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Very very predictable, including the post credit scene !!!

Pretty Good

This story has more twists and turns than a second-rate soap opera.

A movie that not only functions as a solid scarefest but a razor-sharp satire.

This was both a surrealist old-west comedy, and at the same time a crookedly-philosophical postmodern commentary on the power of art -- and it's a huge success as both. As a basis for the comedy, there is a plentiful supply of plain good gags, from the cowboys dutifully repairing the saloon after they have destroyed it in a bar fight, to the "That was my steak!" running gag, to the perfectly stereotypical Indian Chief soberly declaring that the cowboys must never have heard of Charles Darwin. The cowboys are, of course, perfectly self-conscious movieland cowboys - - hard-drinking and hard-fighting reductio ad absurdum. And they're utterly unfamiliar with the concept of art. So when Mr First arrives with the Absurdist premise and delivers cinema, it's films themselves that transform the cowboys from their unabashedly film-sourced stereotypical personalities. Is it a change for the better? Like all changes that art brings, that's open to interpretation. But it leads to the sight of an evil pastor declaring movies "the opium of the people."And, of course, in an artless world where art is introduced, it has a literal, magical effect. The undertaker is out work because people don't want to die any more (he's a former philosopher, but that skill wasn't so much needed on the frontier), and our heroine wants a baby immediately after kissing -- because that's how it is in the movie. And, of course -- in a wonderful moment that perhaps encapsulates how this film makes memorable philosophical points almost casually while it jokes -- when the building is burnt down the movies and apparatus are undamaged because (in a possible nod to Bulgakov), quite literally "art does not burn" ("iskusstvo ne gorit")!And while Mr First's influence may have been purifying, we see that Mr Second arrives at the end to put the money into film (where we know it remains), returning our cowboy heroes to their debouched ways. So art is powerful, but perhaps equivocal in it's power. And it ends with that cynical note, and a cheerful song (the music, by the way, its all extremely catchy). The performers are excellent too; this is the third film of Andrey Mironov's that I've seen, and he keeps impressing me as a comedy performer. I'd almost call this obligatory for those who (like me) have a taste for Absurdist comedy and reflexive postmodern wit. And for those who just looking fro something funny, my recommendation still stands.

This is one of those good old soviet comedies. The humor in these films is pretty innocent but still very funny. This film contains many Russian stars of that time. The plot is quite original. It's about a town in Wild West who's people are only drinking and fighting every single day and about an intelligent man who arrive to the town to introduce towns people with Cinematography. Soon people of town get fascinated by cinema, they stop drinking and fighting and become more polite to each other. The movie is really funny and interesting. Though this is not a action film, i've noticed some well choreographed fighting scenes. This film is really worth your time.

This movie is hot. It seems to be the only real representative of a serious cowboy flick in Russian cinema. And this one makes us proud. It was directed by a woman! The plot goes here. The very beginning of the 20th century. Wild West. A cinema devotee - Mr First - comes to an American town where everybody drinks, fights, and swears. Mr First introduces the world of black-and-white cinema to the cowboys and the life changes. All the good movies he shows them have a direct effect on their living. The population of the town stops all the drinking, fighting, etc. The people start to respect each other and to behave in a good manner. Mr First leaves the town for some time. During his absence some freak comes to town - Mr Second - who is also a cinema devotee, but he is into some nasty types of movies. As a result of watching those "nasties" the people turn into violent morons again.It has got plenty of fist-fighting, swearing, numerous shootings, easy catchy songs, lots of nice women, tons of whiskey being consumed, hundreds of cigars being smoked over and over, macho-Indians and of course macho-cowboys. Those crazy fights and quarrels in the saloon alone deserve an Oscar. On top of it it has a clever story to deliver. All this makes the film one of the very best movies of our time.Please, throw away something from the IMDb top 250 and put this one onto the top list. That will be fair. Think it over: a girl directs a western, makes it in an insane manner with lots of fighting and shooting, and what is more, makes it thought-provoking. This deserves the ultimate worldwide recognition. No wonder we all went to cinema multiple times to watch it again and again. Even the tough American flicks of the 1980-s could not overwhelm our perception of this picture.A goof: in one scene the drunk one-eyed cowboy looses his band and becomes a normal goggler - that's ridiculous.10 out of 10, very enjoyable for all generations and all nationalities. Thanks for attention.

Really funny, sweet, and moving take on the American western done by a soviet female director. Mr. First comes to a small town in the wild west to introduce the population to the art of cinematography. He brings a projector and an array of silent movies, including romance and comedy. Rowdy cowboys discover a different way of life and try to improve their own existence. Amazing cast, Tabakov is especially endearing as a saloon owner torn between greed and love for the movies. Surprisingly effective fight scenes could probably challenge those of the American counterparts. Karachentsov gives it his best with some of the best fight moves I've seen. Mironov is great, as usual, as an idealist out to change the world and bring enlightenment to the wild wild west. Highly recommended as a comedy, romance, western, and a meditation on the role of art and mass entertainment in our society.