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Capone
Young Al Capone catches the eye of Johnny Torrio, a criminal visiting New York from Chicago. Torrio invites Capone to move to Illinois to help run his Prohibition-era alcohol sales operation. Capone rises through the ranks of Torrio's gang and eventually takes over. On top, he works to consolidate his power by eliminating his enemies, fixing elections to his advantage and getting rich. In his spare time, Capone courts the principled Iris Crawford.
Release : | 1975 |
Rating : | 5.7 |
Studio : | Santa Fe Productions (I), |
Crew : | Art Direction, Property Master, |
Cast : | Ben Gazzara Harry Guardino Sylvester Stallone Susan Blakely John Cassavetes |
Genre : | Drama Crime |
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I like the storyline of this show,it attract me so much
Thanks for the memories!
Don't listen to the Hype. It's awful
As Good As It Gets
Despite giving Sly Stallone second billing (after Ben Gazzara) and a nice big picture on my DVD cover, he is not a lead actor in this movie. Ben Gazzara, Harry Guardino, Susan Blackeney (Yes that Susan Blackeney from "Lords Of Flatbush") are all listed before Sly who is listed under "Starring" with three other actors. Sly doesn't even appear until thirty one minutes in to it, and he doesn't speak a line of dialogue until ten minutes later, his part does grow as the movie enters its second half. Plot In A Paragraph; Set over several years, this is the story of Al Capone's rise and fall in the gangster underworld. Gazzara over acts and hams it up a lot. It's almost as if he thinks he is appearing in a spoof Capone movie. Harry Guardino is great as Johnny Torrio, as is Susan Blakely, I think her open crotch shot, must be the first one for a leading actress in a mainstream Hollywood film. Martivn Kove is very good in his supporting role. Dick Miller has an enjoyable small role as a cop on the take too. Following on from his first good role in 'Flatbush' the previous year, Sly under plays it as Frank Nitti and continues his early career with another steady supporting role.Nobody can fault Capone for its effort. It covers several decades (taking several liberties with the truth along the way) in a short running time, but it's campy B movie quality all the way, as it rushes through a lot of gangster activity. It's never dull and is quite entertaining in a trashy low budget way.
Cheaply-made and over-simplified account of the life and times of the most notorious gangland figure of The Roaring Twenties; clearly intended as exploitation - with liberal doses of nudity and foul language to embellish the typical blood-soaked exploits - the Fox film was produced by Roger Corman (who was associated with any number of similar genre efforts, released in the wake of BONNIE AND CLYDE [1967] and which became an even greater commodity after THE GODFATHER [1972]).As Capone, Ben Gazzara chews more than the scenery - as he obviously has placed something in his mouth to help 'authenticate' his delivery! Similarly, so as to give the impression of realism, the script continuously precedes scenes with the date and year when the event depicted is supposed to have happened; still, this doesn't prevent the film from appearing clichéd most of the time! Curiously, the film ends with Capone on parole going mad in some luxurious mansion - a turn of events which, as far as I know, is completely fabricated.With the various real-life characters and myriad factions on display, one is prone to lose track of who's killing who and why - but, for all that, the carnage is constant and moderately well-staged (though, at one point, Corman inserts footage from his own film THE ST. VALENTINE'S DAY MASSACRE [1967], also a Fox production!). The cast is made up of veterans like Gazzara, Harry Guardino and a cameo by John Cassavetes, and newcomers such as Sylvester Stallone (a pretty good pre-stardom role as Capone's right-hand man who eventually has his boss ousted!), regular baddie Martin Kove (as a thug from a rival clan) and lovely Susan Blakely as Capone's young but free-spirited moll.Needless to say, the film doesn't do justice to the character (seen in countless other gangster pics, the most significant impressions perhaps being those given, Method-style, by Rod Steiger in AL CAPONE [1959] and Robert De Niro in THE UNTOUCHABLES [1987]) - but neither is it the disaster Leonard Maltin claims, having slapped a BOMB rating to it! By the way, while the print on Fox's R2 DVD is O.K., the audio is pretty lousy (often displaying a distracting hiss).
If you were looking for an Al Capone biography that was more exciting than the 1959 film with Rod Steiger, you might like this one, but the only exciting thing for me were the gun battles. Ben Gazzara does well in the title role, but you can tell he has cotton in his jowls because some of his dialogue is incomprehensible. The casting was ideal, having Italian-American actors playing a gang of Italian-American mobsters (especially Sylvester Stallone as Frank Nitti). There is one point the film gets wrong. At the end of the movie, Nitti travels to Florida in 1946 to visit Capone, who is dying of syphilis. In real life, Nitti committed suicide in 1943, before Capone died.Recommended only for a boring day.
The movie is a largely fictional account of the life of Al Capone. When it was released, the critics bashed it, saying it was far too violent. It's a mobster film for crying out loud! It's gonna be violent! But enough complaining. There will always be some people who we'll never know exactly what they look like. Al Capone was one of those people. Ben Gazzara takes one look at the challenge and chucks it out the window. He is Capone, no question. Nobody else comes close. Not even Robert De Niro. This guy walks the walk and talks the talk, even if he has stuffed his cheeks with cotton wool. Susan Blakely is effective as the fiery Iris Crawford. She changes from a toilet-mouthed, cigarette-smoking, booze-swilling bitch to an 'innocent' dumb blonde gangster's moll halfway through, even if she does have trouble keeping her clothes on after her 'transformation'. Sylvester Stallone's Frank Nitti is just the kind of SOB you'd like to kick in the balls. Seriously. He's a traitor. His last words are "The guy you really gotta watch out for ain't across the street at all. He's the bum standing on the same ladder you are, right behind you." This has been his ethos all the way through the film. Harry Guardino's Johnny Torrio is perfect in every way but one. He's too tall. But asides from that, he's the best screen Torrio I've seen. (Actually, he's the only one I've seen) Overall, this film is exellent, but suffers from the stigma of having Roger Corman on the production crew. It's an amazing film, and anyone who is interested in the 1920s mobster era should watch it. 9/10