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Very well executed

Fun premise, good actors, bad writing. This film seemed to have potential at the beginning but it quickly devolves into a trite action film. Ultimately it's very boring.

It is neither dumb nor smart enough to be fun, and spends way too much time with its boring human characters.

This film is so real. It treats its characters with so much care and sensitivity.

Caught this on DVD the other day...and I was laughing and smiling until the shopping mall sequence...where it abruptly shifted gears and positively reveled in cruelty and heartbreak...and then went back to being a goofy(but still blood-soaked) spoof. Well , I guess that 's part of the craziness of Hong Kong cinema that we all love....and I'm still smiling about the hilarious weapons and gadgets...the "solar flashlight" is priceless. Well worth seeing. Bond fans will love the riotous imitation of Maurice Binder's main title visuals...opening action sequence is as good as anything you'd see in a Bond film and Anita Yuen makes an adorable foil/adversary/partner for Chow. (But as I said, it is pure Stephen Chow nutball fun...like the guys who made "Shaun Of The Dead" and "Hot Fuzz", Chow takes no prisoners when he's out to bend a genre inside out and backwards.)

I have watched this movie on cable television re-runs several times and is always amused by the comedy. I have a high humour threshold and have to admit that 'From Bejing With Love' meets my expectations.The living room scene where Siu Kam (played by Anita Yuen) tries to shoot Ling Ling Chai (played by Stephen Chow) is extremely funny. She was greeted by a reverse shot by the gun. Ling Ling Chai heard the gunshot and turns around to explain to her that the gun shoots the opposite direction. While Ling Ling Chai is testing the gun's silencer, Siu Kam points the gun towards herself and shoots Ling Ling Chai again. To our surprise, she gets shot again. Ling Ling Chai explains that the gun's bullet alternates every shot. Looking defeated and injured, Siu Kam runs comically into the toilet with both her arms badly wounded.Another scene worth mentioning is when Ling Ling Chai enters the bathroom while Siu Kam is wrapped in a towel. Ling Ling Chai with a smoking pipe and two iron balls resting on his palm, looks cool. (In the early days of Chinese gangsterism, a stereotyped powerful boss usually rotates two iron balls on a palm.) The angry Siu Kam tells him to close the bathroom door. Ling Ling Chai closes the door but he is still inside the bathroom. Siu Kam shouts him to get out and close the door.Towards the end of the movie, Ling Ling Chai was in a party function and tries to take a glass of wine from the waiter's platter. However someone took it before he has the chance. Then Ling Ling Chai and the waiter looks at the platter, waiting for a miracle to happen. This is actually a parody of the famous Guinness beer commercial endorsed by George Lam.Made in 1994, this movie is still a classic. With several notable comical 'nonsense' scenes and the funny scene of 'extinguish cigarette butt on a hand' that was repeated in Shaolin Soccer (2001).Mao points: 9/10

Standard comedy about a wannabe spy who gets double crossed by his boss, except hes got a chopper (butcher knife) and knows how to use it!The plot is pretty thin, but this is still a funny movie, as are most of Chow's movies. Be sure to add this to any Stephen Chow marathons you might be hosting, otherwise, you can miss this one for another of his better films.

In the grand tradition of Get Smart, we have here a wonderfully wacky send-up of 007 action films. For the first roughly 2/3 of the movie, I was literally rolling out of my seat laughing with this film's ontarget, brilliant skewerings of spy film cliches. As much as I hate to say it, though, at the 2/3 point the film begins to lose its focus. It starts to concentrate too heavily on creating the Bond mood, and consequently ends up being far too serious. Up until that point, though, it was really something special. The only other qualm I have is that it is far, far too violent. You have fingers getting sliced off, a man getting glass shoved into his face, necks being slashed, etc. Heck, just as the movie is building its comedic potential, a minor character gets brutally stabbed in the head. Had this been done in an over-the-top manner, it could have been very funny, like the Black Knight scene in Holy Grail. But they instead opted for a hyper-realistic look, that, when introduced into a heavily comedic environment, presents an uncomfortable clash of styles and makes the often startling violence uniquely disturbing and grotesque. Still, if you can overlook its flaws, this is definitely a movie worth seeing.