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Strong and Moving!

Absolutely Fantastic

Let me be very fair here, this is not the best movie in my opinion. But, this movie is fun, it has purpose and is very enjoyable to watch.

It is an exhilarating, distressing, funny and profound film, with one of the more memorable film scores in years,

What drew me into seeing 'Blood of Redemption' in the first place? The reasonably likeable cast, a potentially intriguing story and that it was part of my low budget completest quest and popped up in my recommended for you section. Was also a bit apprehensive, with a less than favourable rating and generally reviews that were lukewarm at best.'Blood of Redemption', when checking it out, certainly could have been much worse. There are definitely worse films about, of the genre and overall. Is it a good film let alone a great one? Not even close. Did it use its potential? No. Is it that bad? Not quite. Does it has redeeming qualities? Yes, but not many. To me, while having learnt not to trust ratings and not worry about going against the grain (though am in the minority here who respects critics opinions and tend to be on the same, or slightly above or below, page as them), the rating is about right and do have to agree with the criticisms here.Dolph Lundgren, Billy Zane and Gianni Capaldi do serviceable jobs and are the reasons as to why 'Blood of Redemption' wasn't any worse, Lundgren being the best thing of the film.Some of the story intrigued, namely the early stages, and the music while not the most memorable is at least listenable. Unfortunately, Vinnie Jones and Robert Davi are poorly served and used. Jones overdoes it and shouts his way through a stock character and Davi is saddled with a clearly fake accent and spends the whole time looking uninterested. None of the characters are developed enough and are very difficult to get behind. 'Blood of Redemption' looks cheap, especially the badly organised and sometimes incomprehensible editing and catastrophically awful visual effects, so fake looking and doesn't blend well with the setting at all. The action is both dull and chaotic, there is nothing exciting and it's choreographed with no enthusiasm or finesse.The script is too talky and has no tautness, the pace is flabby and the story gets far too complicated with the twists not being that much of a surprise. The direction seemed indicative of lack of experience or ease.Overall, not horrendous but severely lacking in many areas. 3/10 Bethany Cox

BLOOD OF REDEMPTION is one of those cheap, digital-looking B-movie thrillers that manages to amass an old-time cast and generally wastes them in a predictable and occasionally nonsensical storyline. The only reason I got any enjoyment out of it whatsoever is that I enjoy seeing once-great actors at work and I don't mind the action thriller genre either. This one starts out on a complex level, with an ageing Billy Zane betrayed by elders and forced to go on the run with the aid of an old buddy, as played by action hero Dolph Lundgren. Vinnie Jones pops up as the shouty villain of the hour while Roberts Davi and Miano play old-time gangsters. There's a wealth of violent action complete with CGI blood spatter and the like, while the film is generally dark and dingy and unsurprising.

Why even bothering on lashing out here? I personally have respect for many of the cast members here! But, honestly, while Dolph Lundgren should try to have faith and wait for a real director to hire him, and shows off his true cinematic strengths, Vinnie Jones perhaps should stop to sign on films just for the pay check, or maybe, any other decent filmmaker may start ( rightly so) thinking the man has a serious low self esteem problem by appearing in such low grade content, and in roles that don't even have much of a redeeming reason! What else is to be said, other than this movie (despite its IMDb's higher rating) is way, way more of a waste than Hard Rush aka Ambushed, where, at least, you felt a bit of that 1970's exploitation films genre biting your adrenaline, while a more stylized visual style, could make you even believe, at times, to be more in mainstream territory! This one truly just feels cheap, uninteresting, choppy, arguably unbelievable, and, completely soapy! And, quite frankly, even though, it might remain remarkable, as a movie, as the sad mark of some of the main actors lowest point in bad screen acting, I still say that could not make enough of a reason to watch such pedestrian fiasco! I personally couldn't help myself all the way through the end ( rare!). What a disappointment! And, if you think, coming from a once respectable Film Company, such as Voltage! You could not believe your eyes! Take it or leave it? Best to forget.

Bodyguard Axel (Dolph Lundgren) spends his time looking after a mob family - patriarch Serge (Robert Miano) and sons Quinn (Billy Zane) and Kurt (Gianni Capaldi). Things get complicated when Hayden (Robert Davi) asks Serge if he can bring his nephew Campbell (Vinnie Jones) into the fold. Sure enough, Serge is soon dead, Quinn is arrested and Axel is on the run as he is framed for murder. Naturally, he doesn't sit back and just take it and, with the help of Quinn's girlfriend Loryn (Jelly Howie), aims for his redemption. Lundgren has spent the last decade or so wandering from personal projects to big budget stuff like THE EXPENDABLES to tough-for-cash (in both senses) roles. Sadly, this is the latter. This is really rough stuff, shot like a telenovela with some cheap CGI (gun flashes, head shots). On the directorial side, this thing is a mess. Sure, the dislike of the use of flashes of character names when they first appear on screen is a personal bias on my end, but you can't make up some of the stuff co-directors and co-writers Giorgio Serafini and Shawn Sourgose screw up. The script is overly complicated (it is mostly told via flashback as Lundgren maps out the usual suspects on a bulletin board) and laughable. There is one scene where a line of dialog is repeated twice ("His name was Boris") and a fifteen minute span where characters alternately refer to an earlier event (the death of Serge and Quinn's arrest) as happening two, three and four years ago. The worst is the finale where Lundgren's character is shot while toting an M-16. His shooter comes up to him and there is a handgun laying next to his body. And who casts Robert Davi as a Brit? Just embarrassing. Of course, this is just a direct-to-video action flick so it can be saved by some good fights. Sadly, none are on display as the choreography is as lazy as the directors. And it is only hand-to-hand fights and shootings. Not a single car gets over 30 mph. The highlight is probably Dolph getting into a fight in a dominatrix den with a lady while a topless lady tied to a frame screams in the background. Yeah, really. I really wish Dolph would be more selective, but I know the rent ain't gonna pay itself.