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Don't Believe the Hype

After playing with our expectations, this turns out to be a very different sort of film.

Great story, amazing characters, superb action, enthralling cinematography. Yes, this is something I am glad I spent money on.

Actress is magnificent and exudes a hypnotic screen presence in this affecting drama.

Attempting to find meaning in her world, an amateur detective finds her new small-town neighbors are the perfect opportunity to refine her skills only to stumble upon an even deadlier secret that threatens her small-town home.This one here didn't really turn out all that bad and had some decent stuff about it. What really tends to work here is the slow-broiling mystery throughout here which comes off rather nicely with the strange, odd family seeming like completely worthwhile avenue of study here that really makes for quite a nice time. The fanciful stories and traveling quips, the secretive glances and looks at each other and then the sudden slow-turn into being mysterious and somewhat intimidating lets this initiate the mystery into the fine later half here as this one manages to get that paid off in rather exciting form here as there's a lot of rather enjoyable encounters to come from how they manage to keep up their true nature in the face of the continually persecutions. That leads to plenty of fun here with the building evidence fully realized in the rather brutal encounter in the woods where the entire family is shown engaging in the stalking which is what makes for quite a fun time overall here as the night-time forest setting is put to great use here. Likewise, the family brawling in the final half is all kinds of fun with the stalking taking place on the multiple floors of the house, the brutality in the kills is appealing and it pays off the mystery quite well here. These here are enough to make this one worthwhile despite the fact that there's not much else in here. The film is more of a mystery film about her sleuthing their behavior for the majority of the film and that doesn't tend to offer very much in the way of interesting efforts here since these consist of her sitting in front of a computer piecing everything together or going off on accusations that don't really amount to much throughout here in terms of exciting sequences since nothing happens until the end. The mystery does work, but it's not how it goes about accomplishing it which is where this one falls. As well, the film also tends to run along a big side-plot about her friend and how he's carrying on in life without her, and despite this attempting to stir up a rather noticeable amount of teen-angst drama about it there's just nothing really interesting about them due to the low-key nature of their discussions really bringing anything about them. Otherwise, this here was pretty decent overall.Rated R: Extreme Graphic Language, Graphic Violence, Brief Full Nudity and rampant drug use and references.

I came across this title in one of the horror magazines I read and having a child called Elfie I saw this laying for a dumping price at a sell out of one of the HMV stores in London. What I did know was that people hated it or loved it. In between didn't exist.Elfie Hopkins (Jaime Winstone) lives in a boring village on the country side and the only thing she does is getting a fight with her step-mother and doing investigations with her friend Dylan Parker (Aneurin Barnard) throughout the town and getting stoned together. Suddenly new neighbours appear, the Gammons and people disappear in the town. Both they start to do their homework on the Gammons.What the film delivers is a lot of blah blah. It's only at 1 hour that we see what the Gammons really are. It's also the moment that a bit of black humour comes in with the severed ear for example or the waving with the arm but for many it will be too late to save this slow moving flick. It takes maybe 3 minutes and we move further into a lot of blah blah because nobody believes Elfie. You can easily spot that Dylan is in love with Elfie and that takes an important part too throughout Elfie Hopkins. There isn't any gore or nudity to spot. It's just about two friends involving into a story they couldn't see coming. Did I like it or hate it. It's hard to tell because it isn't for everybody due the talking and it do has a severed head here and there. On the other hand it isn't like Twilight were nothing really happens except whispering towards each other. And it isn't also an arty horror. Just one of those flicks that stands alone, maybe forget the first hour, it's from that point that it turns into a nasty thing. Gore 1,5/5 Nudity 0/5 Effects 2/5 Story 3/5 Comedy 1/5

From the DVD cover it seems like a gruesome slaughter fest of a movie. But that is far from it, in fact I needed to sit through a very slow paced mundane amateur detective plot to get to those scenes. And even when it got to it, there really isn't any shock factor. The cover for the DVD case for this movie is false marketing. It has two guys with shot guns next to the female protagonist and they aren't even pivotal to the plot. The nerdy sidekick in the movie is with the protagonist most of the way through, helping her with her own investigation and crap. But I guess they didn't put him on the cover cause they wanted the movie to appear all badass. The build up is just plain dull and bored me to tears and the protagonist Elfie is just not very likable. And I personally didn't care what happened to her. A character that is brash and smug can be somewhat likable but that isn't the case here. The story is basically about a mysterious family moving into the neighborhood and that family looks like they came off the set of "Twilight". With a husband that acts like a vampire, to a Gothic wife, to a vampire wannabe son that is into shooting and hunting, and a daughter that dresses up like a doll and collects Japanese stuff. And when Elfie sees couple of oddity inside the mysterious family she decides to stick her nose in. And goes about it in a very amateur way. Nothing is entertaining, clever or thrilling about this movie. There are no twist and you can literally predict how everything is going to play out for the most part. And the climax is just plain dumb. In fact a lot of stuff in this flick and scenarios doesn't make much sense. It was just almost unbearable to sit through the build up and the climax isn't even worth it. There is better mystery thrillers so pass on this one. Not even worth the rent. The movie is about a hour and a half long but felt way longer when it came to the running time. Oh the sidekick reminded me of Elijah Wood and he was alright but as for the main protagonist not so much.2/10

