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The Lookout
When police is about to apprehend a famous gang of bank robbers, an elite sniper opens fire from a roof, thus facilitating the flee of his accomplices. However, one of them is seriously injured, which compromises the plans of the thieves.
Release : | 2012 |
Rating : | 5.7 |
Studio : | France 2 Cinéma, Canal+, StudioCanal, |
Crew : | Production Design, Director of Photography, |
Cast : | Daniel Auteuil Mathieu Kassovitz Olivier Gourmet Francis Renaud Nicolas Briançon |
Genre : | Action Crime Mystery |
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Reviews
Memorable, crazy movie
I don't have all the words right now but this film is a work of art.
Fun premise, good actors, bad writing. This film seemed to have potential at the beginning but it quickly devolves into a trite action film. Ultimately it's very boring.
It is an exhilarating, distressing, funny and profound film, with one of the more memorable film scores in years,
It had to happen: After watching many good french crime films, I found the first stinker. It's the worst kind of film, thinking it's smart when it's not. The lookout is just plain stupid. The plot has so many holes that it looks like swiss cheese. The film is totally unbalanced, trying to be many things at once: a cop film, a crime film about bank robbers, a serial killer film, a jail film and even a whodunit. The characters are weak and cliché. It sucks because the cast was good. I wonder why Daniel Auteuil made this awful film. He deserves better. I was misled by Auteuil and Placido (Romanzo Criminale is highly recommended). But why they turned this mockery of a script into a film is just beyond me. I hope the screenwriters didn't give up their day jobs.
I gave it 5 and that is generous, considering this film does not achieve many of the goals it sets itself: it is not really suspenseful, the characterization is often vague, the plot is not clear at many points (too many characters don't improve matters). There is a Hollywood gloss over this picture that depresses me; surely a French film can call upon a tradition of thrillers dating back to the post-war years: Le salaire de la peur for example. I thought of Melville of course (Le deuxieme soufflé and Le cercle rouge) and Alain Corneau (Police Python 357). The kids who would troop off to see this one will be quickly bored.There is little point in trying to single out any of the actors for praise or blame; they seem interchangeable in their roles. Daniel Auteuil looks glum most of the time--did they not pay him enough? Olivier Gourmet from those great Dardenne movies promised much, but his part was clumsily written and not really understandable.
I'm being generous, I know, but consider the misleading 5.something score for this movie to be an anomaly. I first thought this was a 'Res Dogs' copy but it developed into a thoughtful thriller with enough plot to make it compelling. The absence of an obvious 'hero' figure is, perhaps, an obstacle to begin, but a strong ensemble cast contributes to maintaining interest in the conclusion of the movie. The question at the heart of the film, if there is one, may lie with the motivation of the Policeman, rather than the identity of the traitor. A genuinely classy European thriller of a type that can no longer be considered rare ( tell No-One, The Secrets...) but which is well worth a look.
I wasn't expecting too much from this film given the previous reviews. That said, other reviewers seemed to really quite enjoy it but, at the same time, awarded a low score?! I didn't find it too predictable (which is my pet hate), though that's largely because I didn't expect it to stray into another genre. The acting, direction, and production were all good. The action was surprisingly brief, which I liked too - more realistic than the twenty minute free-running/car chase scenes to which we're routinely subjected.OK, this film probably employed a sub-plot or two too many, was morally questionable, and, was a bit fanciful, but hey, that's French crime thrillers for you?!