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Dante 01

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Dante 01

Deep space, at the edge of the galaxy. The future. A new prisoner arrives on top security prison ship and psychiatric research unit Dante 01. Sole survivor of an encounter with an alien force, Saint-Georges is a man possessed by inner demons, caught up in the battle to control the monstrous power within him. It's a power that will infect the other highly dangerous occupants of Dante 01, gaolors and prisoners alike, unleashing a violent rebellion that turns this terrifying, labyrinthine world upside down. In the otherworldly hell of the ship's depths, through danger and redemption, each must journey to his very limits... each must confront his own Dragon.

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Release : 2008
Rating : 4.8
Studio : Canal+,  Eskwad,  StudioCanal, 
Crew : Art Direction,  Production Design, 
Cast : Lambert Wilson Linh-Dan Pham Dominique Pinon Bruno Lochet François Levantal
Genre : Science Fiction

Cast List

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Reviews

Karry
2021/05/13

Best movie of this year hands down!

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Stellead
2018/08/30

Don't listen to the Hype. It's awful

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Console
2018/08/30

best movie i've ever seen.

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Curapedi
2018/08/30

I cannot think of one single thing that I would change about this film. The acting is incomparable, the directing deft, and the writing poignantly brilliant.

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jgdecaro
2013/08/21

Smoke, sit back and hold on for this ride. If you can figure out all of the hidden meanings in this movie you can't help to experience anything but greatness. Pure good and pure evil struggling against each other until an ending that left me awestruck, the 2 powers coming together in unison to form Earth. If you are not one quick to judge, willing to watch a few times in order to understand and open your mind, you will see. I believe that these days too many people don't question and have lost open mindedness and the herb enables you to release and free your mind in order to understand something that is on a higher plane. This film is nothing less than pure brilliance for those that can see.

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jannemanninen28
2013/02/14

This is most interesting movie. Since the acting is so fine I didn't have to pay attention to it and the visual aspect of the film is goddamn gorgeous, I'll move to the focus point of the film which is clearly missed for many individuals.This is a story which has been told times and times again. It's stated right in the start of the movie and it refers to the journey within. That means it is metaphoric representation of one's struggle inside his psyche, against his own sources of suffering and discomfort. But, for a change, this ain't done in the style of the Joseph Campbell's monomyth. It is done in the old good sense of psychoanalytic representation. It is supremely obvious if the viewer has done the process - not the analysis, necessarily, but struggled with the forces within. Let me explain this a bit.The prisoners, which are named among clearly simplified figures which clarify their status in the set of unconscious (ie. repressed) forces - or 'characters'. These are the needs and wants people generally don't want to admit in them, as to include them to your own ego-view of yourself: for example, the Buddha who wants to thinks he is helping people when hurting them for his own pleasure. Or the little Caesar, who is totally absorbed in having control over others and gets his pleasure in subjugating them. (i have only 1.000 words so cutting the list here, you can spot the rest yourself) Now the protagonist isn't the analyst - the healer as someone other person - but he is the manifestation of that will of one's that is set on the move when one is going after his "unconscious". It is the required agent that is ready to take the heat without being burned - and even when the forces overpower him, he (the will to go for it to the end) is able to restore himself. Ie. after defeat one cannot surrender but keep on going. It represents also the aspect of psychic/spiritual 'enlightenment' where one has to be willing to die, in a sense, to be able to reborn as something other than were before.The nanobots, which seem to be about to kill the person who is infected, represent the climax of the process: one is in horrible pains before he is finally able to let go of the alien thing - alien force - inside him that is tainting his soul. Alien in the sense of foreign for oneself, not E.T. So, our hero is able to see through the surface, through the facade of these suffering prisoners, straight 'into their hearts' and spot the dark thing that haunts them. And take it into himself, eat it up. That is: liberate the forces the character represents so that they are no longer fixated but are part and able to serve the whole - not just pursuing their own 'pleasure in pain' without any concern about what it means to other( interest)s. The prison is the unconscious, prisoners are habitats of it, and the doctors who are 'in control' are the ego. And sleeping gas is their only tool..One who listens is the one who understands what is going on, ie. Persephone. She who lives part of her time in the underworld. "The door should have opened and left open years ago", she says. The gap - the blockade, the barricade - between ego and the unconscious. The new nurse and Persephone can represent both the biological and psychoanalytical perspectives, but also one's own stance towards problems: to medicate it away or to figure it out.Attila is the side of us which is willing to give up anything and everything but the suffering which is so dear to us. This is the pilot of the "In Therapy" who in the end kills himself rather than confront himself and what he is and what he has done.The whole complex is in orbit of burning magma, that is macrocosmic metaphor for being stuck and bound to something which you can't go near but which you can't abandon, either. That is, the cause of our suffering. Everyone has his/her own, and to be set free is to subjectify it. Become it, and thus absorb it's power over oneself.

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julessimmond
2009/03/15

The whole story is set in a space shuttle which is being used as a medical research centre, far from the earth with a psychiatrist and a few guardians in charge of 7 convicts. Some of them are murderers some of them are psychopaths. As the story progresses a genetic engineer woman comes to the space shuttle with a secret experiment.A strange, mysterious new convict is delivered to the space shuttle who is very sick, dumb, bald and has no identity....One of the convicts begins believing that this sick, unknown man is the Messiah sent from God; and he gives him a name of a Saint. The convicts fall apart into 2 confronting sides and once things start breaking down the film becomes very enjoyable.I love strong character films. Only trouble is that it is slightly confusing when the genetic engineer woman injects the immortality virus into some of the convicts' bodies. just before she is going to watch their change and our strange mute guy shows up and takes the immortality virus out of their bodies by eating it.... creepyI felt this was a really enjoyable film but if you don't like Pseudo Religious meanings in a film this is not the one for you- I felt like there was going to be a monster but there wasn't so if you try not to expect some big monster reveal or aliens you'll enjoy it more! Enjoyable overall though and great acting and characterisation.

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jamie-peay
2009/02/01

If you deplore Christianity or even the symbolic presentation of mostly Christian ideas, even in a science fiction setting, you need not apply. This movie though visually striking and psychologically humanitarian, has very little back story or outright purpose other than to signify the virtue and creative power of self sacrifice. The imagery employed for the most part is obviously intended for the layman, but some deeper mysteries are also represented through the use of some lesser known and more profound symbolism. Every aspect of this film is developed to signify philosophical and spiritual concepts, from the names of the various characters, to the very shape of the space station on which the story plays out, which happens to be the unfolded four-dimensional hypercube. Without going into to much detail, suffice it to say if you do not appreciate abstract symbolism for the sake of its ability to communicate higher knowledge and secret wisdom then you most likely will not fully appreciate this film. That is not to say that there is nothing else to enjoy, as the acting for the most part is competent and the set design unsettlingly claustrophobic and nightmarishly stark so as to create a truly unnerving experience. I enjoyed this movie very much, though I feel with a little more development of the story it could have been much more accessible for the sometimes "profane" and often "uninitiated" masses. Donnie Darko, Pans Labyrinth, and The Fountain are ideologically similar films that may be more accessible and/or more compelling, simply for their ability to be interpreted differently by those with a disdain for Christ, and their better conceptualized approaches, more fully developed plot lines, and larger budgets... 8 out 10 stars!

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