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Star Trek III: The Search for Spock
A surprise visit from Spock's father provides a startling revelation: McCoy is harboring Spock's living essence.
Release : | 1984 |
Rating : | 6.6 |
Studio : | Paramount, |
Crew : | Art Direction, Set Decoration, |
Cast : | William Shatner DeForest Kelley James Doohan George Takei Walter Koenig |
Genre : | Adventure Action Thriller Science Fiction |
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Reviews
Pretty Good
One of my all time favorites.
A Masterpiece!
Although it has its amusing moments, in eneral the plot does not convince.
Sandwiched in between the most critically loved and the most commercially successful of the original series movies, "The Search for Spock" is often overlooked. It was not the dramatic action adventure masterpiece that was "The Wrath of Kahn", nor was it the fun comedic ride that "The Voyage Home" was, but it weaves its own tale and stands on its own as a Star Trek story of power and magnitude.Right from the beginning we see what "The Search for Spock" is going to be about. Picking up on the themes at the end of the previous film, this one makes its point known. This movie is all about life and death and the struggle between the two forces. So many times throughout this film we see the struggle presented overtly and through metaphor. Whether we have to watch the death of Kirk's son David make way for the rebirth of Spock or the symbolism of the new Excelsior replacing the old and past her prime Enterprise, the struggle of life and death has its imprint all over this one. Heck, even the whole Genesis planet is an overt metaphor for the struggle, life from lifelessness that now dies. Yes, "The Search for Spock" comes nowhere near the quality of film its predecessor is and it does not live up to the good time fun of "The Voyage Home", but it has its own voice and it speaks it quite eloquently leaving the third Star Trek film in a place among the top ten of the entire original series.
This movie seems to get swept under the rug when it comes to Star Trek and honestly when it's between the one Die-Hard fans usually consider to be the best in the series and the one that was for a good long while the most financially successful movie in the series it's not hard to see why. But while this isn't as good as Star Trek 2 or 4 this is actually good in it's own right.This takes place after 2. They return home to find Bones thinking he's Spock and Genesis quarantined. when a Starship is searching Genesis they find a young version of Spock alive regenerated by the planet because as he was sent there as new life was forming on Genesis that regenerated him. While this is going on a renegade Klingon vessel also catches wind of Genesis and what it does and decides to take it and claim the "weapon" for themselves. Soon Kirk is visited by Spock's father who says that part of Spock survived and would have used a form of mind-melding to transfer his knowledge and personality over to Kirk but they find out it was actually Bones and wants to be taken to Genesis. They soon go on this adventure once again.Okay while as usually Shatner's acting is... Shatner the rest of the cast do a pretty good job. While Christopher Lloyd isn't as memorable of a villain as Khan there is a lot to his performance that quite honestly really does make his character interesting. The way this builds story on 2 by Genesis being unstable and even Spock's resurrection by the planet with no memories is actually really fascinating to me. I also quite enjoy the special effects and the action as well and the story is actually pretty good.So this movie is just a consistent level of okay. It does get above average at times and I think it's actually a pretty underrated movie in this series. Again considering what came before and afterwards in the series I can understand it. I really would recommend this if you're a casual viewer of the Star Trek series.
The unpleasant incident with Khans Wrath had cost the life of Mr. Spock...........or so it seemed. Admiral Kirk is informed by Spock's father Sarek that his son is being kept alive in the thoughts of one of the crew members. It now becomes necessary to search for Spock's body, so that flesh and soul can be rejoined on Vulcan. It turns out that Spock's spirit is residing within the mind of the Vulcan's longtime shipmate, Dr. McCoy. Finding the body is another matter, since the Enterprise has been consigned to the trash heap and thus is out of Kirk's jurisdiction......With a helpful 'previously on....' At the beginning of the film, ST:TSFS takes no time in getting straight to the main point of the narrative, find Spock, and maybe we can find ourselves along the way.There are a lot of metaphors in the film surrounding life, mortality, and finally death, but these never really hinder the pace of the story, and after the tense and dark second entry, it's a bit of a relief that this has a more light hearted, almost Schumacher touch to the sets and the colours of the film.Take Lloyds uber villain, as despicable as he is, he's almost pantomime with his performance and gait, and when we first meet him with his Henson Workshop pet, and that really eighties neon lighting, it takes the urgency away from his motivation.But Lloyd seems to be enjoying the fact he is playing a Klingon, and Nimoy as director just seems to let him do what he wants. Shatner is more Shatner in this, and he hams up the screen, especially in the hilarious final fight between him and Lloyd (I particularly loved the backflip).But it's all highly enjoyable, the sets are astonishing, and the film is full of vibrant colours that almost make the film feel a little like 'The Temple Of Doom' in the final act (which was out at the same time).But do yourself a favour, don't do what my father did and take me to see this without seeing the prior movie, you'll feel like you're watching totally incoherent.It's best watching II and III back to back.It works so much better...
It feels a little strange to say, but this film may be worse than the first Star Trek movie. At least the first film was creative and slightly intriguing, even if it did not translate to the big screen. But The Search for Spock contained little mystery, a prolonged and obvious outcome, and continued the same flawed subplot (and basically the only negative aspect of) The Wrath of Khan, that being the Genesis Project. This unlikely Federation project was at least a bit on the afterburner in the previous film, compared to Khan's quest for vengeance against Kirk. Now it's the main story as it gives Spock his rebirth, but this time there is hardly any thought to the moral dilemma of the project.There are some positives in this film; I don't think it is a disaster. It was nice to see the rest of the crew given a little more of the spotlight, such as Uhura putting the young Federation member in his place (then she disappearing for basically the rest of the film ) and Sulu taking out the Federation MP's (his hand-to-hand combat is much more believable than Kirk's; more on that in a bit). Also, while it is a little strange to see Christopher Lloyd as a Klingon, he made the character sinister and interesting.But my main criticism with Search for Spock is that we always know Spock will return, and the child version of the character is found early on. The film could have been so much better if the Spock regeneration was settled during the first or second act, then we can move on to a new Star Trek adventure with the crew back together. There is a sense with this film, especially since it was directed by Leonard Nimoy himself, that Kirk got his movie with Wrath of Khan, now let's explore more about Spock's nature throughout this entire film. But it all just comes across as a lackluster, immediate follow-up to the previous installment. With Wrath of Khan, it felt like a reboot to the franchise, not a sequel. But this film exemplified exactly what most of us don't like about sequels: trying to wrap- up loose ends from the last film and taking it up a notch from there, but failing.Final thoughts: Please, no more hand-to-hand combat from Kirk, it doesn't work anymore. The character plays so much better as a captain outwitting the enemy, as he does with the destruction of the Enterprise. And are you serious with that Ponfar scene? I know Kirstie Alley said she didn't want to be typecast, so she chose not to continue her role as Saavik, but I have to think that this scene with post-adolescent Spock had to really push her over the edge. Plus, do we really think that these characters who are pushing 50 could walk up all of those steps on Vulcan carrying a comatose Spock? Scotty must have been freaking out. And what is Bones regular "poison"? Gotta be Romulan ale.*My film rating follows the soccer player rating measure of 6 as a baseline: you did what was expected of you. This film is a 4 because it fails to intrigue and shows essentially nothing new. It is simply a sequel trying to continue the excitement of its predecessor, but utterly failing.