If you love films with literally no redeeming features, then Elfie Hopkins is for you. If, on the other hand, you are like me, and you enjoy written, well shot and well acted cinema then avoid like the plague. The film focuses on angsty teenager Elfie Hopkins, played by sour faced 26 year old Jaime Winstone, who lives in a sleepy village in the depths of Wales with her father and step-mother. Her days seem to be entirely comprised of bickering with the step-mother and then smoking weed with Elijah Wood look-a-like Aneurin Barnard. When the village welcomes some new arrivals, the peculiarly named Gammons, Elfie's curiosity is piqued - are they all that they seem? What goes on behind the door's of this seemingly charming and cosmopolitan foursome? And why are the village's inhabitants steadily going missing? The more relevant question is, why should we care? The answer, revealed over the course of what felt like 2 and a half torturous hours, but what was in fact just 89 minutes, is: we shouldn't. The film opens with the eponymous Elfie driving her beat-up old car down a leafy Welsh Lane. We know she's cool because she's wearing John Lennon glasses and a knitted woollen hat. She finds a tree branch blocking the road, so gets out to move it; finding the car won't restart, she mutters an expletive under her breath and lights a cigarette. I've already forgotten that this is a woman at least 8 years older than the character she's supposed to be playing because everything about this scene is so real. The Gammons swoop by in their expensive looking 4x4 - they are sinister because their car and hair is black. You know when adults try to write dialogue for teenagers and it feels like all those times that you and a friend were in the car with your dad and he kept using the word 'cool' and doing Ali G impressions? This is like an hour and a half of that. We are asked to believe that Winstone and Wood are the best of friends, bonded by their mutual love of weed and claustrophobic existence in this Welsh backwater, but at no point does their relationship seem convincing, and their conversations make the film feel like one long episode of skins. The chemistry is non- existent, and their scenes together only serve to enable to writers to introduce clunky plot- devices into the narrative ("Cripes Dylan, I can't believe I found this letter of acceptance to London University of London City in plain view on your desk and you weren't going to tell me about it?!"). There is only a token effort at characterisation: the step-mother is a cardboard cut-out of a succubus; Elfie is haunted by the demons of her past (including her dead mother); Elijah Wood is a nerd with glasses and curly hair; the Gammon man is a suave city-type who does yoga and wears lots of black; one of the Gammon children also likes black and shooting wildlife, while the other is kooky and dresses like a doll. None of these characters are likable because none of them are fleshed out beyond two-dimensions. They exist only to be a part of badly written dialogue and a poorly conceived narrative. What I particularly enjoyed was the way that stuff was routinely shoe- horned into the film in the most hideously awkward way. Example: When a party guest of the Gammons is seemingly haunted by disembodied voices on his walk home and comes dashing back down the road screaming, Elfie, apropos of LITERALLY NOTHING, decides she needs to begin one of her investigations into the Gammons. Oh right, yeah, Elfie's an amateur detective: apparently everyone except the audience already knew this. When the 'investigation' fails to turn up any meaningful leads, the Elijah Wood character just announces that he has hacked into the computer systems of police stations in villages where the Gammons have lived. Of course we should have realised that he had that capability; he has glasses and curly hair, and a Packard Bell PC from the mid 90s, so it's on us to make those kind of assumptions.Ray Winstone also makes a cameo appearance as a butcher who can't decide whether he is from East London, the West country or North Yorkshire, and ends up sounding like a cross between Ronnie Kray and one of the Wurzels. Try as Ray might however, there's simply no saving this train- wreck.The film is at least shot in a beautiful part of the world, and autumnal colours prevail throughout, but personally I think the opportunity to use those colours to make the film more stylised and ethereal was completely missed. An other-worldly quality would have enhanced the film no-end, and made the unoriginal and tiresome twist, (which is thrust into the story with all the subtlety and finesse of Ray Winstone in stiletto heels) entirely more appropriate. Moreover making a remote Welsh village seem oppressively small is surely like shooting fish in a barrel, but at no point in the film is that sense of claustrophobia adequately conveyed. Finally the final scenes are gory and unpleasant, and are accompanied by incredibly jarring and inappropriate violin chords.Basically this film doesn't know what it wants to be; it's not a teen comedy, or teen horror nor is it a twee indie flick; in the end the makers seem to have settled on that genre affectionately known as 'straight to DVD'.