing hot sweaty sex. I'm not sure if thats true or not. Actually I'm not sure what I think of this film. frankly its one of those movies that you see and aren't enthused by, but which you find yourself haunted by none the less. There is something about the film that keeps me wondering if its not better than I think it is. Then again it maybe the desire to see the hot sweaty sex again (It really is steamy)If you're not prudish and ready to deal with sex in all of its varieties then by all means dive in and give it a try. If you are offended by anything other than straight forward heterosexual sex, then stay away.

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charlottesweb
2000/12/30

This early (1990) major feature from Bigas Luna is the one which – not surprisingly – got him noticed. It is an uncompromising study of sexuality, exploring desires which most directors would shy away from – on and probably off the camera. Italian actress Francesca Neri plays the lead character. It's an erotic, uninhibited performance, taking Lulu from an innocent virgin with a crush on her brother's friend to a woman so desperate for carnal gratification that she trawls bars looking for men with which to have three-way sex. For some, the film's frankness – masturbation, homosexual sex and cunnilingus – and exploration of everything from transsexual sex to incest might bring it close to pornography. But it is refreshing to see these challenging areas of sex dealt with by a competent director and good cast of actors. It hints at the themes which would run through Luna's later work, such as Jamon, Jamon and Golden Balls but without the quirky humour of those films. Slightly exhausting, perhaps taking on too much of the dark side of sexuality.

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