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Terrible acting, screenplay and direction.

Redundant and unnecessary.

Fun premise, good actors, bad writing. This film seemed to have potential at the beginning but it quickly devolves into a trite action film. Ultimately it's very boring.

It's the kind of movie you'll want to see a second time with someone who hasn't seen it yet, to remember what it was like to watch it for the first time.

In my humble opinion Camino is a great movie, even if it has sections that are not too good, but it is too bathed in ideology that makes it as it progresses, to tire the viewer.I explain what I said. It's a good movie, that can not be discussed, you believe it, the actors are, most of them very well, tell a story that comes to you and excites you. The problem is beyond. Technically, for my taste, the photo is quite bad, the realization I do not like, because it does not come out of the foreground except to go to general without reason, the assembly is not good either, because it places at the beginning the end, with what when You see again at the end, for me loses strength.Now I go to the exaggeration part that spoils everything. Is anyone able to tell me if any characters in the film, who are religious, are morally acceptable? Respecting the girl of course, do not go to be put a complaint to put the girl as a bad person, in addition you have to make your character wonderfully charming so that you feel sorry when you die. What he does not resist is to make him, despite his young age, very exciting, he puts it with a beautiful hair and bad hair very bet and when dancing is elegant to satiety. I am an atheist by the grace of God, as Camilo José Cela would say, for many years, however in this film, I get tired of seeing that the believing characters are bad guys and the not so believers are good. The example is in the father and the mother. The mother, everything makes it morally unacceptable and the father who is not so believer is a good person.In this film, he steals himself with a knife when talking about the Christian religion, the believers, the rich, the privatization of health. There are several examples and I put a few. At first the priest tells the mothers to choose the friends of the children, the end in a box where the sister is locked there is a box with prohibited books, when the young priest talks to the girl's father, with the window open And an exaggerated sun that burns the image, has the light on, the priest tells him to take him to private healing, which is better and treat you better, said in the mouth of this character is how to stab it. When the older sister goes to see the aunt to get the money, she shows a wealthy person, like no bad guys and they quickly have to go and the aunt tells them they already have what they want.I could continue to put examples of how being so radical makes the movie tired, I get tired of always seeing a lousy look of some and very good of others.Spoiler: I think he could have made a good movie if he had not let himself be carried away by his ideology as exaggeratedly as he has. It's a movie that comes to you and excites you and even tires you to an atheist

Having looked at some of the comments left by users about this movie I am not sure whether we saw the same movie.. the movie that i saw was so bad that i wanted to walk out after half an hour, except i was with someone and didn't want to upset them. the start of the movie - where the girl is on her deathbed, with family, hospital staff and clergy, got me interested. What had happened before ? why was she so sick ? etc. However, my attention soon waned as the movie refused to decide what it was. Was it a kid's movie ? well, it would certainly appeal to a female tween audience, i.e. things such as discovering boys, close relations with the father, etc, but graphically showing what happened in the operation. Did we really need to see inside her spine and that massive needle? The movie is confused by sub-plots and asides, such as the book she discovers - Mr Tweebly ?? - which could've played a much larger part in telling the story, but only gets a few mentions. And so out of context. It is like several different directors or editors just pasted scenes together, with no narrative or focus to push the story forward. The little girl was lovely, but sickly sweet in her demeanor, if her eyes widen once more in astonishment, i will scream. Everything that happened in the movie was signposted so blatantly that there was no surprise or anticipation, prime example being when her Dad dies in the car crash. Is the movie pro or anti-religion, it seems to be scathing in how religion can corrupt and divide families, but in the end all that the older sister does is put the 'unsuitable' book in the same cupboard as the more appropriate material. It said, at the end of the film, that it is based on a true story and that the person in question is waiting for beautification, so it is confusing as to the director's viewpoint. In summary, what looked like an interesting idea - looking back at the months before someone's death - was a hodgepodge of confusion, stupid fantastical scenes where she chases mice and is chased by the guardian angel and supporting characters who are predictable and not very likable. The film tries to do too much and ends up being very little. A movie to recommend where a young girl is the protagonist, which involves fantasy and supernatural themes and is entertaining is Pan's Labyrinth,

I have the pleasure of knowing the Director of this film and was able to see it multiple times during the final edit phase while visiting Spain. The emotional impact of this film is unique to any form of art. The story is about a young girl and her life..and the human drama that tragedy brings to life.The history of this girl is steeped in Opes Dei and her families connection to the church. The film is not and is not meant to be a commentary on this. This film is anything but anti spiritual or anti anything.I hope this film makes it into the international market in spite of its unique and powerful vision. The director Javier Fesser has truly made a stunning film. To me the impact of the film goes beyond entertainment. This is not a light film though it is a positive experience to view it.

CAMINO is one of the most intense, beautiful, and inspiring films I have ever seen. It's incredible how a history filled with such grey, such sad characters, can come to be so categorically positive, so affirming. It's amazing that a film that takes on death in such an upfront way and so bravely can be such a passionate homage to life. The best part about the film is that it criticizes nothing, it only conveys reality, and in a surprisingly objective way. I, who consider myself very religious, find this film, in addition to being profoundly human, full of love and tenderness, a film that is also brimming with God. Of course, a God that is totally different from the one Opus Dei twists around its little finger for its exclusive benefit.