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Rams

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Rams

In a secluded valley in Iceland, Gummi and Kiddi live side by side, tending to their sheep. Their ancestral sheep-stock is considered one of the country’s best and the two brothers are repeatedly awarded for their prized rams who carry an ancient lineage. Although they share the land and a way of life, Gummi and Kiddi have not spoken to each other in four decades. When a lethal disease suddenly infects Kiddi’s sheep, the entire valley comes under threat. The authorities decide to cull all the animals in the area to contain the outbreak. But Gummi and Kiddi don’t give up so easily – and each brother tries to stave off the disaster in his own fashion: Kiddi by using his rifle and Gummi by using his wits.

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Release : 2016
Rating : 7.2
Studio : Det Danske Filminstitut,  Profile Pictures,  Aeroplan Film, 
Crew : Production Design,  Director of Photography, 
Cast : Sigurður Sigurjónsson Theodór Júlíusson Charlotte Bøving Gunnar Jónsson Sveinn Ólafur Gunnarsson
Genre : Drama

Cast List

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Reviews

Invaderbank
2018/08/30

The film creates a perfect balance between action and depth of basic needs, in the midst of an infertile atmosphere.

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Derrick Gibbons
2018/08/30

An old-fashioned movie made with new-fashioned finesse.

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Frances Chung
2018/08/30

Through painfully honest and emotional moments, the movie becomes irresistibly relatable

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Josephina
2018/08/30

Great story, amazing characters, superb action, enthralling cinematography. Yes, this is something I am glad I spent money on.

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jstaten-22006
2018/03/05

As a knitter, I was drawn to this movie because of the Icelandic sweaters and the sheep. I expected it to be some kind of silly comedy about sibling rivalry in a remote clime and thought I'd watch a few minutes just to look at the sweaters. Instead, I wandered into a riveting tale of duty and survival in very harsh conditions and humans who demonstrate an unfailing fortitude in dealing with overwhelming circumstances. This is actually a tale about farmers dealing with the injustice of Scrapie affecting their village (this alone would have drawn me to this movie). The cinematography was rich and I was not disappointed in the authentic Icelandic sweaters that evoked the picturesque backdrop. Well acted, beautifully filmed, and certainly worth watching.

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Kate Sas
2017/05/27

The film is laconic, atmospheric, calm, cold, bright, beautiful, artistic drama about love and hate of two brothers. From the very first second this Icelandic breathtaking cold atmosphere is longing throughout the whole film till the last second. Without any doubts, people who are not used to this type of films, who are not used to spend time looking deeper for protagonists characters, for them it will look a bit slow, as the story line is developing slowly but all the developments are in details, short conversations. Each picture is saying something, as for example as one of the brothers is reading a book next to the Rams what shows how much he loves his animals and spends long time with them. Film almost does not contain close-ups, its always middle shots and wide shots. Especially the views of mountains are amazing. Music is originally written for the film what is the best choice as it fits perfectly the way it is, it makes look picture very deep and emotional. Director has used TV and a radio as a very good tool to show that world lives with global bad news but private life does not touch or interest anybody else. Main characters are absolute opposite. One is calm and quiet but another one is more active with temperament. They have not spoken for 40 years and film does not explain why, but I think that is the idea, they don't know themselves. Director clearly wants to show with this film that these situations are not the best and you should love your family members, as at the end they are the ones who you can trust. It somehow shows that these people are mirroring character of the animal they love. Stubbornness and careless. Any kind of unhappiness always brings something positive. As it happens to the brothers and shows that human being is much more important than anything else. For me personally it was very emotional and open ending just fascinated me. I would recommend this film to people who love unusual stories, dark and deep atmospheric environment and who would just like to think about what is priorities in their life as we all have it different....or the same?

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beardondillon-64378
2016/08/30

Rams is an Icelandic film and is Directed by Grímur Hákonarson and is about two brothers that are both sheep farmers and oddly haven't spoken to each other in over 40 years and to both their surprise their sheep have been infected by scrapie.this film is a very original film and it makes a film about sheep farmers seem very interesting and entertaining. this film has a very bleak feel to it and it is mainly shown in the AMAZING soundtrack by Atli Örvarsson. the acting in this film is top notch and you totally believe these are actual farmers that have been working with sheep there entire lives.overall this film is a very amazing film and it should have more recognition then it gets.

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pyrocitor
2016/06/05

You don't have to have been to Iceland to appreciate Rams, but it certainly helps explicate the film's grizzled, deadpan sense of humour, or the mysterious, beguiling power resonating from their vast, otherworldly landscapes. Writer/director Grímur Hákonarson crafts a skeletally simple tale of a community of farmers caring for their sheep whose livelihood is threatened by an outbreak of Scrapie, and employs it as a parable for changing with the times, or the creative, belligerent lengths some will go to to avoid doing so.Framed against the unyielding, jaw-dropping vistas of the Icelandic countryside, the (unexplained) conflict between the central two farmers, the spectacularly named Gummi (Sigurður Sigurjónsson) and Kiddi (Theodór Júlíusson), feels equally mythic and etched in fiery stone, with all communication done by note, or the occasional drunken gunshot. It's sometimes difficult to tell what's meant to be funny or sombre in their antics in coping with their isolation and the pending slaughter of their sheep, but Hákonarson embraces the intersection, allowing their impassive, tentative emotional ambiguity and unapologetic wackiness to tease out the tension between amusingly petulant actions and the hard life that's spawned them.In fact, the film's main criticism is an increasing suspicion that the awe-inspiring impassivity of its stony plains and narrative alike overly inflates the sense of profundity therein. There's a primal elegance to the simplicity of Rams, but its scenario and central conflict are somewhat too familiar to not supplant with further scripting or characterization. Hákonarson's glacial pace, at first hypnotic and appropriate for the unyielding consistency of the farmers, becomes restless over time, making the film begin to feel sleepier when it should evidence an elegiac crescendo. Things perk up with a stormy and unexpectedly tender climax, but there's a larger breadth of untapped subtext which leaves the film feeling thoroughly pleasant, but flimsier than it should amidst such steadfast a landscape.If nothing else, the film should be commended for the abilities of its cast to convey so much largely through solemn staring into the distance. Sigurður Sigurjónsson brings a craggy affability to protagonist Gummi, the crinkles of affection crawling across his normally desolate features as he caresses the wool of his prized sheep making it all the more moving as he comes to terms with the heartbreaking of their pending slaughter. As the crabbier estranged brother, Theodór Júlíusson tempers comedic blustering and haphazard nudity with an undercurrent of real hurt and loss. Both are so odd it's easy to understand how they'd connect so much easier with their sheep, but also the ferocious indignation with which they'll protect not only their individual animals, but their livelihood, lifestyle, and family legacy. Rams, in its deliberate primal simplicity, may not offer all the answers to the questions it evokes, but in the hands of such raw,capable performers and the stunning, plaintive Icelandic vistas that Hákonarson films with such reverence, it's a deceptively engaging curiosity, and one worth weathering alongside its farmers. Just keep your clothes on, if at a public screening.-7/10

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