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A lot more amusing than I thought it would be.

There is, somehow, an interesting story here, as well as some good acting. There are also some good scenes

A great movie, one of the best of this year. There was a bit of confusion at one point in the plot, but nothing serious.

The thing I enjoyed most about the film is the fact that it doesn't shy away from being a super-sized-cliche;

The TV Set wants to tell us what's wrong with television, but the tone and substance of the film never rises above a snarky whine.The story follows a writer (David Duchovny) who's trying to sell his show to a network. Things start in a conference room full of suits, deciding who's going to star in the show, moves through shooting the pilot and concludes at the grand unveiling of the network's new schedule in front of a convention hall full of network affiliates. Writer/Director Jake Hasdan thinks he's showing us how talented people end up making terrible shows, but he's not fair and honest enough to do that.Hasdan wants people to see David Duchovny as this talented guy with a great script battling to protect it from self-indulgent actors and directors and a network executive (Sigourney Weaver) who is relentlessly trying to dumb the show down and tear out its creative soul. The problem is that while we see a lot of terrible changes made to it, we never get to see the supposedly great show being butchered. It's a sitcom that we're told is smart and funny and touching, but we never get to see any of the smart, funny stuff and the touching scenes we see are straight out of a daytime soap opera. The movie is essentially a scam that wants to make fun of all the stupid, nonsensical stuff that happens to create bad TV without showing us what good TV actually is. It never rises much above mildly amusing because the punch lines are almost all based on the contrast between the silly and shallow ideas of the network executives and the smart and worthwhile ideas of the writer. But since we never get to see the writer's great ideas, the contrast is weak and so is the humor.I must say, if Weaver's performance is at all close to the real thing, you do get a sense of sympathy for people in television. She's got no real taste at all and relies on her teenage daughter to tell her what's good, but is entirely convinced that things should be done her way and holds the success and failure of others completely in her own hands. The TV Set portrays working in television like it's living in a totalitarian state, where standing up against the powers that be requires heroic courage and a willingness to suffer.The film also comes at the good TV vs. bad TV from another perspective. Ione Gruffud plays a former BBC executive who's been hired by the network to improve the quality of their shows. The movie briefly uses him to embody a different approach to television, one with more high-minded goals and more respect for the creative process. But he soon knuckles under and goes along with Weaver's crude, lowest-common-denominator style and the movie never really explains why.That's because the story scrupulously avoids examining the true root of all TV evil…money. Why do network executives make so many idiotic suggestions and force writers and producers to accept them? It's because creating a television show is hugely expensive and overwhelmingly ends in failure. A network might introduce 10 or 12 new shows a year, each costing millions of dollars an episode. Yet, if the network is lucky, one and only one show might be a hit and maybe another one or two will grab enough audience to barely keep them on the air. The rest are quickly canceled and all the money spent on them is wasted, like it was shoveled into a hole or used to light someone's cigar. Kasdan never comes close to confronting this basic equation - enormous amount of money spent + huge likelihood of failure = a desperate compulsion to do anything that might increase the chance of success to the slightest degree.Without acknowledging that basic truth, Kasdan can't really tell the story he thinks he wants to tell. What's he's created is a mild satire that's neither dark enough or truthful enough to appeal to anyone who doesn't work in television and hasn't experienced the process firsthand.The film does also focus on the young actors who get cast to star in Duchovny's show and tries to show the pressures put on them and how it can turn them into not very pleasant people but again, it's not funny or sharp enough unless you've personally witnessed that sort of metamorphosis.The TV Set is a movie about television, but you get the sense that if Kasdan had been more successful in television (and Duchovny had been more successful in movies) that it would never have been made. This is filmmaking in lieu of therapy.

I rather enjoyed most of the movie, although there didn't seem to be any character development at all. Maybe I missed it. the Suit from BBC seemed to have a good change, but that's all I saw.And I did not care for the ending at all. As I watched this, I expected Klein to achieve his goal of making the TV pilot he wanted to make, and his version was great. The new version was horrible. But my main beef with the ending is that it just ended. I felt no sense of closure at all, and that's what you need to have a good ending. It's like the writers just ran out of things to put down so they decided to just cut to black right there.I don't know. If there was a specific reason for that, or if it symbolizes something, please tell me what I missed.

I can always tell if i like a movie if I never look at my watch while I'm watching it and I'm genuinely disappointed when it ends and that was the case here. David Duchovny was well cast as the writer of a book/screenplay seeing first hand that the transition from paper to TV screen is never a smooth one. This had just the right level of angst and flakiness which you can imagine would be so typical at a network studio level. In some ways, the movie reminded me of office space, with sigourney weaver being the gary cole character, always avoiding confrontation but never letting get duchovny get his way but doing it in such a way that you could never shout at her. Everything in this movie was done with great subtlety which is a very underestimated skill and Kasdan jr should take credit for never letting this descend into schmaltz and silliness. I would have loved to have seen what would have happened to the show after a few more episodes and seen how much of duchovny's creation would have been bastardized further by the network but as it is, you're left wanting more which is a good way to end any movie.

Director Jake Kasdan (son of the great director and screenwriter Lawrence Kasdan) impressed me with the juvenile comedy Orange County.That film was hugely entertaining and it had a level of intelligence which is very weird to see on a juvenile comedy.Now,Kasdan comes back with an extraordinary comedy called The TV Set.This film is an excellent satire to the world of television.The screenplay,written by Kasdan,is brilliant.The story is very subversive and intelligent and the laughs this movie has come from the exquisite satire and from the interaction between the characters.Kasdan also made a great work as a director,since he drives the movie at a perfect rhythm and every actor is very good in his/her role (yes, even Ioan Gruffudd).The TV Set is a magnificent comedy,with a brilliant screenplay,an awesome direction and great performances.And the most important thing of all,the movie is enormously entertaining.I totally recommend this movie.