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The Skeleton Twins
Estranged twins Maggie and Milo coincidentally cheat death on the same day, prompting them to reunite and confront the reasons their lives went so wrong. As the twins' reunion reinvigorates them, they realize the key to fixing their lives may just lie in repairing their relationship.
Release : | 2014 |
Rating : | 6.8 |
Studio : | Duplass Brothers Productions, Venture Forth, |
Crew : | Production Design, Set Decoration, |
Cast : | Bill Hader Kristen Wiig Luke Wilson Ty Burrell Boyd Holbrook |
Genre : | Drama |
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Very very predictable, including the post credit scene !!!
The story-telling is good with flashbacks.The film is both funny and heartbreaking. You smile in a scene and get a soulcrushing revelation in the next.
There are moments that feel comical, some horrific, and some downright inspiring but the tonal shifts hardly matter as the end results come to a film that's perfect for this time.
A terrific literary drama and character piece that shows how the process of creating art can be seen differently by those doing it and those looking at it from the outside.
A truly discreet dramatic comedy that with great depth and at the same time intimacy, digs into a particular relationship between two twins linked by the same childhood almost totally conditioned by a present and affectionate but at the same time very sad father who concluded early his life with a suicide that has greatly influenced the past but also the present of his two sons. Twins at the same time so different yet so similar and bound by a strong and extremely credible and deep brotherly love, similar also in the kind of life, an unsatisfactory, melancholy life where something is missing enough to bring both to attempt suicide just like their father had done before them to look for an escape from the disappointments and injustices of life. A relationship that has suffered from a distance that lasted more than ten years but perhaps it is the only thing that can complete their life and that can make them move forward together. One of the biggest surprises of the film is precisely the interpretations of the two protagonists, Kristen Wiig who proves to be unexpectedly talented even in dramatic roles and an extraordinary Bill Hader that represents the soul of the film thanks to its performance in perfect harmony with its charismatic and complexed character. What is missing from the film is a more incisive personality and a better beat and amalgamated rhythm that would have helped especially to make it more engaging and less heavy, in any case manages to convey a variety of emotions thanks to many scenes that I will hardly forget because of their really strong emotional impact.
Intelligent, well-acted relationship drama. Ended suddenly, for me. Always enthralling. Maybe stretched the limits at times but a lot had to be covered in a relatively short time.
This is such a refreshingly different film - character-driven and somehow managing to be tragic and and painful and funny, all at the same time. Co-written and directed by Craig Johnson, it stars two excellent actors as the eponymous siblings: Kristen Wiig ("Bridesmaids") and Bill Hader ("Trainwreck") as Maggie and Milo, both of whom have been mixed up since children and, following a breach of ten years, resume their relationship following suicide attempts. A particularly memorable scene is when the twins mime together to "Nothing's Gonna Stop Us Now" by Starship.
Kristen Wiig and Bill Hader are such comedy wunderkinds that a dramatic role sounds like a waste. We can picture Wiig screwing around a room with the pizazz of Carol Burnett, with Hader, alongside her, spitting out wicked lines in a wacky voice. Though The Skeleton Twins has a handful of funny moments, it is first and foremost a gloomy drama; we may all love Wiig and Hader's antics on Saturday Night Live, but they are blessed with some serious acting talent. It's the Double Indemnity to their Ball of Fire, the War and Peace to their Sabrina.Twins Maggie (Wiig) and Milo (Hader) have been estranged for 10 years. They're reacquainted, however, when Maggie receives a call from an unknown number; she is informed that Milo has attempted suicide. In one hand, she holds the phone. In the other is a smattering of pills. It's a coincidence that seems as though God set it up just for them. Maggie immediately invites Milo to stay with her and her picture perfect husband, Lance (Luke Wilson), in their suburban New York home; but just as they begin to reconnect, they are forced to face their innermost demons.Milo has been living in Los Angeles for a decade, desperate to become a famous actor. He's seen little success, his life marred with constant disappointment. Maggie knows that she has married a good man, but she is bored with her comfortable, predictable marriage; she's partaken in several affairs and has purposely destroyed any chances of having a baby, something Lance dreams of.The people in The Skeleton Twins aren't unstable in a melodramatic fashion. They are disappointed with their lives, ready to do something drastic just to inject meaning into their veins. Milo thought he'd be the bullied outsider that could, one day, come to a class reunion and laugh at his balding, middling tormentors. Maggie thought that she could live in domestic bliss and stay within that bliss. But it doesn't happen.The film explores several relationships, going back and forth between Milo and Maggie, Milo and his ex-lover, Rich (Ty Burrell), who destroyed his teenage years, and the siblings and their flighty mother (Joanna Gleason). The conversations glide over and under sheer wit and blood- letting, the characters are written with hundreds of layers. They hit close to home, making us question our own self-confidence and achievements.But it's one of those films in which the biggest successes come from the actors. If they didn't have chemistry, The Skeleton Twins would never work. Yet the emotional bonds (good or bad) between the actors in the film are so instantaneously genuine that there is a fluidity that makes the anguish all the more real. The laughs are quick, but they are consistently overtaken by the somber sequences that follow them. Because, in real life, a joke can be thrown off a roof if you open up an old wound.Read more reviews at petersonreviews.com