Watch The Place Promised in Our Early Days For Free

Sorry, this movie sucks

Simply Perfect

Plenty to Like, Plenty to Dislike

If you don't like this, we can't be friends.

After years of postponing watching this, I finally sat down and gave it a watch. The movie itself is greatly lacking in terms of exposure, character development and plot. Give me a pair of scissors and I will cut it down into a 15min short film without skipping anything remotely important.The film centers around the promise two characters make, but doesn't really develop these characters well. Yes, we get to know that she has a bit of a crush on him and vice versa, but we only know so through a little bit of dialogue that might just as well have been a breach of the 4th wall. Show, don't tell. For some random reason these characters are allegedly tied together by this promise - even after not seeing each other for 3 years and having spent very little time together before. Around all that are a sci-fi AND a geopolitical story line that are both just as poorly developed.The film has stunning visuals, but those won't fool me into believing to having seen something beautiful or well thought out. TLDR: Average film with lots of issues and lack of heart.

For me the movie did not grip me at any moment. I watched through the minutes and as half the movie passed I still patiently waited for it to pick up. The very beginning part was somewhat interesting, it was developing characters, a plot, and an idea. By somewhat the middle of the movie the plot and the characters were lost. The movie jumped onto details irreverent to anything in the beginning. Such tactic really does throw off viewers but is not completely wrong if you build up on the idea properly. Throughout the movie you had fillers, small lines that made the movie much longer, and further from helping to keep the audience engaged. I honestly was at the coastline of the movie the whole time, I knew the idea and where the plot and movie was going, but the movie did put an effort in tying the audience emotionally to the screen. In conclusion, the movie had too many irrelevant details, lines, very loosely tied together, with very unorganized plot. It very much tried to be a movie like "Inception" or "Fight Club" but in my view it did fail in that category.

Makoto Shinkai is unique in his directing style in that he often places more focus on a character's inner thoughts rather than his or her dialogue and interacting with the environment. While this style has its own set of strengths and weaknesses, Shinkai uses it to his advantage to often show a emotion driven story. Such as is here in "The Place Promised in our Early Days." It is not a good as some of his other efforts, but it is still worth the watch nonetheless. The story is about three friends living in a alternate reality Japan. Japan has been split in have by America who controls the south and "the Union" controlling the north. There is a tower that goes beyond the clouds and the three friends make a promise to go fly up to it using a plane that they salvage and start to repair. One day, one of the friends disappear and story follows the other two friends and how they cope and ultimately try to find and help her. Like I said, the setting is in a alternate history and there are some science fiction influences in the world. However, it does not detract from the highlight which is he story. The first part of the story involves the three friends enjoying their summer. It is so genuine in terms of emotion and the bright lighting and beautiful drawn environments really brings the story to life. The character animations is not the best and the voice acting is OK at best, but the environments themselves are so beautiful that you'll easily forgive the previous complaints. Shinkai excels at portraying emotions of lost and isolation, especially when it involves old friends and lost lovers. It is no exception here. The main character is the most developed here as we hear his inner thoughts the most and his desire to see his lost friend again is interesting. As much as I like this movie, it is hard not to compare it to another Makoto Shinkai film, "5cm per Second." The reason I like that film better is because there was nothing that distracted the main story. It was clear and to the point with nothing distracting. Same can't be said for this movie. There is a lot of background here involving politics and a weird dream/ parallel universe science that gets convoluted and messy and at times, it can get distracting. That being said, if you want a movie with genuine emotion, this is not a bad watch. In a age where anime tends to focus less on story and more and cutesy hi jinks and everyday nonsense of high school students who can't get a girl, "The Place Promised in our Early Years" is a refreshing, emotional, and occasionally beautiful film that won't leave and tears in your eyes, but might leave you staring at the screen even after the credits start rolling.

Makoto Shinkai came back. And this time he is not alone.'The Place Promised in Our Early Days' is a pure and beautiful piece of work. This has probably the most beautiful visuals of all animations that I've seen ('Please Save My Earth' and some others are also beautiful but they all have different characteristics, I must say). Pictures themselves are beautiful, and it is no wonder how people call him the 'magician of light'.My overall impression of this anime is that it's like a poet but with Sci-Fi to match with it. 'Voices of a Distant Star (Hoshi no koe)' was quite boring for me honestly. But with a similar structure and image, 'The Place...' seems to deliver much better what Makoto Shinkai wanted to deliver, even though its story is slightly loose here and there.I do think, however, that it is 'too' consistent throughout - from Makoto Shinkai's authentic poetic and solitary, pure atmosphere to its story/drama, visuals (e.g. lighting), music etc (I must say that sound aspects outside music is not very well done but let's put that aside), pretty much everything. This strengthens the sense of purity this anime represents, but I really think it would be better to have more 'bandwidth' to it, so it can have more dynamics and life in it. It is great how Makoto Shinkai pulled it off gracefully knitted altogether, though. I'd say that 'The Place...' stands on its very own ground, really. I think it is something that's quite different to all the rest, and don't really think it's appropriate to judge this by typical standards.To hold it together for a much longer period of time, and to do it well, he has effectively implied editing (if I could say that) and careful laying out of the story. But the biggest difference I witnessed from 'The Place...' was how Makoto Shinkai has casted much more characters than before - though characters lack in variety as well. This enriches the story as well as adding complexity and depth to it so you don't get bored out easily.But after all, it is superb how well Makoto Shinkai has put the whole thing together so well. I was very fascinated and captured while I was watching it - which didn't happen for quite some time. I think this is one piece of work that overwhelms viewers by its beauty and sense of purity.P.S. Although I can understand how some animatings are not up to the feature animation quality, I personally think it'd be better for Makoto Shinkai to get somebody good to retouch on his characters' faces.